Editing Serialism (section)

===Sources===
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* {{cite web|author=Anon.|date=1 December 2008|url=http://www.milkenarchive.org/artists/artists.taf?artistid=191|title=Arnold Schoenberg|website=[[Milken Archive of American Jewish Music]]|archive-url=https://web.archive.org/web/20081201141342/http://www.milkenarchive.org/artists/artists.taf?artistid=191|access-date=23 February 2016|archive-date=1 December 2008}}
*{{wikicite|ref={{harvid|Babbitt|1987}}|reference=[[Milton Babbitt|Babbitt, Milton]]. 1987. ''Words about Music'', edited by Stephen Dembski and Joseph N. Straus. Madison: University of Wisconsin Press.}}
* {{Cite journal|last=Ball|first=Philip|author-link=Philip Ball|date=2011|title=Schoenberg, Serialism and Cognition: Whose Fault If No One Listens?|journal=Interdisciplinary Science Reviews|volume=36|issue=1|pages=24–41|doi=10.1179/030801811X12941390545645|bibcode=2011ISRv...36...24B |s2cid=143370540}}
* {{wikicite|ref={{harvid|Bandur|2001}}|reference=Bandur, Markus. 2001. ''Aesthetics of Total Serialism: Contemporary Research from Music to Architecture''. Basel, Boston and Berlin: Birkhäuser.}}
* {{wikicite|ref={{harvid|Bochner|1967}}|reference=Bochner, Mel. 1967. "The Serial Attitude". ''Artforum'' 6, no. 4 (December): 28–33.}}
* {{wikicite|ref={{harvid|Bosseur|1989}}|reference=Bosseur, Jean-Yves. 1989. "''Votre Faust'', miroir critique". ''Revue belge de musicologie''/''Belgisch tijdschrift voor muziekwetenschap'' 43 (Liber amicorum Henri Pousseur: Henri Pousseur, ou, Le sérialisme entre modernisme et postmodernisme/Henri Pousseur, of, De lange weg naar de toekomst): 57–70.}}
*{{wikicite|ref={{harvid|Boulez|1954}}|reference=[[Pierre Boulez|Boulez, Pierre]]. 1954. "… auprès et au loin". ''Cahiers de la Compagnie Madeleine Renaud–Jean-Louis Barrault'' 2, no. 3:7–27. Reprinted in ''Relevés d’apprenti'', edited by Paule Thévenin. Collection "Tel quel". Paris: Éditions du Seuil, 1966, 183–203. Also reprinted in ''Points de repère'', third edition, 1:287–314. Paris: Christian Bourgois, 1995. English version, as ".&nbsp;.&nbsp;.''Auprès et au loin''", in Pierre Boulez, ''Notes of an Apprenticeship'', texts collected and presented by Paule Thévenin, translated by Herbert Weinstock, 182–204. New York: Alfred A. Knopf, 1968. Another English version, as "Near and Far", in Pierre Boulez, ''Stocktakings from an Apprenticeship'', translated by Stephen Walsh, with an introduction by Robert Piencikowski, 141–157. Oxford: Clarendon Press; New York: Oxford University Press, 1991. {{ISBN|0193112108}}.}}
*{{wikicite|ref={{harvid|Campbell|2010}}|reference=Campbell, Edward. 2010. ''Boulez, Music and Philosophy''. Music in the Twentieth Century 27. Cambridge and New York: Cambridge University Press. {{ISBN|978-0-521-86242-4}}.}}
* {{wikicite|ref={{harvid|Collot|2008}}|reference=Collot, Michelle. 2008. "Le génie des lieux". In ''Michel Butor: déménagements de la littérature'', edited by Mireille Calle-Gruber, 73–84. Paris: Presses Sorbonne Nouvelle. {{ISBN|9782878544176}}.}}
* {{wikicite|ref={{harvid|Cope|1971}}|reference=[[David Cope|Cope, David]]. 1971. ''New Directions in Music''. Dubuque, Iowa: W. C. Brown Co. {{ISBN|9780697035561}}.}}
* {{wikicite|ref={{harvid|Cott|1973}}|reference=Cott, Jonathan. 1973. ''Stockhausen; Conversations with the Composer'', New York: Simon & Schuster.}}
* {{wikicite|ref={{harvid|Delahoyde|n.d.}}|reference=Delahoyde, Michael. n.d. "[http://www.wsu.edu/~delahoyd/20th/music.intro.html 20th-Century Music]". Author's website, Washington State University.}}
* {{wikicite|ref={{harvid|Felder|1977}}|reference=Felder, David. 1977. "An Interview with Karlheinz Stockhausen". ''[[Perspectives of New Music]]'' 16, no. 1 (Fall–Winter): 85–101.}}
*{{wikicite|ref={{harvid|Frisius|1998}}|reference=Frisius, Rudolf. 1998. [http://www.frisius.de/rudolf/texte/tx317.htm Serielle Musik.] In: ''Die Musik in Geschichte und Gegenwart: allgemeine Enzyklopädie der Musik''. Second, newly compiled edition, edited by musicologists [[Ludwig Finscher]], part 1 (Sachteil), vol. 8 (Quer–Swi): 1327–1354. Kassel & New York: Bärenreiter; Stuttgart: Metzler. {{ISBN|978-3-7618-1109-2}} ([[Bärenreiter]]) {{ISBN|978-3-476-41008-5}} (Metzler).}}
*{{wikicite|ref={{harvid|Gerstner|1964}}|reference=Gerstner, Karl. 1964. ''Designing Programmes: Four Essays and an Introduction'', with an introduction to the introduction by [[Paul Gredinger]]. English version by D. Q. Stephenson. Teufen, Switzerland: Arthur Niggli. Enlarged, new edition 1968.}}
* {{wikicite|ref={{harvid|Goeyvaerts|1994}}|reference=[[Karel Goeyvaerts|Goeyvaerts, Karel]]. 1994. "Paris–Darmstadt 1947–1956: Excerpt from the Autobiographical Portrait", translated by Patrick Daly, Peter Vosch, and Roger Janssens. ''Revue belge de Musicologie'' / ''Belgisch Tijdschrift voor Muziekwetenschap'' 48 (The Artistic Legacy of Karel Goeyvaerts: A Collection of Essays): 35–54.}}
* {{Cite journal|last=Granade|first=S. Andrew|date=2015-01-12|title=''Music in the Twentieth and Twenty-First Centuries'' and ''Anthology for Music in the Twentieth and Twenty-First Centuries'', by Joseph Auner|type=Review|doi=10.18177/sym.2015.55.rev.10874|jstor=26574410|journal=College Music Symposium|volume=55|issn=2330-2011}}
* {{wikicite|ref={{harvid|Grant|2001}}|reference=Grant, Morag Josephine. 2001. ''Serial Music Serial Aesthetics: Compositional Theory in Post-War Europe''. Music in the Twentieth Century, Arnold Whittall, general editor. Cambridge: Cambridge University Press. {{ISBN|0-521-80458-2}}.}}
* {{wikicite|ref={{harvid|Grant|2006}}|reference=Grant, Morag Josephine. 2006. Untitled review of ''Wege zum musikalischen Strukturalismus: René Leibowitz, Pierre Boulez, John Cage und die Webern-Rezeption in Paris um 1950'', by Inge Kovács (Schliengen: Argus, 2003); ''Die soziale Isolation der neuen Musik: Zum Kölner Musikleben nach 1945'', by [[Michael Custodis]] (supplement to the ''[[Archiv für Musikwissenschaft]]'' 54, Stuttgart: Franz Steiner, 2004); ''Reihe und System: Signaturen des 20. Jahrhunderts. Symposiumsbericht'', edited by Sabine Meine (Monographien der Institut für Musikpädogogische Forschung der Hochschule für Musik und Theater Hannover 9, Hannover: Institut für Musikpädagogische Forschung, 2004). ''[[Music & Letters]]'' 87, no. 2 (May): 346–352.}}
* {{wikicite|ref={{harvid|Griffiths|1978}}|reference=[[Paul Griffiths (writer)|Griffiths, Paul]]. 1978. ''Boulez''. Oxford Studies of Composers 16. London and New York: Oxford University Press. {{ISBN|0-19-315442-0}}.}}
* {{wikicite|ref={{harvid|Griffiths|2001}}|reference=Griffiths, Paul. 2001. "Serialism". ''[[The New Grove Dictionary of Music and Musicians]]'', second edition, edited by [[Stanley Sadie]] and [[John Tyrrell (professor of music)|John Tyrrell]], 23:116–123. London: Macmillan.}}
* {{wikicite|ref={{harvid|Guderian|1985}}|reference=Guderian, Dietmar. 1985. "Serielle Strukturen und harmonikale Systeme". In ''Vom Klang der Bilder: die Musik in der Kunst des 20. Jahrhunderts'', edited by Karin von Maur, 434–437. Munich: Prestel-Verlag.}}
* {{wikicite|ref={{harvid|Heinemann|1998}}|reference=Heinemann, Stephen. 1998. "Pitch-Class Set Multiplication in Theory and Practice". ''[[Music Theory Spectrum]]'' 20, no. 1:72–96.}}
* {{wikicite|ref={{harvid|Horn|2015}}|reference=Horn, Walter. 2015. [https://www.academia.edu/26819479/TONALITY_MUSICAL_FORM_AND_AESTHETIC_VALUE_Penultimate_Proof_ "Tonality, Musical Form, and Aesthetic Value"] . ''[[Perspectives of New Music]]'' 53, no. 2:201–235.}}
* {{wikicite|ref={{harvid|Jalowetz|1944}}|reference=Jalowetz, Heinrich. 1944. [https://web.archive.org/web/20110923025843/http://mq.oxfordjournals.org/content/XXX/4/385.full.pdf+html "On the Spontaneity of Schoenberg's Music".] (Subscription access) ''[[The Musical Quarterly]]'' 30, no. 4 (October): 385–408.}}
* {{wikicite|ref={{harvid|Keller|1955}}|reference=[[Hans Keller|Keller, Hans]]. 1955. "Strict Serial Technique in Classical Music". ''Tempo'' (new series) no. 37 (Autumn): 12–16, 21–24.}}
* {{wikicite|ref={{harvid|Koenig|1999}}|reference=[[Gottfried Michael Koenig|Koenig, Gottfied Michael]]. 1999. ''Ästhetische Praxis: Texte zur Musik, Supplement I'', edited by Stefan Fricke, [[Wolf Frobenius]], and Sigrid Konrad. Quellentexte der Musik des 20. Jahrhunderts 1.4. Saarbrücken: Pfau-Verlag, 1999. {{ISBN|3-89727-056-0}}.}}
* {{wikicite|ref={{harvid|Kohl|2002}}|reference=[[Jerome Kohl|Kohl, Jerome]]. 2002. "Serial Composition, Serial Form, and Process in Karlheinz Stockhausen's ''Telemusik''." In ''Electroacoustic Music: Analytical Perspectives'', ed. Thomas Licata, 91–118. Westport, Conn. and London: Greenwood Press. {{ISBN|0-313-31420-9}}.}}
*{{wikicite|ref={{harvid|Krumhansl, Sandell & Sergeant|1987}}|reference=Krumhansl, Carol., Sandell, Gregory, and Sergeant, Desmond. 1987. "The perception of tone hierarchies and mirror forms in twelve-tone music", ''Music Perception'' 5, no. 1: 31–78.}}
* {{wikicite|ref={{harvid|Leibowitz|1947}}|reference=Leibowitz, René. 1947. ''Schoenberg et son école: l'étape contemporaine du langage musical''. [Paris]: J.B. Janin. (English edition, as ''Schoenberg and His School: The Contemporary Stage in the Language of Music''. Translated by Dika Newlin. New York: Philosophocal Library, 1949).}}
* {{wikicite|ref={{harvid|Leray|2008}}|reference=Leray, Pascal. 2008. ''Portrait de la série en jeune mot''. Mazères: Le chasseur abstrait éditeur. {{ISBN|978-2-35554-025-7}}.}}
* {{wikicite|ref={{harvid|Lerdahl|1988}}|reference=[[Fred Lerdahl|Lerdahl, Fred]]. 1988. "Cognitive Constraints on Compositional Systems". In ''Generative Processes in Music'', ed. John Sloboda. Oxford: Oxford University Press. Reprinted in ''Contemporary Music Review'' 6, no. 2 (1992):97–121.}}
* {{wikicite|ref={{harvid|Locanto|2010}}|reference=Locanto, Massimiliano. 2010. "Karel Goeyvaerts – Henry {{sic}} Pousseur: deux compositeurs belges au cœur de la Nouvelle Musique". In ''Album Belgique'', edited by Annamaria Laserra, 151–164. Brussels: P. I. E. Peter Lang. {{ISBN|978-90-5201-635-1}}.}}
* {{wikicite|ref={{harvid|Maconie|2005}}|reference=[[Robin Maconie|Maconie, Robin]]. 2005. ''Other Planets: The Music of Karlheinz Stockhausen''. Lanham, Maryland, Toronto, Oxford: The Scarecrow Press. {{ISBN|0-8108-5356-6}}.}}
* {{wikicite|ref={{harvid|Mead|1985}}|reference=Mead, Andrew. 1985. "Large-Scale Strategy in Arnold Schoenberg's Twelve-Tone Music". ''[[Perspectives of New Music]]'' 24, no. 1 (Fall–Winter): 120–157.}}
* {{Cite journal|last=Moore|first=Allan F.|date=June 1995|title=Serialism and Its Contradictions|jstor=836966|journal=International Review of the Aesthetics and Sociology of Music|volume=26|issue=1|pages=77–95|doi=10.2307/836966}}
* {{wikicite|ref={{harvid|Morgan|1975}}|reference=Morgan, Robert. 1975. [https://archive.today/20130415161359/http://mq.oxfordjournals.org/content/75/4/194.full.pdf+html "Stockhausen's Writings on Music"]. (Subscription access) ''[[The Musical Quarterly]]'' 61, no. 1 (January): 1–16. Reprinted in ''The Musical Quarterly'' 75, no. 4 (Winter 1991): 194–206.}}
*{{wikicite|ref={{harvid|Mosch|2004}}|reference=[[Ulrich Mosch|Mosch, Ulrich]]. 2004. ''Musikalisches Hören serieller Musik: Untersuchungen am Beispiel von Pierre Boulez' "Le Marteau sans maître"''. Saarbrücken: Pfau-Verlag.}}
*{{wikicite|ref={{harvid|Newlin|1974}}|reference=[[Dika Newlin|Newlin, Dika]]. 1974. "Secret Tonality in Schoenberg's Piano Concerto". ''[[Perspectives of New Music]]'' 13, no. 1 (Fall–Winter):137–139.}}
* {{wikicite|ref={{harvid|Perle|1977}}|reference=[[George Perle|Perle, George]]. 1977. ''Twelve-tone Tonality''. Berkeley: University of California Press.}}
* {{wikicite|ref={{harvid|Pousseur|1959}}|reference=[[Henri Pousseur|Pousseur, Henri]]. 1959. "Forme et pratique musicales". ''Revue Belge de Musicologie'' 13:98–116. Slightly revised and expanded version, trans. into English as "Music, Form and Practice (An Attempt to Reconcile Some Contradictions)". ''Die Reihe'' 6 (1964): 77–93.}}
* {{wikicite|ref={{harvid|Pousseur|1970}}|reference=Pousseur, Henri. 1970. "En guise de conclusion: Pour une Périodicitée generalisée". In his ''Fragments théoriques I: Sur la musique expérimentale'', 241–290. Études de sociologie de la musique. Brussels: Editions de l’Institut de Sociologie Université Libre de Bruxelles.}}
* {{wikicite|ref={{harvid|Pousseur|1997}}|reference=Pousseur, Henri. 1997. "''Zeitmasze'': série, périodicité, individuation". Chapter 12 of his ''Musiques croisées'', preface by Jean-Yves Bosseur, 171–189. Collection Musique et Musicologie. Paris: L'Harmattan.}}
* {{wikicite|ref={{harvid|Ruwet|1959}}|reference=[[Nicolas Ruwet|Ruwet, Nicolas]]. 1959. "Contradictions du langage sériel". ''Revue Belge de Musicologie'' 13 (1959), 83–97. English trans., as "Contradictions within the Serial Language". ''Die Reihe'' 6 (1964): 65–76.}}
* {{wikicite|ref={{harvid|Sabbe|1977}}|reference=Sabbe, Herman. 1977. ''Het muzikale serialisme als techniek en als denkmethode: Een onderzoek naar de logische en historische samenhang van de onderscheiden toepassingen van het seriërend beginsel in de muziek van de periode 1950–1975''. Ghent: Rijksuniversiteit te Gent.}}
* {{wikicite|ref={{harvid|Schoenberg|1975}}|reference=[[Arnold Schoenberg|Schoenberg, Arnold]]. 1975. ''Style and Idea: Selected Writings of Arnold Schoenberg''. Edited by [[Leonard Stein (musicologist)|Leonard Stein]], translated by Leo Black. Berkeley and Los Angeles: University of California Press. {{ISBN|0-520-05294-3}}.}}
* {{wikicite|ref={{harvid|Schoffman|1981}}|reference=Schoffman, Nachum. 1981. "Serialism in the Works of Charles Ives". ''[[Tempo (journal)|Tempo]]'' 138: 21–32.}}
* {{wikicite|ref={{harvid|Shatzkin|1977}}|reference=Shatzkin, Merton. 1977. "A Pre-Cantata Serialism in Stravinsky". ''[[Perspectives of New Music]]'' 16, no. 1 (Fall–Winter): 139–143.}}
* {{wikicite|ref={{harvid|Sherlaw Johnson|1989}}|reference=[[Robert Sherlaw Johnson|Sherlaw Johnson, Robert]]. ''Messiaen'', revised and updated edition. Berkeley and Los Angeles: University of California Press. {{ISBN|978-0-520-06734-9}}.}}
* {{wikicite|ref={{harvid|Steinberg|1998}}|reference=[[Michael Steinberg (music critic)|Steinberg, Michael]]. 1998. ''The Symphony: A Listener's Guide.'' Oxford: Oxford University Press.}}
* {{wikicite|ref={{harvid|Stockhausen and Frisius|1998}}|reference=[[Karlheinz Stockhausen|Stockhausen, Karlheinz]], and Rudolf Frisius. 1998. "Es geht aufwärts". In: Karlheinz Stockhausen, ''Texte zur Musik'' 9, edited by [[Christoph von Blumröder]], 391–512. Kürten: Stockhausen-Verlag.}}
* {{wikicite|ref={{harvid|Sykora|1983}}|reference={{ill|Katharina Sykora|de|lt=Sykora, Katharina}}. 1983. ''Das Phänomen des Seriellen in der Kunst: Aspekte einer künstlerischen Methode von Monet bis zur amerikanischen Pop Art''. Würzburg: Könighausen + Neumann.}}
* {{wikicite|ref={{harvid|Tick|2001}}|reference=Tick, Judith. 2001. "Crawford (Seeger), Ruth (Porter)". ''[[The New Grove Dictionary of Music and Musicians]]'', second edition, edited by [[Stanley Sadie]] and [[John Tyrrell (musicologist)|John Tyrrell]]. London: Macmillan.}}
* {{wikicite|ref={{harvid|Waelti-Walters|1992}}|reference=Waelti-Walters, Jennifer R. 1992. ''Michel Butor''. Collection monographique Rodopi en littérature française contemporaine 15. Amsterdam and Atlanta: Rodopi. {{ISBN|9789051833867}}.}}
* {{wikicite|ref={{harvid|Walker|1986}}|reference=[[Alan Walker (musicologist)|Walker, Alan]]. 1986. ''Franz Liszt'', volume two: The Weimar Years 1848–1861. New York: Knopf. {{ISBN|9780394525402}}.}}
* {{wikicite|ref={{harvid|Whittall|2008}}|reference=[[Arnold Whittall|Whittall, Arnold]]. 2008. ''The Cambridge Introduction to Serialism''. Cambridge Introductions to Music. New York: Cambridge University Press. {{ISBN|978-0-521-86341-4}} (hardback) {{ISBN|978-0-521-68200-8}} (pbk).}}
* {{wikicite|ref={{harvid|Wörner|1973}}|reference={{ill|Karl Heinrich Wörner|de|lt=Wörner, Karl H.}} 1973. ''[https://books.google.com/books?isbn=0520032721 Stockhausen: Life and Work]'', introduced, translated, and edited by [[Bill Hopkins (composer)|Bill Hopkins]]. London: Faber and Faber; Berkeley and Los Angeles: University of California Press. {{ISBN|0-520-02143-6}}.}}
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