Editing Musical analysis (section)

== References ==
{{reflist}}
===Sources===
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* {{wikicite|ref={{harvid|Babbitt|1972}}|reference=[[Milton Babbitt|Babbitt, Milton]]. 1972. "Contemporary Music Composition and Music Theory as Contemporary Intellectual History". In ''Perspectives in Musicology: The Inaugural Lectures of the Ph. D. Program in Music at the City University of New York'', edited by Barry S. Brook, Edward Downes, and Sherman Van Solkema, 270–307. New York: W. W. Norton. {{ISBN|0-393-02142-4}}. Reprinted, New York: Pendragon Press, 1985. {{ISBN|0-918728-50-9}}.}}
* {{wikicite|ref={{harvid|BaileyShea|2007}}|reference=BaileyShea, Matt. 2007. "[http://mto.societymusictheory.org/issues/mto.07.13.4/mto.07.13.4.baileyshea.html#FN3REF Filleted Mignon: A New Recipe for Analysis and Recomposition]". ''[[Music Theory Online]]'' 13, no. 4 (December).}}
* {{wikicite|ref={{harvid|Bauer|2004}}|reference=Bauer, Amy. 2004. "'Tone-Color, Movement, Changing Harmonic Planes': Cognition, Constraints, and Conceptual Blends in Modernist Music", in ''The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology'', edited by Arved Ashby, 121–152. Eastman Studies in Music 29. Rochester: University of Rochester Press; Woodbridge: Boydell and Brewer, Ltd. {{ISBN|1-58046-143-3}}.}}
* {{wikicite|ref={{harvid|Bent|1987}}|reference=[[Ian Bent|Bent, Ian]]. 1987. ''Analysis''. London: MacMillan Press. {{ISBN|0-333-41732-1}}.}}
* {{wikicite|ref={{harvid|Bernard|1981}}|reference=Bernard, Jonathan. 1981. "Pitch/Register in the Music of Edgar Varèse." ''[[Music Theory Spectrum]]'' 3:1–25.}}
* {{wikicite|ref={{harvid|Blacking|1973}}|reference=Blacking, John (1973). ''How Musical Is Man?''. Seattle: University of Washington Press}}. Cited in {{harvnb|Nattiez|1990}}.
* {{wikicite|ref={{harvid|Boretz|1969}}|reference=[[Benjamin Boretz|Boretz, Benjamin]]. 1969. "Meta-Variations: Studies in the Foundationbs of Musical Thought (I)". ''[[Perspectives of New Music]]'' 8, no. 1 (Fall–Winter): 1–74.}}
* {{wikicite|ref={{harvid|Boretz|1972}}|reference=Boretz, Benjamin. 1972. "Meta-Variations, Part IV: Analytic Fallout (I)". ''Perspectives of New Music'' 11, no. 1 (Fall–Winter): 146–223.}}
* {{wikicite|ref={{harvid|Chailley|1951}}|reference=[[Jacques Chailley|Chailley, Jacques]]. 1951. ''La musique médiévale'', with a preface by Gustave Cohen. Les grands musiciens 1. Paris: Coudrier.}}
* {{wikicite|ref={{harvid|Chenoweth|1972}}|reference=Chenoweth, Vida. 1972. ''Melodic Perception and Analysis''. [Ukarumpa, E.H.D., Papua New Guinea]: Summer Institute of Linguistics.}}
* {{Citation | last = Christ | first = William | year = 1966 | title = Materials and Structure of Music | edition = 1st| place = Englewood Cliffs, New Jersey| publisher =Prentice Hall| isbn = 0-13-560342-0 | oclc = 412237 }} {{LCC|MT6 M347 1966}}. Cited in {{harvnb|Nattiez|1990}}.
* {{wikicite|ref={{harvid|Cone|1989}}|reference={{cite book |first1=Edward T. |last1=Cone |author-link1=Edward Cone |publication-date=1989 |chapter=Analysis Today |title=Music: A View from Delft |editor1-first=Robert P. |editor1-last=Morgan |pages=39–54 |location=Chicago |publisher=University of Chicago Press |isbn=978-0-226-11469-9 <!-- this is the hardcover ISBN; paperback is ISBN 978-0-226-11470-5 --> |date=1960 <!-- stated at end of chapter --> |lccn=88-20659 |oclc=18290659 }}}}
* {{wikicite|ref={{harvid|Dahlhaus|1989}}|reference=[[Carl Dahlhaus|Dahlhaus, Carl]]. 1989. ''The Idea of Absolute Music'', translated by Roger Lustig. Chicago and London: University of Chicago Press.}}
* {{wikicite|ref={{harvid|DeVoto|2003}}|reference=DeVoto, Mark. 2003. "Analysis". ''The Harvard Dictionary of Music'', fourth editions, edited by [[Don Michael Randel]]. Cambridge, Massachusetts: Harvard University Press. {{ISBN|0-674-01163-5}}.}}
* {{wikicite|ref={{harvid|Guck|1994}}|reference=Guck, Marion A. (1994). "Rehabilitating the incorrigible", ''Theory, Analysis and Meaning in Music'', ed. Anthony Pople. Cambridge: Cambridge University Press: 57–74.}}
* {{wikicite|ref={{harvid|Laloy|1902}}|reference=Laloy, L. 1902. "Sur deux accords", ''Revue musicale''. Reprinted in ''La musique retrouvée''. Paris: Plon, 1928, pp.&nbsp;115–118.}} Cited in {{harvnb|Nattiez|1990}}.
* {{wikicite|ref={{harvid|Lerdahl|1988}}|reference={{Cite book |ref=none |last=Lerdahl |first=Fred |author-link=Fred Lerdahl |chapter=Chapter 10: Cognitive constraints on compositional systems |pages=231–259 |editor-last=Sloboda |editor-first=John A. |chapter-url=https://academic.oup.com/book/8555/chapter/154444221 |title=Generative Processes in Music: The Psychology of Performance, Improvisation, and Composition |date=1988 |publication-date=11 January 2001 |publisher=Clarendon Press / Oxford University Press |isbn=978-0-19-850846-5 |doi=10.1093/acprof:oso/9780198508465.003.0010 |id=APA PsycNet [https://awspntest.apa.org/record/1988-98076-010 1988-98076-010]}}}}
* {{wikicite|ref={{harvid|Lerdahl|1992}}|reference=[[Fred Lerdahl|Lerdahl, Fred]] 1992. [[Cognitive Constraints on Compositional Systems]]. ''Contemporary Music Review'' 6, no. 2:97–121.}}
* {{wikicite|ref={{harvid|Leibowitz|1971}}|reference=Leibowitz, René. 1971. "Pelléas et Mélisande ou les fantômes de la réalité", ''Les Temps Modernes'', no. 305:891–922.}} Cited in Nattiez (1990).<!--
* {{wikicite|ref={{harvid|Meyer|1973}}|reference=Meyer{{Who|date=September 2015}}. 1973. {{Full citation needed|date=September 2015}}.}} Assuming this means Leonard B. Meyer, there are two books by this author published in 1973:
**Meyer, Leonard B. 1973a. ''Explaining Music: Essays and Explorations''. Berkeley and Los Angeles: University of California Press. {{ISBN|978-0-520-02216-4}}
**Meyer, Leonard B. 1973b. ''Music the Arts and Ideas: Patterns and Predictions in Twentieth-Century Culture''. Chicago: The University of Chicago Press. {{ISBN|978-0-226-52140-4}} --><!--
* {{wikicite|ref={{harvid|Molino|1975a}}|reference=Molino Jean. 1975a. {{Full citation needed|date=September 2015}}.}}
* {{wikicite|ref={{harvid|Molino|1975b}}|reference=Molino Jean. 1975b. {{Full citation needed|date=September 2015}}.}} -->
* {{wikicite|ref={{harvid|Nattiez|1990}}|reference=[[Jean-Jacques Nattiez|Nattiez, Jean-Jacques]] 1990. [https://books.google.com/books?id=RmAji7JQnAUC ''Music and Discourse: Toward a Semiology of Music''], translated by Caroline Abbate. Princeton, New Jersey: Princeton University Press. {{ISBN|0-691-02714-5|0-691-09136-6}}; {{LCCN|90-37225}}.}} French original: [https://books.google.com/books?id=nrJmQgAACAAJ ''Musicologie générale et sémiologie''], Paris, France: Christian Bourgois éditeur, 1987. Collection Musique/Passé/Présent ({{ISSN|0293-6305}}), vol. 13. {{ISBN|9782267005004}}; {{LCCN|87156250}}.
* {{wikicite|ref={{harvid|Nettl|1964}}|reference=[[Bruno Nettl|Nettl, Bruno]]. 1964. {{Full citation needed|date=September 2015}}.}} Most likely the first of the following list of Nettl's publications from 1964:
**Nettl, Bruno. 1964a. Theory and Method in Ethnomusicology. London: The Free Press of Glencoe.
**Nettl, Bruno. 1964b. ''The Managerial Mind''. [S.l.]: [S.n.]
**Nettl, Bruno. 1964c. "Report on the 1964 Annual Meeting of the Society of Ethnomusicology". ''African Music: Journal of the International Library of African Music'' 3, no. 3:117.
**Nettl, Bruno. 1964d. "Book Review: ''A Bibliography of North American Folklore and Folksong''". ''Journal of the American Musicological Society'' 17, no. 1: 109–110.
**Nettl, Bruno. 1964e. "Book Review: ''Deutsche Volkslieder''". ''Ethnomusicology'' 8 no. 1: 90.
**Nettl, Bruno. 1964f. "Book Review: The Demonstration Collection of E. M. Von Hornbostel and the Berlin Phonogramm-Archiv". ''Ethnomusicology'' 8, no. 2: 203–205.
**Nettl, Bruno. 1964g. "Book Review: ''Jahrbuch für musikalische Volks- und Völkerkunde''". ''The Journal of American Folklore'' 77 no. 303:87.
**Nettl, Bruno. 1964h. "Book Review: ''Zoltano Kodály Octogenario Sacrum''". ''The Journal of American Folklore'' 77 no. 304:180.
**Nettl, Bruno. 1964i. "''A Bibliography of North American Folklore and Folksong''. Charles Haywood". ''Journal of the American Musicological Society'' 17 no. 1: 109–110. -->
* {{wikicite|ref={{harvid|Reti|1951}}|reference=[[Rudolph Reti|Reti, Rudolph]]. 1951. ''The Thematic Process in Music''. London: Faber & Faber.}}
* {{wikicite|ref={{harvid|Rosen|1971}}|reference=[[Charles Rosen|Rosen, Charles]]. 1971. ''[[The Classical Style]]''. New York: The Viking Press. {{ISBN|9780670225101}}.}}
* {{wikicite|ref={{harvid|Satyendra}}|reference=Satyendra, Ramon. "Analyzing the Unity within Contrast: Chick Corea's 'Starlight'".}}{{Full citation needed|date=September 2015}} Cited in {{harvnb|Stein|2005}}.
* {{wikicite|ref={{harvid|Scruton|1978}}|reference=[[Roger Scruton|Scruton, Roger]]. 1978. {{Full citation needed|date=September 2015}}.}}
*{{wikicite|ref={{harvid|Sessions|1951}}|reference=[[Roger Sessions|Sessions, Roger]] 1951. ''Harmonic Practice''. New York: Harcourt, Brace. [[Library of Congress Control Number|LCCN]] 51-8476.}}
* {{wikicite|ref={{harvid|Stein|2005}}|reference=Stein, Deborah. 2005. ''Engaging Music: Essays in Music Analysis''. Oxford and New York: Oxford University Press. {{ISBN|0-19-517010-5}}.}}
* {{wikicite|ref={{harvid|Tovey|1978}}|reference=[[Donald Tovey|Tovey, Donald Francis]]. 1978 [1935–1939]. ''Essays in Musical Analysis'', 6 vols. Oxford and New York: Oxford University Press. {{OCLC|912417}}.}}
* {{wikicite|ref={{harvid|van Appeldorn|1966}}|reference=van Appeldorn, M.-J. 1966. "Stylistic Study of Claude Debussy's Opera ''Pelléas et Mélisande''". Ph.D. diss., Rochester: Eastman School of Music. Cited in Nattiez (1990).}}<!--
* {{wikicite|ref={{harvid|Vuillermoz|1957}}|reference=Vuillermoz{{who|date=September 2015}}. 1957. {{Full citation needed|date=September 2015}}.}}
* {{wikicite|ref={{harvid|Warburton|1952}}|reference=Warburton{{Who|date=September 2015}}. 1952. {{Full citation needed|date=September 2015}}.}} -->
* {{wikicite|ref={{harvid|Wehinger|1970}}|reference={{cite book |ref=none |last=Wehinger |first=Rainer |date=1970 |title=Ligeti: Aritikulation: Elektronische Musik: Eine Hörpartitur |trans-title=Electronic Music: An Aural Score |publication-place=Mainz |publisher=(B.) Schott('s Söhne) |oclc=534462 |lccn=73295319 }} Available via e.g. [https://www.abebooks.com/first-edition/Aritikulation-Elektronische-Musik-H%C3%B6rpartitur-Rainer-Wehinger/20066147756/bd AbeBooks], [https://www.ebay.com/itm/225360198098 eBay], [https://books.google.com/books?id=v786AQAAIAAJ Google Books] <!-- another "edition" is available at https://books.google.com/books?id=3mU4SQAACAAJ -->, [https://www.peterharrington.co.uk/artikulation-166071.html Peter Harrington], [https://www.popsike.com/ARTIKULATION-Gyorgy-Ligeti-1970-Electronic-Music-Score-RAINER-WEHINGER-Vinyl-33/382901443014.html popsike.com], and elsewhere. Reissued in 1994 with Edition Number ED 6378-20, {{ISMN|9790001067935}} (M001067935), Distributor Number HL49006252, and {{UPC|073999322132}}; available via [https://www.tfront.com/p-24416-artikulation-electronic-music-aural-score-by-rainer-wehinger.aspx Theodore Front Musical Literature]. Unspecified edition available via [https://www.bridgemanimages.com/en-US/explore/artist/Wehinger-Rainer-active-c.1958-1970 Bridgeman Images], [https://blogthehum.com/2016/04/05/gyorgy-ligetis-artikulation-with-score-and-audio/ The Hum Blog (bradfordbailey)], [https://www.youtube.com/watch?v=71hNl_skTZQ YouTube (Donald Craig)]. }}
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