Editing Composer (section)

==Further reading==
* {{cite book |last1=Beckwith |first1=John |author-link1=John Beckwith (composer) |last2=Kasemets |first2=Udo |author-link2=Udo Kasemets |others=Foreword by [[Louis Applebaum]] |year=1961 |title=The Modern Composer and His World |series=Heritage |publisher=[[University of Toronto Press]] |location=Toronto |isbn=978-0-608-16267-6 |jstor=10.3138/j.ctt15jjfcx }}
* {{cite encyclopedia |last=Blum |first=Stephen |author-link=Stephen Blum |year=2023 |orig-year=2001 |encyclopedia=[[Grove Music Online]] |title=Composition |publisher=[[Oxford University Press]] |location=Oxford |doi=10.1093/gmo/9781561592630.article.06216 |url-access=subscription |url=https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000006216 }} {{Grove Music subscription}}
* {{cite journal |last=Mugmon |first=Matthew |date=November 2013 |title=Beyond the Composer-Conductor Dichotomy: Bernstein's Copland-Inspired Mahler Advocacy |journal=[[Music & Letters]] |volume=94 |issue=4 |pages=606–627 |doi=10.1093/ml/gct131 |jstor=24547378 }}
* {{cite journal |last=Everist |first=Mark |author-link=Mark Everist |date=2013 |title=Master and Disciple: Teaching the Composition of Polyphony in the Thirteenth Century |journal=Musica Disciplina |volume=58 |pages=51–71 |jstor=24429413 }}
* {{cite book |last=Meyer |first=Leonard B. |author-link=Leonard B. Meyer |year=2010 |title=Music, the Arts, and Ideas: Patterns and Predictions in Twentieth-Century Culture |publisher=[[University of Chicago Press]] |location=Chicago |isbn=978-0-226-52144-2 |url={{google books|plainurl=y|id=8U2-_3iQb2wC}} }}
* {{cite journal |last=Piotrowska |first=Anna G. |date=December 2007 |title=Modernist Composers and the Concept of Genius / Skladatelji Moderne i pojam genija |journal=[[International Review of the Aesthetics and Sociology of Music]] |volume=38 |issue=2 |pages=229–242 |jstor=25487527 }}
* {{cite journal |last=Wegman |first=Rob C. |date=Autumn 1996 |title=From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500 |journal=[[Journal of the American Musicological Society]] |volume=49 |issue=3 |pages=409–479 |jstor=831769 |doi=10.2307/831769 }}
* {{cite book |editor-last1=Williams |editor-first1=Justin A. |editor-last2=Williams |editor-first2=Katherine |year=2016 |title=The Cambridge Companion to the Singer-Songwriter |publisher=[[Cambridge University Press]] |location=Cambridge |isbn=978-1-107-06364-8 }}<!--pp. 28, 294-->
* {{cite book |last=Young |first=Toby |editor-last=Young |editor-first=Toby |year=2024 |title=The Cambridge Companion to Composition |chapter=Introduction |pages=1–18 |publisher=[[Cambridge University Press]] |location=Cambridge |isbn=978-1-108-92373-6 |url={{google books|plainurl=y|id=q5oKEQAAQBAJ}} }}
* {{cite book |last=Ziolkowski |first=Jan M. |author-link=Jan M. Ziolkowski |year=2018 |title=The Juggler of Notre Dame and the Medievalizing of Modernity |volume=4: Picture That: Making a Show of the Jongleur |chapter=1. The Composer |publisher=[[Open Book Publishers]] |location=Cambridge |isbn=978-1-01-329142-5 |jstor=j.ctv8d5t5s |chapter-url=https://www.jstor.org/stable/j.ctv8d5t5s.4 }}