Editing New Objectivity (section)

==Legacy==
The New Objectivity movement is usually considered to have ended with the [[Weimar Republic]] when the [[National Socialist German Workers Party|National Socialists]] under [[Adolf Hitler]] seized power in January 1933.<ref>Schmied 1978, p. 31</ref>  The [[Nazi]] authorities condemned much of the work of the New Objectivity as "[[degenerate art]]", so that works were seized and destroyed and many artists were forbidden to exhibit. A few, including [[Karl Hubbuch]], [[Adolf Uzarski]], and [[Otto Nagel]], were among the artists entirely forbidden to paint. While some of the major figures of the movement went into [[exile]], they did not carry on painting in the same manner. George Grosz emigrated to America and adopted a [[Romanticism|romantic]] style, and Max Beckmann's work by the time he left Germany in 1937 was, by [[Franz Roh]]'s definitions, expressionism.

The influence of New Objectivity outside of Germany can be seen in the work of artists like [[Balthus]], [[Salvador Dalí]] (in such early works as his ''Portrait of [[Luis Buñuel]]'' of 1924),<ref>Roh et al. 1997, p. 291</ref> [[Auguste Herbin]], [[Maruja Mallo]], [[Cagnaccio di San Pietro]], [[Grant Wood]], [[Adamson-Eric]], and [[Juhan Muks]].