Editing Historically informed performance (section)

==Bibliography==
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*[[Thurston Dart|Dart, Thurston]]. 1954. ''The Interpretation of Music''. London: Hutchinson and Co.
*[[Arnold Dolmetsch|Dolmetsch, Arnold]]. 1915. ''The Interpretation of the Music of the 17th and 18th Centuries Revealed by Contemporary Evidence''. London: Novello.
*[[Robert Donington|Donington, Robert]]. 1963. ''The Interpretation of Early Music''. London: Faber and Faber.
*Hubbard, Frank. 1965. ''Three Centuries of Harpsichord Making''. Cambridge, MA: Harvard University Press {{ISBN|0-674-88845-6}}.
*Kenyon, Nicholas (editor). 1988. ''Authenticity and Early Music''. Oxford and New York: Oxford University Press. {{ISBN|0-19-816152-2}}.
* Kivy, Peter. 1995. ''Authenticities: Philosophical Reflections on Musical Performance''. Ithaca: Cornell University Press. {{ISBN|0-8014-3046-1}}.
*[[Daniel Leech-Wilkinson|Leech-Wilkinson, Daniel]]. 1992. "The Good, the Bad and the Boring". In ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, {{Page needed|date=December 2010}}<!--inclusive page numbers of Leech-Wilkinson's article.-->. London: J. M. Dent.; New York: Schirmer Books. {{ISBN|0-460-04627-6}} (Dent); {{ISBN|0-02-871221-8}} (Schirmer). Paperback reprint, Oxford and New York: Oxford University Press, 1997. {{ISBN|0-19-816540-4}}. Paperback reprint, Berkeley, Calif.: University of California Press, 1997. {{ISBN|0-520-21081-6}}.
*[[Johann Mattheson|Mattheson, Johann]]. 1739. ''Der vollkommene Kapellmeister, das ist, Gründliche Anzeige aller derjenigen Sachen, die einer wissen, können, und vollkommen inne haben muss, der eine Kapelle mit Ehren und Nutzen vorstehen will''. Breslau: [s.n.]; Hamburg: Herold. Facsimile reprint, edited by Margarete Reimann. Documenta Musicologica Reihe 1: ruckschriften-Faksimiles 5. Kassel: Bärenreiter, 1954. Study edition with newly typeset text and music examples, edited by Friederike Ramm. Bärenreiter-Studienausgabe. Kassel, Basel, London, New York, Prague: Bärenreiter. {{ISBN|3-7618-1413-5}}.
*Milsom, David. 2003. ''Theory and Practice in Late Nineteenth-Century Violin Performance: An Examination of Style in Performance, 1850–1900''. Aldershot: Ashgate. {{ISBN|0-7546-0756-9}}.
*Milsom, David. 2011. ''Classical and Romantic Music. The library of essays on music performance practice''. Aldershot: Ashgate. {{ISBN|0-7546-2859-0}}.
*[[Andrew Parrott|Parrott, Andrew]]. 2000. ''The Essential Bach Choir''. [N.p.]: The Boydell Press. {{ISBN|0-85115-786-6}}.
*[[Neal Peres Da Costa|Peres da Costa, Neal]]. 2013. ''Off the Record: Performing Practices in Romantic Piano Playing''. New York: OUP. {{ISBN|0-19-538691-4}}.
*Robert Philip, 1992 ''Early Recordings and Musical Style: Changing tastes in instrumental Performance, 1900-1950.'' Cambridge, UK: Cambridge University Press. {{ISBN|978-0-521-23528-0}}
*[[Charles Rosen|Rosen, Charles]]. 1997. ''The Classical Style'', second edition. New York: W. W. Norton. {{ISBN|0-393-31712-9}}.
*Rosen, Charles. 2000. ''Critical Entertainments''. Cambridge: Harvard University Press. {{ISBN|0-674-00684-4}}.