Editing Firefall (section)

=== Breakthrough and success ===
[[File:Firefall 1977.JPG|thumb|250px|The group in 1977]]

In 1975 Firefall recorded a demo tape consisting of three songs produced by [[Chris Hillman]]. Andes, Bartley and Roberts were then brought into Hillman's band. Before scheduled performances at The Other End in New York City in June 1975, Hillman became ill and was unable to play all the shows. Burnett and Clarke were then flown in to complete the commitments as Firefall. A&R representatives from Atlantic Records, who had already heard the band's demo tape, saw the Other End shows and signed Firefall to a multi-album contract. During the summer, when the contract was signed, Roberts was  playing as a member of [[Stephen Stills]]'s band, so work on the band's first album was delayed until late 1975. Roberts' high school friend [[David Muse]] was brought in before recording at [[Criteria Studios]] in Miami. The producer was Jim Mason, who had worked with the band [[Poco (band)|Poco]].

The album ''Firefall'' was recorded in one month and released in April 1976.<ref name="Larkin" /> The group's first single, "Livin' Ain't Livin'", stopped short of the Top 40 on the [[Billboard Hot 100]]. And during the following months, the band toured with [[Leon Russell]], [[the Doobie Brothers]], [[Tom Waits]], [[Lynyrd Skynyrd]], [[Roy Buchanan]], [[Electric Light Orchestra]] and [[The Band]], and were also on a bill that included [[Willie Nelson]], [[Jerry Jeff Walker]], and [[Asleep at the Wheel]].

The band's next single, "[[You Are the Woman]]", reached the Top 10, and the band toured with [[Fleetwood Mac]], who were at the beginning of their commercial peak. Another single, "Cinderella", was played extensively on FM radio but did not fare as well on AM, barely reaching the Top 40.

Firefall returned to Criteria Studios to record their second album, which was to be titled ''Tropical Nights''. They were joined by the [[Memphis Horns]] and percussionist [[Joe Lala]], a member of [[Manassas (band)|Manassas]] who had played on Firefall's debut album. But after hearing the final mix, Atlantic Records decided that the album needed to be reworked. With Jim Mason producing again, Firefall worked on the album that was renamed ''Luna Sea'', a pun on "lunacy", and released in July 1977.<ref name="Larkin" /> The album peaked at No. 27 on the ''Billboard'' chart and was certified gold<ref name="Huey">{{cite web |last1=Huey |first1=Steve |title=Firefall |url=https://www.allmusic.com/artist/firefall-mn0000173647/biography |website=AllMusic |access-date=May 24, 2020}}</ref> two months after its release. The single "Just Remember I Love You", with backing vocals by [[Timothy B. Schmit]], reached No. 11 on the ''Billboard'' Hot 100.

In a 2012 interview,<ref>{{cite web|url=https://glorydazemusic.com/php9/maintenance.php|title=GloryDazeMusic &#124; AOR and Melodic Rock|website=Glorydazemusic.com|access-date=October 12, 2019}}</ref> Roberts recalled what was going on at this time: "Our business managers at that time were Dottie Ross and Mick Schneider, who operated as D&M Management. Although we didn't know it, it would appear that Mick Schneider had his own designs on managing the band. I can't really prove that, but he had been filling the gap as our de facto manager ever since we had parted company with our last official guy and he was getting pretty comfortable calling the shots. [[Mick Fleetwood]] got interested in taking over after we had been touring as an opening act for Fleetwood Mac on their ''[[Rumours (album)|Rumours]]'' tour. We entered into a spoken agreement with him and he went to work restructuring our recording contract with Atlantic Records. Things happened during that time that made it an unworkable arrangement. The first thing probably went a good way towards undermining any chance of a healthy working relationship with Mick. The band went to his house in [[Bel Air, California]] one day to try and hash out a written agreement. It was summertime, so we all went out and sat down around the pool. Present were all the members of the band as well as Mick, his road manager and confidant John Courage and his lawyer, Nick Shapiro. As we started to go through the proposed contract, the band started to function in their usual fashion; disputing every second word and generally being impossible to deal with. We had a very bad habit of that in almost all our business dealings. We also seemed to find a way to make the very worst possible decision at every opportunity. It took us about two hours of haggling to get through the first seven or so paragraphs. Mick's lawyer was obviously getting frustrated by the nit picking and we were all getting a little short tempered. The second thing that happened was a lot more serious and probably dealt the killing blow. After Mick had gotten Atlantic to agree to restructure our contract with a sizable cash advance ($500,000 I think) and an increase in the percentage points, Mick Schneider rejected it as not being satisfactory! At that point, Mick (Fleetwood) decided that maybe managing Firefall was not in his best interests. As a result, we went for about another year and a half without an official manager and Mick Schneider stayed in nominal control. We were not the easiest band to work with at any time and considering the fatigue factor, we were probably raging jerks and for all the chart success we had achieved, we were hardly making a decent living. We were mostly serving as an opening act on a lot of 'A' list tours, and as such, we weren't being paid like a band with an unbroken string of gold and platinum albums and more than a half dozen straight top fifty singles. It was nice to be doing shows in sold-out arenas every night, but going home after the tour was over with hardly anything in your pocket dulled the thrill a little. That only increased the tension in the band."

In 1978 the band brought in [[Tom Dowd]] to produce their third album, ''Élan'',<ref name="Larkin" /> recording at Criteria and at the [[Record Plant]] in Los Angeles. The band and Dowd got along well but they had conflicting musical visions. The differences were apparently noticeable enough that the band's management, with help from their friend [[Mick Fleetwood]], pressured the record label into letting them rework the album. It put the group in debt with the label, and within the year they parted ways with their management. The production team of Ron and Howard Albert were brought in to finish the record. ''Élan'', released in October 1978, became their first album to reach platinum status.<ref name="Huey" /> The hit single "Strange Way" continued the band's commercial hot streak.<ref name="Larkin" />