Editing Rhythm (section)

==References==
{{reflist|20em}}

===Sources===
{{refbegin|40em}}
* {{wikicite|ref={{harvid|Agawu|2003}}|reference=[[V. Kofi Agawu|Agawu, Kofi]]. 2003. ''Representing African Music: Postcolonial Notes, Queries, Positions''. New York: Routledge.}}
* {{wikicite|ref={{harvid|Anon.|1971}}|reference=Anon. ''The Compact Edition of the Oxford English Dictionary II''. Oxford and New York: Oxford University Press, 1971.}}
* {{wikicite|ref={{harvid|Anon.|2009}}|reference=Anon. 2009. "[http://www.world-science.net/othernews/090430_rhythm.htm Parrots Have Got Rhythm, Studies Find]", ''World-Science.net'' (April 30).}}
* {{wikicite|ref={{harvid|Berry|1987}}|reference=[[Wallace Berry|Berry, Wallace]] (1987). ''Structural Functions in Music'', second edition. New York: Dover Publications. {{ISBN|978-0-486-25384-8}}.}}
* {{wikicite|ref={{harvid|Chernoff|1979}}|reference=Chernoff, John Miller (1979). ''African Rhythm and African Sensibility: Aesthetic and Social Action in African Musical Idioms''. Chicago: The University of Chicago Press.}}
* {{wikicite|ref={{harvid|Cooper|Meyer|1960}}|reference=Cooper, Grosvenor, and [[Leonard B. Meyer]] (1960). ''The Rhythmic Structure of Music''. Chicago: University of Chicago Press. {{ISBN|0-226-11521-6|0-226-11522-4}}.}}
* {{wikicite|ref={{harvid|Cooper|1973}}|reference=[[Paul Cooper (composer)|Cooper, Paul]] (1973). ''Perspectives in Music Theory: An Historical-Analytical Approach''. New York: Dodd, Mead. {{ISBN|0-396-06752-2}}.}}
* {{wikicite|ref={{harvid|Covaciu-Pogorilowski|n.d.}}|reference=Covaciu-Pogorilowski, Andrei. n.d. "[https://web.archive.org/web/20180118010537/http://www.zeuxilogy.home.ro/media/manifesto.pdf Musical Time Theory and a Manifesto]". Self-published online (archive from 18 January 2018, accessed 26 September 2019).}}
* {{wikicite|ref={{harvid|Fitch and Rosenfeld|2007}}|reference=[[W. Tecumseh Fitch|Fitch, W. Tecumseh]], and Andrew J. Rosenfeld (2007). "Perception and Production of Syncopated Rhythms". ''[[Music Perception]]'', vol. 25, issue 1, pp. 43–58. ISSN 0730-7829.}}
* {{wikicite|ref={{harvid|Fraisse|1956}}|reference=[[Paul Fraisse|Fraisse, Paul]] (1956). ''Les Structures Rhythmiques'', with a preface by [[Albert Michotte|A. Michotte]]. Studia Psychologica. Louvain: Publications Universitaires; Paris and Brussels: Édition Erasme; Antwerp and Amsterdam: Standaard Boekhandel.}}
* {{wikicite|ref={{harvid|Forney and Machlis|2007}}|reference=Forney, Kristine, and Joseph Machlis. 2007. ''The Enjoyment of Music'', tenth edition. New York: W. W. Norton. {{ISBN|978-0-393-17423-6}}.}}
* {{wikicite|ref={{harvid|Goodall|2006}}|reference=[[Howard Goodall|Goodall, Howard]] (presenter). 2006. ''[http://www.channel4.com/programmes/how-music-works-with-howard-goodall How Music Works with Howard Goodall]'',{{dead link|date=September 2019}} produced by David Jeffcock. Television series, 4 episodes. Episode 2: "Rhythm" (Saturday 25 November, 6:20–7:20pm). Tiger Aspect Productions for [[Channel 4]] Television Corporation.}}
* {{cite book |last=Handel |first=Stephen |title=Listening: An Introduction to the Perception of Auditory Events |publisher=MIT Press |year=1989 |isbn=9780262081795}}
* {{wikicite|ref={{harvid|Hasty|1997}}|reference=Hasty, Christopher (1997). ''Meter as Rhythm''. Oxford: Oxford University Press. {{ISBN|0-19-510066-2}}.}}
* {{wikicite|ref={{harvid|Holst|1963}}|reference=[[Imogen Holst|Holst, Imogen]]. ''An ABC of Music: A Short Practical Guide to the Basic Essentials of Rudiments, Harmony, and Form''. Oxford and New York: Oxford University Press, 1963.}}
* {{wikicite|ref={{harvid|Imperial Society of Teachers of Dancing|1977}}|reference=[[Imperial Society of Teachers of Dancing]] (1977). ''Ballroom Dancing''. Sevenoaks, Kent: Hodder and Stoughton; New York: David McKay}}
* {{wikicite|ref={{harvid|Jirousek|1995}}|reference=Jirousek, Charlotte. 1995. "[http://char.txa.cornell.edu/language/principl/rhythm/rhythm.htm Rhythm]". In ''An Interactive Textbook'', Ithaca: Cornell University website (accessed 24 July 2014).}}
* {{wikicite|ref={{harvid|Jordania|2011}}|reference=[[Joseph Jordania|Jordania, Joseph]]. 2011. ''[[Why do People Sing? Music in Human Evolution]]''. Tbilisi: Logos, International Research Center for Traditional Polyphony; Melbourne: University of Melbourne, Institute of Classical Philology, Bizantyne {{sic}} and Modern Greek Studies.}}
* {{wikicite|ref={{harvid|Karpinski|2000}}|reference=Karpinski, Gary S. ''Aural Skills Acquisition: The Development of Listening, Reading, and Performing Skills in College-Level Musicians''. Oxford and New York: Oxford University Press, 2000. {{ISBN|978-0-19-511785-1}}.}}
* {{wikicite|ref={{harvid|Krebber|2023}}|reference=Krebber, Steffen ''sinusoidal run rhythm''. Hofheim am Taunus: Wolke Verlag, 2023. {{ISBN|978-3-95593-141-4}}.}}
* {{wikicite|ref={{harvid|Latham|2002}}|reference=Latham, Alison. 2002. "Metre", ''The Oxford Companion to Music'', edited by Alison Latham. Oxford and New York: Oxford University Press. {{ISBN|0-19-866212-2}}.}}
* {{wikicite|ref={{harvid|Lerdahl and Jackendoff|1983}}|reference=[[Fred Lerdahl|Lerdahl, Fred]], and [[Ray Jackendoff]]. 1983. ''A Generative Theory of Tonal Music''. The MIT Press Series on Cognitive Theory and Mental Representation. Cambridge: MIT Press. {{ISBN|978-0-262-12094-4|978-0-262-62107-6|978-0-262-62049-9}}.}}
* {{wikicite|ref={{harvid|Lester|1986}}|reference=Lester, Joel. ''The Rhythms of Tonal Music''. Hillsdale, New York: Pendragon Press, 1986. {{ISBN|978-0-8093-1282-5}}.}}
* {{wikicite|ref={{harvid|Liddell and Scott|1996}}|reference=[[Henry Liddell|Liddell, Henry George]], and [[Robert Scott (philologist)|Robert Scott]]. "[https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.04.0057%3Aentry%3Dr%28uqmo%2Fs ῥυθμός]", in ''[[A Greek–English Lexicon]]'', revised edition, combining the text of the ninth edition with an extensively revised and expanded supplement. Oxford and New York: Oxford University Press, 1996. Online, Perseus Project}}
* {{wikicite|ref={{harvid|London|2004}}|reference=London, Justin (2004). ''Hearing in Time: Psychological Aspects of Musical Meter''. Oxford and New York: Oxford University Press. {{ISBN|0-19-516081-9}}.}}
* {{wikicite|ref={{harvid|MacPherson|1930}}|reference=[[Stewart Macpherson|Macpherson, Stewart]], ''Form in Music'', London: Joseph Williams, 1930.}}
* {{wikicite|ref={{harvid|Middleton|1990}}|reference=[[Richard Middleton (musicologist)|Middleton, Richard]] (1990). ''Studying Popular Music''. Philadelphia: Open University Press. {{ISBN|0-335-15275-9}}.}}
* {{cite book |last=Mithen |first=Steven |author-link=Steven Mithen |year=2005 |title=The Singing Neanderthals: The Origins of Music, Language, Mind and Body |location=London |publisher=Weidenfeld & Nicolson |isbn=0-297-64317-7 |url=http://www.epjournal.net/filestore/ep03375380.pdf |access-date=2008-02-25 |archive-date=2020-11-09 |archive-url=https://web.archive.org/web/20201109021714/http://www.epjournal.net/filestore/ep03375380.pdf |url-status=usurped}}
* {{wikicite|ref={{harvid|Moravcsik|2002}}|reference=[[Michael Moravcsik|Moravcsik, Michael J.]] (2002). ''Musical Sound: An Introduction to the Physics of Music''. New York: Kluwer Academic/Plenum Publishers. {{ISBN|978-0-306-46710-3}}.}}
* {{wikicite|ref={{harvid|Narmour|1977}}|reference=Narmour, Eugene. ''Beyond [[Heinrich Schenker|Schenkerism]]: The Need for Alternatives in Music Analysis''. Chicago and London: University of Chicago Press, 1977. Phoenix paperback edition 1980. {{ISBN|978-0-226-56847-8}} (cloth); {{ISBN|978-0-226-56848-5}} (paperback).}}
* {{cite journal |last=Patel |first=Aniruddh D. |author-link=Aniruddh D. Patel |year=2006 |title=Musical Rhythm, Linguistic Rhythm, and Human Evolution |journal=[[Music Perception]] |location=Berkeley, California |publisher=University of California Press |volume=24 |issue=1 |pages=99–104 |issn=0730-7829 |doi=10.1525/mp.2006.24.1.99}}
* {{cite journal |last=Patel |first=Aniruddh D. |title=The Evolutionary Biology of Musical Rhythm: Was Darwin Wrong? |journal=[[PLOS Biology]] |date=25 March 2014 |volume=12 |issue=3 |doi=10.1371/journal.pbio.1001821 |page=e1001821 |pmc=3965380 |pmid=24667562 |doi-access=free}}
* {{wikicite|ref={{harvid|Pieslak|2009}}|reference=Pieslak, Jonathan (2009). ''Sound Targets: American Soldiers and Music in the Iraq War''. Bloomington and London: Indiana University Press.}}
* “Counter-rhythm, N.” Oxford English Dictionary, Oxford UP, September 2024, https://doi.org/10.1093/OED/3107711216.{{wikicite|ref={{harvid|Roads|2001}}|reference=[[Curtis Roads|Roads, Curtis]] (2001). ''Microsound''. Cambridge, Massachusetts: MIT Press. {{ISBN|978-0-262-18215-7|978-0-262-68154-4}}}}
* {{wikicite|ref={{harvid|Rothstein|1989}}|reference=Rothstein, William (1989). ''Phrase Rhythm in Tonal Music''. New York: Schirmer Books. {{ISBN|9780028721910}}.}}
* {{cite book |last=Sacks |first=Oliver |author-link=Oliver Sacks |title=[[Musicophilia]], Tales of Music and the Brain |chapter-url=https://archive.org/details/musicophilia00oliv/page/232/mode/2up |chapter-url-access=registration |year=2007 |publisher=Alfred A. Knopf |location=New York and Toronto |isbn=978-1-4000-4081-0 |chapter=19. Keeping Time: Rhythm and Movement |pages=233–247}}
* {{wikicite|ref={{harvid|Sandow|2004}}|reference=[[Greg Sandow|Sandow, Greg]] (2004). "A Fine Madness". In ''The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology'', edited by Arved Mark Ashby, 253–258. {{ISBN|1-58046-143-3}}. Reprinted from ''[[The Village Voice]]'' (16 March 1982).}}
* {{wikicite|ref={{harvid|Scholes|1977b}}|reference=[[Percy Scholes|Scholes, Percy]] (1977b). "Metre", in ''The Oxford Companion to Music'', 6th corrected reprint of the 10th ed. (1970), revised and reset, edited by John Owen Ward. London and New York: Oxford University Press. {{ISBN|0-19-311306-6}}.}}
* {{wikicite|ref={{harvid|Scholes|1977c}}|reference=Scholes, Percy (1977c). "Rhythm", in ''The Oxford Companion to Music'', 6th corrected reprint of the 10th ed. (1970), revised and reset, edited by John Owen Ward. London and New York: Oxford University Press. {{ISBN|0-19-311306-6}}.}}
* {{wikicite|ref={{harvid|Slatkin|n.d.}}|reference=[[Leonard Slatkin|Slatkin, Leonard]]. n.d. "[https://web.archive.org/web/20080216021405/http://www.bbc.co.uk/radio3/discoveringmusic/ram/cdm0401slat1of4.ram Discovering Music: Rhythm] with Leonard Slatkin"}}.
* {{Cite book |last=Skrjabin |first=Alexander |author-link=Alexander Scriabin |date=1960 |title=Poem for piano, Op. 32, No. 1. Transcribed by P. Lobanov |location=Moscow |publisher=Gosudarstvennoye Muzykalnoye Izdatelstvo}}
* {{Cite book |last=Tanguiane |first=Andranick |author-link=Andranik Tangian |date=1993 |title=Artificial Perception and Music Recognition |series=Lecture Notes in Artificial Intelligence |volume=746 |publisher=Springer |location=Berlin, Heidelberg |isbn=978-3-540-57394-4}}
* {{Cite journal |last=Tanguiane |first=Andranick |year=1994 |title=A principle of correlativity of perception and its application to music recognition |journal=[[Music Perception]] |volume=11 |issue=4 |pages=465–502 |doi=10.2307/40285634 |jstor=40285634}}
* {{wikicite|ref={{harvid|Toussaint|2005}}|reference=[[Godfried Toussaint|Toussaint, Godfried T.]] 2005. "The Geometry of Musical Rhythm". In ''Proceedings of the Japan Conference on Discrete and Computational Geometry, vol. 3742: Lecture Notes in Computer Science'', edited by J. Akiyama, M. Kano, and X. Tan, 198–212. Berlin/Heidelberg: Springer.}}
* {{wikicite|ref={{harvid|White|1976}}|reference=White, John David. (1976). ''The Analysis of Music''. Englewood Cliffs, New Jersey: Prentice-Hall. {{ISBN|0-13-033233-X}}.}}
* {{wikicite|ref={{harvid|Winold|1975}}|reference=Winold, Allen (1975). "Rhythm in Twentieth-Century Music". In ''Aspects of Twentieth-Century Music'', edited by Gary Wittlich, 208–269. Englewood Cliffs, New Jersey: Prentice-Hall. {{ISBN|0-13-049346-5}}.}}
* {{wikicite|ref={{harvid|Woodrow|1951}}|reference=[[Herbert Woodrow|Woodrow, Herbert]]. "Time Perception". In ''A Handbook of Experimental Psychology'', edited by [[Stanley Smith Stevens]],{{Page needed|date=July 2014}}. New York: Wiley, 1951.}}
* {{wikicite|ref={{harvid|Yeston|1976}}|reference=[[Maury Yeston|Yeston, Maury]]. 1976. ''The Stratification of Musical Rhythm''. New Haven and London: Yale University Press. {{ISBN|0-300-01884-3}}.}}
{{refend}}