Editing Figurehead (object) (section)

== British Royal Navy figureheads ==
Naval figurehead design followed many of the same ideas and trends as those created for other maritime vessels. Throughout the seventeenth and eighteenth centuries, the lion was the standard figurehead for lower-ranking naval warships.<ref>{{Cite web |title=Ship figureheads and decoration {{!}} Royal Museums Greenwich |url=https://www.rmg.co.uk/collections/ship-figureheads-decoration#:~:text=A%20solid%20block%20of%20wood,the%20rake%20of%20the%20bow. |access-date=2025-03-06 |website=www.rmg.co.uk |language=en}}</ref> Symbolising speed, power and aggression, they were considered the perfect emblem for patriotism, intimidation and strength. As animals went out of fashion, so increased the popularity of figureheads carved to depict people. For naval vessels this included personified representations of countries or regions, characters from classic literature such as Greek and Roman mythology, naval heroes and members of the Royal Family. 

In 1796, the Admiralty tried to abolish figureheads altogether on new ships, but the order was not wholly complied with.<ref>{{Cite web |title=Ship figureheads and decoration {{!}} Royal Museums Greenwich |url=https://www.rmg.co.uk/collections/ship-figureheads-decoration#:~:text=A%20solid%20block%20of%20wood,the%20rake%20of%20the%20bow. |access-date=2025-03-06 |website=www.rmg.co.uk |language=en}}</ref> Many sailors felt a ship without a figurehead was an unlucky vessel with superstition running rife in the marine community for centuries. The figurehead was viewed almost as a living being by sailors; a representation of the soul of the ship. Superstition surrounding the necessity of the figurehead was such that if one became damaged  it was taken as a sign of bad things to come.<ref>{{Cite web |last=Foundation |first=Lloyd's Register |date=2021-01-25 |title=Figurehead Carving- A Lost Art? |url=https://hec.lrfoundation.org.uk/whats-on/blogs/figurehead-carving-a-lost-art |access-date=2025-03-06 |website=hec.lrfoundation.org.uk |language=en}}</ref>

Numerous people were contracted to the Royal Navy as carvers, tasked with designing and carving these ornate decorations. During the nineteenth century, two prominent families of carvers emerged; the [[Dickerson family|Dickersons]] of [[Devonport, Plymouth]], and the Hellyers of [[Portsmouth]] and [[London]], who operated under the company name of [[Hellyer & Sons]]. The two families competed regularly with one another for contracts, as well as with other known carvers at the time, such as Robert Hall of Rotherhithe, and the Chicheleys of London. Notably, among the carvers of the Chicheley family was an Elizabeth Chicheley who contributed to the carving works<ref>The National Archives, ADM 106/1198/97, 16 March 1771</ref> on the figurehead of [[HMS Royal Sovereign (1786)]]. 

The Royal Navy also employed the work of Indian carvers for the figureheads of numerous ships being built at [[Bombay Dockyard (Royal Navy)|Bombay Dockyard]] (modern day [[Mumbai]]), with whom the likes of Hellyer & Sons also competed, offering to create figureheads in Britain that would later be attached to Indian built ships. Little is known about the Indian men who worked as carvers for the Royal Navy, though it is thought that some may have been [[Parsis|Parsi]]; many Parsi men - known for their skill in shipbuilding - were brought from the [[Surat]] province of [[Gujarat]] to Bombay under British rule in order to work on East India Company and Royal Navy commissioned ships. Indian worked with Malabar teak, rather than the traditional British pine, desired for its quality and ability to ensure ships lasted in working order for upwards of fifty years.<ref>{{Cite book |last=Parsons |first=Abraham |title=Travels in Asia and Africa |publisher=Hardpress |year=1808 |location=London |pages=214-15}}</ref> Surviving naval figureheads carved from teak include [[HMS Seringapatam (1819)]], [[HMS Madagascar (1822)]], [[HMS Asia (1824)]], [[HMS Imaum|HMS Imaum (1826)]] and [[HMS Calcutta (1831)]].<ref>{{Cite journal |last=Hunt |first=Clare |date=2022 |title=Indian Figureheads: Carvings from Royal Navy ships built at Bombay |journal=The Mariner's Mirror |volume=108 |issue=3 |pages=306-322}}</ref>

A carver would submit one or multiple designs for a figurehead to the Surveyor of the Navy, sometimes in colour, though such additions came at a higher cost to the Admiralty. He would also enclose a letter, detailing a break down of proposed costs for each element of work. The design was either approved for the proposed amount (sometimes picked over other submissions from different carvers) or rejected until alterations were made; this may have included a smaller figurehead, removal of additional decorations such as swords, instruments or other such adornments, switching from colour paint to white and gold or even the removal of limbs. 

Figureheads were carved using a variety of tools including [[Chisel|chisels]], [[Mallet|mallets]], [[Chisel#Gouge|gouges]] and [[sandpaper]]<ref>{{Cite web |title=Ship figureheads and decoration {{!}} Royal Museums Greenwich |url=https://www.rmg.co.uk/collections/ship-figureheads-decoration#:~:text=Chisels,%20mallets,%20gouges%20and%20sandpaper,could%20take%20weeks,%20some%20months. |access-date=2025-03-06 |website=www.rmg.co.uk |language=en}}</ref> to bring designs to life. The size of the figurehead itself was determined by the size of the vessel it was intended for, though could be downsized from a full figure to a 3/4 or bust figure to save money. The overall cost would take into consideration paint – white with gold accents was often preferred over colour as the cheaper option – and additional decoration such as [[Shield|shields]], [[Weapon|weapons]] and ornate clothing, which would often be depicted on a figurehead’s [[Trailboard|trailboards]] to be more cost effective, as well as the amount of labour involved. 
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=== Decline in use ===
{{more citations needed section|date=November 2017}}
[[File:Figerhead Aris Tsamadou.jpg|thumb|upright=1.2|The figurehead of the {{ship|Greek brig|Aris}}, c. 1807. [[National Historical Museum, Athens]]]]

Figureheads as such died out with the military sailing ship. In addition the vogue for [[Naval ram|ram bows]] meant that there was no obvious place to mount one on battleships.<ref name=Lambert149 /> An exception was {{HMS|Rodney|1884|6}} which was the last British battleship to carry a figurehead.<ref name=Lambert149>{{cite book |title= Warrior Restoring the World's First Ironclad|last=Lambert |first=Andrew |author-link=Andrew Lambert|year=1987 |publisher=Conway maritime press |isbn=0-85177-411-3 |page=152}}</ref> Smaller ships of the Royal Navy continued to carry them. The last example may well have been the sloop {{HMS|Cadmus|1903|6}} launched in 1903.<ref name=sag120>{{cite book |title=Send a Gunboat The Victorian Navy and Supremacy at Sea, 1854–1904 |last=Preston |first=Antony |author-link=Antony Preston (naval historian)|author2=Major, John |year=2007 |publisher=Conway Maritime|isbn=978-0-85177-923-2 |page=120}}</ref> Her sister ship {{HMS|Espiegle|1900|2}} was the last to sport a figurehead until her breaking up in 1923.
Early steamships sometimes had gilt scroll-work and coats-of-arms at their bows. This practice lasted up until about [[World War I]]. The 1910 German liner {{SS|Imperator}} originally sported a large bronze figurehead of an eagle (the Imperial German symbol) standing on a globe. The few extra feet of length added by the figurehead made ''Imperator'' the longest ship in the world at the time of her launch.

It is still common practise for warships to carry [[ships' badges]], large plaques mounted on the superstructure with a unique design relating to the ship's name or role. For example, [[Type 42 destroyer]]s of the [[Royal Navy]], which are named after British cities, carry badges depicting the [[coat of arms]] of their namesake.

On smaller vessels, a ''billethead'' might be substituted. This was a smaller, nonfigural carving, most often a curl of foliage.<ref>{{cite web|url=http://www.ageofsail.net/aoshipwd.asp?sletter=billethead;iword=1|title=Terminology from the Age of Sail: Billethead}}</ref><ref>{{cite web|url=http://www.nga.gov/collection/gallery/iadwood/iadwood-20275.html|title=Billethead from Ship "Favorite"|publisher=National Gallery of Art|access-date=2012-11-14}}</ref>