Open main menu
Home
Random
Recent changes
Special pages
Community portal
Preferences
About Wikipedia
Disclaimers
Incubator escapee wiki
Search
User menu
Talk
Dark mode
Contributions
Create account
Log in
Editing
Sound design
(section)
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
===Music=== In the contemporary music business, especially in the production of [[rock music]], [[ambient music]], [[progressive rock]], and similar [[genre]]s, the [[record producer]] and [[recording engineer]] play important roles in the creation of the overall sound (or [[soundscape]]) of a recording, and less often, of a live performance. A record producer is responsible for extracting the best performance possible from the musicians and for making both musical and technical decisions about the instrumental timbres, arrangements, etc. On some, particularly more electronic music projects, artists and producers in more conventional genres have sometimes sourced additional help from artists often credited as "sound designers", to contribute specific auditory effects, ambiences etc. to the production. These people are usually more versed in e.g. electronic music composition and synthesizers than the other musicians on board. In the application of electroacoustic techniques (e.g. binaural sound) and sound synthesis for contemporary music or film music, a sound designer (often also an electronic musician) sometimes refers to an artist who works alongside a composer to realize the more electronic aspects of a musical production. This is because sometimes there exists a difference in interests between composers and electronic musicians or sound designers. The latter specialises in electronic music techniques, such as sequencing and synthesizers, but the former is more experienced in writing music in a variety of genres. Since electronic music itself is quite broad in techniques and often separate from techniques applied in other genres, this kind of collaboration can be seen as natural and beneficial. Notable examples of (recognized) sound design in music are the contributions of [[Michael Brook]] to the [[U2]] album ''[[The Joshua Tree]]'', [[George Massenburg]] to the [[Jennifer Warnes]] album ''[[Famous Blue Raincoat (album)|Famous Blue Raincoat]]'', [[Chris Thomas (record producer)|Chris Thomas]] to the [[Pink Floyd]] album ''[[The Dark Side of the Moon]]'', and [[Brian Eno]] to the [[Paul Simon]] album ''[[Surprise (Paul Simon album)|Surprise]]''. In 1974, [[Suzanne Ciani]] started her own production company, Ciani/Musica. Inc., which became the #1 sound design music house in New York.<ref>{{Cite web|url=https://www.sevwave.com/music|title=MUSIC|website=Suzanne Ciani}}</ref>
Edit summary
(Briefly describe your changes)
By publishing changes, you agree to the
Terms of Use
, and you irrevocably agree to release your contribution under the
CC BY-SA 4.0 License
and the
GFDL
. You agree that a hyperlink or URL is sufficient attribution under the Creative Commons license.
Cancel
Editing help
(opens in new window)