Open main menu
Home
Random
Recent changes
Special pages
Community portal
Preferences
About Wikipedia
Disclaimers
Incubator escapee wiki
Search
User menu
Talk
Dark mode
Contributions
Create account
Log in
Editing
Frederic Rzewski
(section)
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
== Career == In 1966, Rzewski co-founded [[Musica Elettronica Viva]] with [[Alvin Curran]] and [[Richard Teitelbaum]] in [[Rome]]. Musica Elettronica Viva conceived music as a collective, collaborative process, with improvisation and live [[electronic instrument]]s prominently featured. In 1971, he returned to New York from Italy.<ref name="Grove">"Frederic Rzewski", in The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980.</ref> In 1977, Rzewski became Professor of Composition at the Conservatoire Royal de Musique in [[Liège]], Belgium, then directed by [[Henri Pousseur]]. Occasionally, he taught for short periods at schools and universities throughout the U.S. and Europe, including [[Yale University]], the [[University of Cincinnati]], the [[California Institute of the Arts]], the [[University of California, San Diego]], the [[Royal Conservatory of The Hague]], and [[Trinity College of Music]], London.<ref name="Grove" /> Many of Rzewski's works were inspired by [[secular]] and socio-historical themes, show a deep political conscience and feature improvisational elements. His better-known works include ''[[The People United Will Never Be Defeated!]]'' (36 variations on the [[Sergio Ortega (composer)|Sergio Ortega]] song "[[El pueblo unido jamás será vencido]]"); ''Coming Together'', a setting of letters from [[Sam Melville]], an inmate at [[Attica State Prison]], at the time of [[Attica Prison riots|the riots there]] (1972); ''North American Ballads'' (I. ''Dreadful Memories''; II. ''Which Side Are You On?''; III. ''Down by the Riverside''; IV. ''Winnsboro Cotton Mill Blues'') (1978–79); ''Night Crossing with Fisherman''; ''Fougues''; ''Fantasia'' and ''Sonata''; ''The Price of Oil'', and ''Le Silence des Espaces Infinis'', both of which use graphical notation; ''Les Moutons de Panurge''; and the ''Antigone-Legend''.<ref>{{Cite web|title=Rzewski, Frederic|url=https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000024218|access-date=June 30, 2021|website=Grove Music Online|year=2001|language=en|doi=10.1093/gmo/9781561592630.article.24218|isbn=978-1-56159-263-0|last1=Murray|first1=Edward}}</ref> Rzewski's later compositions include ''[[Nanosonatas]]'' (2006–2010) and ''Cadenza con o senza Beethoven'' (2003), written for [[Piano Concerto No. 4 (Beethoven)|Beethoven's Fourth Piano Concerto]]. Rzewski played the solo part in the world premiere of his piano concerto at the 2013 [[BBC Proms]].<ref>{{cite web |url=https://www.bbc.co.uk/events/enprzc |publisher=[[BBC]] |title=Prom 50: White, Barry, Rzewski, Feldman |access-date=February 21, 2021 |date=August 19, 2013}}</ref>
Edit summary
(Briefly describe your changes)
By publishing changes, you agree to the
Terms of Use
, and you irrevocably agree to release your contribution under the
CC BY-SA 4.0 License
and the
GFDL
. You agree that a hyperlink or URL is sufficient attribution under the Creative Commons license.
Cancel
Editing help
(opens in new window)