Editing Wingy Manone (section)

== Biography ==
{{More citations needed section|date=March 2018}}
Manone (pronounced "ma-KNOWN") was born in [[New Orleans]], [[Louisiana]], of Sicilian descent. He lost his right arm in a [[streetcar]] accident when he was ten years old, which resulted in his nickname of "Wingy".<ref name="LarkinGE"/> He used a prosthesis so naturally and unnoticeably that his disability was not apparent to the public.<ref>[https://syncopatedtimes.com/joseph-wingy-manone-1900-1982/ Joseph "Wingy" Manone (1900-1982) at Red Hot Jazz Archive] short biography with discography and sound files.</ref>

After playing trumpet and cornet professionally with various bands in his hometown, he began to travel across America in the 1920s, working in Chicago, New York City, Texas, [[Mobile, Alabama]], California, [[St. Louis, Missouri]], and other locations.<ref name="LarkinGE"/>  

Manone's style was similar to that of fellow New Orleans trumpeter [[Louis Prima]]: hot jazz with trumpet leads, punctuated by good-natured spoken patter in a pleasantly gravelly voice. Manone was an esteemed musician who was frequently recruited for recording sessions. He played on some early [[Benny Goodman]] records,<ref name="LarkinGE"/> for example and fronted various pickup groups under pseudonyms like "The Cellar Boys" and "Barbecue Joe and His Hot Dogs." His hit records included "Tar Paper Stomp" (an original riff composition of 1929, later used as the basis for [[Glenn Miller]]'s "[[In the Mood]]"), and a hot 1934 version of a sweet ballad of the time "[[Isle of Capri (song)|The Isle of Capri]]",<ref name="LarkinGE"/> which was said to have annoyed the songwriters despite the royalties it earned them.

Manone's group, like other bands, often recorded alternative versions of songs during the same sessions; Manone's vocals would be used for the American, Canadian, and British releases, and strictly instrumental versions would be intended for the international, non-English-speaking markets. Thus, there is more than one version of many Wingy Manone hits. Among his better records are "There'll Come a Time (Wait and See)" (1934, also known as "San Antonio Stomp"), "Send Me" (1936), and the novelty hit "The Broken Record" (1936). He and his band did regular recording and radio work through the 1930s and appeared with [[Bing Crosby]] in the 1940 film ''[[Rhythm on the River]]''.

His 1939 recording, "Boogie Woogie", featured the piano of [[Conrad Lanoue]], who was part of Manone's band from 1936 to 1940.<ref name="Grove">{{Citation |date=2003 |chapter=Lanoue, Conrad (T.) |publisher=Grove Music Online. Oxford Music Online. Oxford University Press |doi= 10.1093/gmo/9781561592630.article.J258600|isbn=9781561592630 }}</ref> In 1943, Manone recorded several tunes as "Wingy Manone and His Cats"; that same year he performed in [[Soundies]] movie musicals. One of his Soundies reprised his recent hit, "Rhythm on the River."

Manone's autobiography, ''Trumpet on the Wing'', was published in 1948.

From the 1950s, he was based mostly in California and [[Las Vegas Valley|Las Vegas, Nevada]], although he also toured through the United States, Canada, and parts of Europe to appear at jazz festivals.<ref name="LarkinGE"/> In 1957, he attempted to break into the teenage [[rock-and-roll]] market with his version of "Party Doll", the [[Buddy Knox]] hit. His version on Decca 30211 made No.&nbsp;56 on ''[[Billboard (magazine)|Billboard]]''{{'s}} Pop chart and it received a UK release on Brunswick 05655.

Manone's compositions include "There'll Come a Time (Wait and See)" with [[Miff Mole]] (1928), "Tar Paper Stomp" (1930), "Tailgate Ramble" with [[Johnny Mercer]], "Stop the War (The Cats Are Killin' Themselves)" (1941), "Trying to Stop My Crying", "Downright Disgusted Blues" with [[Bud Freeman]], "Swing Out" with [[Ben Pollack]], "Send Me", "Nickel in the Slot" with [[Irving Mills]], "Jumpy Nerves", "Mannone Blues", "Easy Like", "Strange Blues", "Swingin' at the Hickory House", "No Calling Card", "Where's the Waiter?", "Walkin' the Streets (Till My Baby Comes Home)", and "Fare Thee Well (Annabelle)". In 2008, "There'll Come a Time (Wait and See)" was used in the soundtrack to the Academy Award-nominated movie ''[[The Curious Case of Benjamin Button (film)|The Curious Case of Benjamin Button]]''.
[[Image:Wingy Manone, William P. Gottlieb's office, New York, N.Y., between 1946 and 1948 (William P. Gottlieb 06031).jpg|thumb|Manone in [[William P. Gottlieb]]'s office, New York, N.Y., between 1946 and 1948]]