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Gustav Metzger
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==Further reading== * Metzger, Gustav, ''Writings (1953–2016)'', edited by Mathieu Copeland, JRP Editions, 2019, {{ISBN|978-3-03764-535-2}}. * Metzger, Gustav ''Act or Perish!'' – A Retrospective. Nero, 2016, {{ISBN|978-88-97503-87-3}}.<ref>[http://www.neromagazine.it/n/?page_id=26285 ''Gustav Metzger, Act or Perish! – A Retrospective'', 2016.]</ref> * Metzger, Gustav ''Auto-Destructive Art: Metzger at AA'', Architectural Association, 2015, {{ISBN|9781907414503}}.<ref name="aabookshop.net"/> * Metzger, Gustav, ''Auto-creative Art'', edited by Mathieu Copeland, 2013, [http://www.lespressesdureel.com/EN/ouvrage.php?id=3057&menu=] {{ISBN|978-2-84066-601-1}} * ''Voids A Retrospective'', Edited by Mathieu Copeland with John Armleder, Laurent Le Bon, Gustav Metzger, Mai-Thu Perret, Clive Phillpot, Philippe Pirotte. JRP Editions, 2009, [http://books.jrp-editions.com/pages/index.php?id_r=4&id_t=&id_p=7&id_b=1355&search=voids&page=1&total=1]{{Dead link|date=June 2024 |bot=InternetArchiveBot |fix-attempted=yes }} {{ISBN|978-3-03764-017-3}} * Stiles, Kristine, ''Synopsis of the Destruction in Art Symposium (DIAS) and Its Theoretical Significance.'' The Act 1 (Spring 1987), pp. 22–31. * Stiles, Kristine, ''Thresholds of Control: Destruction Art and Terminal Culture.'' Out of Control. Edited by Gottfried Hattinger and Karl Gerbel, Linz, Austria: Ars Electronica & Landesverlag, 1991, pp. 29–50. * Stiles, Kristine, ''Survival Ethos and Destruction Art.'' Discourse: Journal for Theoretical Studies in Media and Culture 14:2 (Spring 1992), pp. 74–102; reprinted in Kristine Stiles, Concerning Consequences: Studies in Art, Destruction, and Trauma. Chicago: University of Chicago Press, 2016. * Stiles, Kristine, ''Uncorrupted Joy: International Art Actions.'' In Out of Actions: Between Performance and The Object 1949-1979. Edited by Russell Ferguson and Paul Schimmel, pp. 226–328. * Stiles, Kristine, ''The Story of the Destruction in Art Symposium and the ‘DIAS Affect’.'' Gustav Metzger. Geschichte Geschichte (History History). Edited by Sabina Breitwieser, 41-65. Vienna and Ostfildern-Ruit: Generali Foundation and Hatje Cantz Verlag, 2005, pp. 41–65. * Stiles, Kristine, ''Metzger’s Fierce, Poignant, and Prescient Manifestos.'' Rett Kopi Documents the Future. Edited by Rett Kopi. (Oslo, Norway: Rett Kopi), pp. 157–166. * Stiles, Kristine, ''Introduction to the Destruction in Art Symposium: DIAS and Discussion with Ivor Davies.'' Link 52 (September 1987), pp. 4–10. *Anna-Verena Nosthoff, [https://read.dukeupress.edu/cultural-politics/article-abstract/10/3/300/25811/Art-After-AuschwitzResponding-to-an-Infinite "Art After Auschwitz: Responding to an Infinite Demand: Gustav Metzger’s Works as Responses to Theodor W. Adorno’s “New Categorical Imperative”."] ''Cultural Politics'' 10 (3): 300–319. ([[Duke University Press]])
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