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==Examples of use== Direct-input tracking is used on almost every electric bass part on ''[[Sgt. Pepper's Lonely Hearts Club Band]]'', most prominently on "[[Lucy in the Sky with Diamonds|Lucy In The Sky With Diamonds]]", "[[When I'm Sixty-Four]]", "[[Lovely Rita]]", and "[[A Day in the Life|A Day in The Life]]", as well as "[[Only a Northern Song|Only A Northern Song]]", "[[I Me Mine]]", and the lead-guitar introducing "[[Revolution (Beatles song)|Revolution]]".<ref name="Hodgson">Hodgson, Jay (2010). ''Understanding Records'', p.47. {{ISBN|978-1-4411-5607-5}}.</ref> Other examples include [[Dave Matthews Band]]'s "[[So Much to Say|So Much To Say]]" and [[Adele]]'s "[[19 (Adele album)|Daydreamer]]".<ref name="Hodgson"/> The main guitar riff on [[Led Zeppelin]]'s "[[Black Dog (Led Zeppelin song)|Black Dog]]" was recorded directly through a mic-preamp and fed through a pair of [[1176 Peak Limiter]]s.<ref>{{Cite web | url=http://www.uaudio.com/webzine/2003/april/index8.html |title = Universal Audio}}</ref> [[Byrds]] frontman and guitarist [[Roger Mcguinn]] achieved his famous jangly guitar sound in the studio by recording his 12-string [[Rickenbacker]] direct-in through a compressor to emphasize the treble.<ref>{{Cite web|date=October 13, 2008|first=Bob|last=Cianci|title=Roger McGuinn: Rickenbackers, Martins & Byrds|url=https://www.premierguitar.com/articles/roger-mcguinn-rickenbackers-martins-byrds-1|access-date=2020-10-18|website=www.premierguitar.com|language=en}}</ref>
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