Editing Bringing It All Back Home (section)

== Artwork ==
The album's cover,<ref>{{cite web | url=https://bob-dylan.org.uk/archives/14026 | title=The story of the art work on Bringing it All Back Home &#124; Untold Dylan }}</ref>  photographed by [[Daniel Kramer (photographer)|Daniel Kramer]] with an edge-softened lens, features [[Sally Grossman]] (wife of Dylan's manager [[Albert Grossman]]) lounging in the background.<ref>{{Cite news |last=Williams |first=Alex |date=2024-05-14 |title=Daniel Kramer, Who Photographed Bob Dylan’s Rise, Dies at 91 |url=https://www.nytimes.com/2024/05/14/arts/music/daniel-kramer-dead.html |access-date=2024-05-15 |work=The New York Times |language=en-US |issn=0362-4331}}</ref> There are also artifacts scattered around the room, including LPs by [[the Impressions]] (''[[Keep On Pushing]]''), [[Robert Johnson]] (''[[King of the Delta Blues Singers]]''), [[Ravi Shankar]] (''[[India's Master Musician]]''), [[Lotte Lenya]] (''Sings Berlin Theatre Songs by Kurt Weill'') and [[Eric Von Schmidt]] (''The Folk Blues of Eric Von Schmidt''). Dylan had "met" Schmidt "one day in the green pastures of Harvard University"<ref>Baby, Let Me Follow You Down</ref> and would later mimic his album cover pose (tipping his hat) for his own ''[[Nashville Skyline]]'' four years later.<ref name="complete">{{cite book | last = Humphries | first = Patrick | title = The Complete Guide to the Music of Bob Dylan| publisher =Omnibus Press | year = 1995 | location = [[London]], England | isbn = 0-7119-4868-2}}</ref> A further record, [[Françoise Hardy]]'s EP ''J'suis D'accord,'' was on the floor near Dylan's feet but can only be seen in other shots from the same photo session, as well as a copy of the Wilhelm/Baynes version of ''[[I Ching]]''.

Visible behind Grossman is the top of Dylan's head from the cover of ''[[Another Side of Bob Dylan]]''; under her right arm is the magazine ''[[Time (magazine)|Time]]'' with President [[Lyndon B. Johnson]] as "[[Time Person of the Year|Man of the Year]]" on the cover of the January 1, 1965 issue. There is a [[harmonica]] resting on a table with a [[fallout shelter]] (capacity 80) sign leaning against it. Above the fireplace on the mantle directly to the left of the painting is the [[Lord Buckley]] album ''The Best of Lord Buckley''. Next to Lord Buckley is a copy of ''GNAOUA'', a magazine devoted to exorcism and [[Beat Generation|Beat]] poetry edited by poet [[Ira Cohen]], and a glass collage by Dylan called "The Clown" made for Bernard Paturel from colored glass Bernard was about to discard.<ref name="ReferenceA">Robert Shelton: No Direction Home: {{ISBN|0-14-010296-5}}</ref>

Dylan sits forward holding his cat (named Rolling Stone)<ref name="ReferenceA" /> and has an opened magazine featuring an advertisement on ''[[Jean Harlow]]'s Life Story'' by the columnist [[Louella Parsons]] resting on his crossed leg. The cufflinks Dylan wore in the picture were a gift from [[Joan Baez]], as she later referenced in her 1975 song "[[Diamonds & Rust (song)|Diamonds & Rust]]". Daniel Kramer received a Grammy nomination for best album cover for the photograph.

On the back cover (also by Kramer), the woman massaging Dylan's scalp is the filmmaker and performance artist [[Barbara Rubin]].<ref name="ginsbergproject">{{cite web|last1=Hale|first1=Peter|title=Barbara Rubin (1945–1980)|url=http://ginsbergblog.blogspot.com/2014/03/barbara-rubin-1945-1980.html|website=The Allen Ginsberg Project}}</ref>