Open main menu
Home
Random
Recent changes
Special pages
Community portal
Preferences
About Wikipedia
Disclaimers
Incubator escapee wiki
Search
User menu
Talk
Dark mode
Contributions
Create account
Log in
Editing
Vocal range
(section)
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
==Singing and the definition of vocal range== While the broadest definition of "vocal range" is simply the span from the lowest to the highest note a particular voice can produce, this broad definition is often not what is meant when "vocal range" is discussed in the context of singing. [[Vocal pedagogy|Vocal pedagogists]] tend to define the vocal range as the total span of "musically useful" pitches that a singer can produce. This is because some of the [[Musical note|note]]s a voice can produce may not be considered usable by the singer within performance for various reasons.<ref name=Appelman>{{cite book |title= The Science of Vocal Pedagogy: Theory and Application |last= Appelman |first= D. Ralph |year= 1986 |publisher= Indiana University Press |isbn= 978-0-253-20378-6}}</ref> For example, within [[opera]] all singers must [[Voice projection|project]] over an orchestra without the aid of a microphone. An opera singer would therefore only be able to include the notes that they are able to adequately project over an orchestra within their vocal range. In contrast, a [[Popular music|pop]] artist could include notes that could be heard with the aid of a microphone. Another factor to consider is the use of different forms of vocal production. The human voice is capable of producing sounds using different physiological processes within the [[larynx]]. These different forms of voice production are known as [[vocal register]]s. While the exact number and definition of vocal registers is a controversial topic within the field of singing, the sciences identify only four registers: the [[whistle register]], the [[Falsetto|falsetto register]], the [[Modal voice|modal register]], and the [[vocal fry register]]. Typically only the usable pitches within the modal register—the register used in normal speech and most singing—are included when determining singers' vocal ranges. There are exceptions,<ref name=McKinney /> as in opera, where [[countertenor]]s employ falsetto and [[coloratura soprano]]s use the whistle register; notes from these registers would therefore be included in the vocal ranges of these voices.<ref name=Appelman />
Edit summary
(Briefly describe your changes)
By publishing changes, you agree to the
Terms of Use
, and you irrevocably agree to release your contribution under the
CC BY-SA 4.0 License
and the
GFDL
. You agree that a hyperlink or URL is sufficient attribution under the Creative Commons license.
Cancel
Editing help
(opens in new window)