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==Sources== * {{wikicite|ref={{harvid|Mladjenović, Bogunović, Masnikosa, and Radak|2009}}|reference=Mladjenović, Tijana Popovi, Blanka Bogunović, Marija Masnikosa, and Ivana Perković Radak. Spring–Fall 2009. "[http://musicstudies.org/wp-content/uploads/2017/01/Popovic_JIMS_0932106.pdf untitled essay W. A. Mozart's Phantasie in C minor, K. 475: The Pillars of Musical Structure and Emotional Response]". ''Journal of Interdisciplinary Music Studies'' '''3''', no. 1–2: 95–117. (retrieved 5 March 2020).}} * {{cite book |date=2001 |editor1-last=Sadie |editor1-first=Stanley |editor1-link=Stanley Sadie |editor2-last=Tyrrell |editor2-first=John |editor2-link=John Tyrrell (professor of music) |title=[[The New Grove Dictionary of Music and Musicians]] |edition=2nd |location=London |publisher=Macmillan |isbn=9780195170672 |ref=CITEREFNew Grove Dict. M&M2001 }} '''Footnotes''' {{reflist|refs= <ref name=Randel2003>[[Don Michael Randel|Randel, Don Michael]]. 2003. "Cyclic Form". ''[[The Harvard Dictionary of Music]]'', fourth edition, Cambridge, Massachusetts: Belknap Press. {{ISBN|978-0674011632}}.</ref> <ref name=Grove2001_Borrowing>{{harvnb|New Grove Dict. M&M|2001|loc="Borrowing" (§5: Renaissance Mass Cycles) by J. Peter Burkholder}}.</ref> <ref name=Grove2001_CyclicForm>{{harvnb|New Grove Dict. M&M|2001|loc="Cyclic Form" by [[Hugh Macdonald (musicologist)|Hugh Macdonald]]}}.</ref> <ref name=Taylor2011>{{cite book |last=Taylor |first=Benedict |date=2011 |chapter=The Idea of Cyclic Form |title=Mendelssohn, Time and Memory: The Romantic Conception of Cyclic Form |publisher=Cambridge University Press |pages=6–51 |doi=10.1017/CBO9780511794384.002|isbn=9780511794384 }}</ref> <ref name=Webster2002>[[James Webster (musicologist)|Webster, James]]. 1991. ''Haydn's 'Farewell' Symphony and the Idea of Classical Style: Through-Composition and Cyclic Integration in his Instrumental Music''. Cambridge: Cambridge University Press.</ref> <ref name=Sapsuev2014_5012>Sapsuev, Andrey Yu. 2014. "[https://web.archive.org/web/20190226082257/http://pdfs.semanticscholar.org/6af6/33accaf3a001543aa19428dbf45b5a75a07c.pdf Once Again on Mozart's Requiem (Issues of Intonation-and-Style Analysis)]". ''Journal of Siberian Federal University: Humanities & Social Sciences'' 3, no. 7:498–509. (pp. 501–2). (retrieved 5 March 2020).</ref> <ref name=StruckenPaland2009>Strucken-Paland, Christiane. 2009. ''Zyklische Prinzipien in den Instrumentalwerken César Francks''. Kassel: Bosse.</ref> }}
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