Editing Mail art (section)

==Further reading==
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* Thomas Bey William Bailey, ''Unofficial Release: Self-Released And Handmade Audio In Post-Industrial Society'', Belsona Books Ltd., 2012
* Vittore Baroni, ''Arte Postale: Guida al network della corrispondenza creativa'', Bertiolo 1997
* Vittore Baroni, ''Postcarts – Cartoline d'artista'', Rome 2005
* Tatiana Bazzichelli, ''Networking: The Net as Artwork'', Aarhus 2008
* Ina Blom, ''The Name of the Game. The Postal Performance of Ray Johnson'', Oslo/Kassel/Sittard, 2003
* Ulises Carrión, "El Arte Correo y el Gran Monstruo", Tumbona ediciones, Mexico, 2013
* Michael Crane & Mary Stofflet (eds.), ''Correspondence Art: Sourcebook for the Network of International Postal Art Activity'', San Francisco 1984
* Donna De Salvo & Catherine Gugis (eds.), ''Ray Johnson: Correspondences'', Paris-New York 1999
* Fernando García Delgado, ''El Arte Correo en Argentina'', Vortice Argentina Ediciones., 2005
* Franziska Dittert, ''Mail Art in der DDR. Eine intermediale Subkultur im Kontext der Avantgarde'', Berlin 2010
* James Warren Felter, ''Artistamps – Francobolli d'artista'', Bertiolo 2000
* [[Hervé Fischer]], ''Art et Communication Marginale: Tampons d'Artistes'', Paris 1974
* {{ill|H. R. Fricker|de}}, ''I Am A Networker (Sometimes)'', St. Gallen 1989
* Faith Heisler ''International Mail Art—Part II: The New Cultural Strategy'', Women Artists News, 1984
* John Held Jr., ''L'arte del timbro – Rubber Stamp Art'', Bertiolo 1999
* John Held Jr., ''Mail Art: An Annotated Bibliography'', Metuchen 1991
* Ramzi Turki, (preface by Olivier Lussac), ''L'e-mail-art, création d'une nouvelle forme artistique'', Paris, Édition Edilivre, 2015
* Jon Hendricks, ''Fluxus Codex'', New York 1988
* Jennie Hinchcliff & Carolee Gilligan Wheeler, ''Good Mail Day: A Primer for Making Eye-Popping Postal Art'', Quarry 2009
* [[John P. Jacob]], ''The Coffee Table Book of Mail Art: The Intimate Letters of J. P. Jacob, 1981–1987'', Riding Beggar Press, New York, 1987
* John P. Jacob, "Mail Art: A Partial Anatomy", ''[[PostHype]]'', vol. 3, no. 1, New York, 1984
* Jean-Noël Laszlo (ed.), ''Timbres d'Artistes'', Musée de la Poste, Paris 1993
* Giovanni Lista, ''L'Art Postal Futuriste'', Paris 1979
* Ginny Lloyd, ''Blitzkunst: have you ever done anything illegal in order to survive as an artist?'', Kretschmer & Grossmann, Frankfurt, 1983
* Ginny Lloyd, ''Inter DADA 84: True DADA Confessions'', Jupiter 2014
* Ginny Lloyd, ''The Storefront: A living art project'', San Francisco, 1984
* Ginny Lloyd, ''Tour '81 Sketch BOOK'', TropiChaCHa Press, Jupiter, 1981–2011
* Ginny Lloyd, ''Women in the Artistamp Spotlight'', Jupiter 2012
* [[Graciela Gutiérrez Marx]], ''Artecorreo – artistas invisibles en la red postal'', La Plata, Argentina 2010
* Joni K. Miller & Lowry Thompson, ''The Rubber Stamp Album'', New York 1978
* Sandra Mizumoto Posey, ''Rubber Soul: Rubber Stamps and Correspondence Art'', Jackson 1996
* Géza Perneczky, ''The Magazine Network: The Trends of Alternative Art in the Light of Their Periodicals 1968–1988'', Cologne 1993
* Jean-Marc Poinsot, ''Mail Art: Communication A Distance Concept'', Paris 1971
* Kornelia Röder, ''Topologie und Funktionsweise des Netzwerkes der Mail Art'', Bremen 2008
* Günther Ruch (ed.), ''MA-Congress 86'', Out-press, Geneva 1987
* Craig J. Saper, ''Networked Art'', Minneapolis-London 2001
* Renaud Siegmann, ''Mail Art: Art postal – Art postè'', Paris 2002
* Chuck Welch (ed.), ''Eternal Network: A Mail Art Anthology'', Calgary 1995
* Chuck Welch, ''Networking Currents: Contemporary Mail Art Subjects and Issues'', Boston 1986
* Friedrich Winnes-Lutz Wohlrab, ''Mail Art Szene DDR 1975–1990'', Berlin 1994
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