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Abstract expressionism
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== Consequences == [[File:Jean-Paul Riopelle, 1951, Untitled, oil on canvas, 54 x 64.7 cm.jpg|thumb|left|[[Jean-Paul Riopelle]], 1951, ''Untitled'', oil on canvas, 54 x 64.7 cm (21 1/4 x 25 1/2 in.), private collection]] [[Canadians|Canadian]] painter [[Jean-Paul Riopelle]] (1923–2002), a member of the Montreal-based surrealist-inspired group [[Les Automatistes]], helped introduce a related style of [[abstract impressionism]] to the Parisian art world from 1949. [[Michel Tapié]]'s groundbreaking book, ''Un Art Autre'' (1952), was also enormously influential in this regard. Tapié was also a curator and exhibition organizer who promoted the works of Pollock and Hans Hofmann in Europe. By the 1960s, the movement's initial effect had been assimilated, yet its methods and proponents remained highly influential in art, affecting profoundly the work of many artists who followed. Abstract expressionism preceded [[Tachisme]], [[Color Field painting]], [[Lyrical Abstraction]], [[Fluxus]], [[Pop Art]], [[Minimalism]], [[Postminimalism]], [[Neo-expressionism]], and the other movements of the sixties and seventies and it influenced all those later movements that evolved. Movements which were direct responses to, and rebellions against abstract expressionism began with [[Hard-edge painting]] ([[Frank Stella]], [[Robert Indiana]] and others) and [[Pop Art|Pop artists]], notably [[Andy Warhol]], [[Claes Oldenburg]] and [[Roy Lichtenstein]] who achieved prominence in the US, accompanied by [[Richard Hamilton (artist)|Richard Hamilton]] in Britain. [[Robert Rauschenberg]] and [[Jasper Johns]] in the US formed a bridge between abstract expressionism and Pop art. [[Minimalism]] was exemplified by artists such as [[Donald Judd]], [[Robert Mangold]] and [[Agnes Martin]]. However, many painters, such as [[Jules Olitski]], [[Joan Mitchell]] and [[Antoni Tàpies]] continued to work in the abstract expressionist style for many years, extending and expanding its visual and philosophical implications, as many abstract artists continue to do today, in styles described as [[Lyrical Abstraction|lyrical abstraction]], [[Neo-expressionism|neo-expressionist]] and others. In the years after World War II, a group of New York artists started one of the first true schools of artists in America, bringing about a new era in American artwork: abstract expressionism. This led to the American art boom that brought about styles such as [[Pop Art]]. This also helped to make [[New York City|New York]] into a cultural and artistic hub.<ref name="New York and Abstract Expressionism">{{cite web|title=Abstract Expressionist New York|url=http://www.moma.org/calendar/exhibitions/1085?locale=en|publisher=MoMA|access-date=March 22, 2012}}</ref> {{blockquote|Abstract Expressionists value the organism over the static whole, becoming over being, expression over perfection, vitality over finish, fluctuation over repose, feeling over formulation, the unknown over the known, the veiled over the clear, the individual over society and the inner over the outer.<ref>Dore Ashton, ''American Art Since 1945'', Oxford University Press, 1982, p. 37, {{ISBN|0195203593}}</ref>|William C. Seitz, American artist and Art historian}}
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