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He, She and It
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==Sources== {{refbegin|2}} * Ruth Bienstock Anolik (2001) "Appropriating the Golem, Possessing the Dybbuk: Female Retellings of Jewish Tales", IN Mica Howe & Sarah Appleton Aguiar (editors), ''He Said, She Says: An RSVP to the Male Text''. Madison, NJ; London, England: Fairleigh Dickinson UP; Associated UP; 2001. 292 pp. * [[Marleen S. Barr]] (1993) ''Lost in Space: Probing Feminist Science Fiction and Beyond'', Chapel Hill, NC: University of North Carolina Press, 1993. * Keith M. Booker (1994) "Woman on the Edge of a Genre: The Feminist Dystopias of Marge Piercy", ''[[Science-Fiction Studies]]'' v.21, n.3, pp. 337β350 (Nov. 1994). * Bronwen Calvert (2005) "Cyborg Utopia in Marge Piercy's ''Body of Glass''", ''Foundation: The International Review of Science Fiction'', v.34, n.95, pp. 52β61 (Autumn 2005). * June Deery (1994), "Ectopic and Utopic reproduction: ''He, She and It''", ''Utopian Studies'', v.5, n.2, pp. 36β49 (1994). * June Deery (2000) "The Biopolitics of Cyberspace: Piercy Hacks Gibson" pp. 87β108 IN: [[Marleen S. Barr]], editor, ''Future Females, The Next Generation: New Voices and Velocities in Feminist Science Fiction Criticism''. Lanham, MD: Rowman & Littlefield; 2000. xi, 323 pp. * Eleonora Federici (1997) "The Ecriture FΓ©minine of a 'Hideous Progeny': Marge Piercy's ''He, She and It'' as a Postmodern Intertext of Mary Shelley's ''Frankenstein''", ''Versus: Quaderni di Studi Semiotici'', v.77-78, pp. 119β143 (May-Dec 1997). * William S. Haney, "Cyborg Revelation: Marge Piercy's ''He, She and It''", chapter 9 of "''Cyberculture, Cyborgs and Science Fiction: Consciousness and the Posthuman'' (Rodopi 2006, {{ISBN|90-420-1948-4}}) * Joan Haran (2000) "(Re)Productive Fictions: Reproduction, Embodiment and Feminist Science in Marge Piercy's Science Fiction" pp. 154β68 IN: Karen Sayer & John Moore (editors), ''Science Fiction, Critical Frontiers''. Basingstoke, England; New York, NY: Macmillan; St. Martin's; 2000. xiii, 219 pp. * Elyce Rae Helford (2001) "The Future of Political Community: Race, Ethnicity, and Class Privilege in Novels by Piercy, Gomez, and Misha", ''Utopian Studies: Journal of the Society for Utopian Studies'', v.12, n.2, pp. 124β42 (2001). * Heather Hicks (2002) "Striking Cyborgs: Reworking the 'Human' in Marge Piercy's ''He, She and It'' pp. 85-106 IN: Mary Flanagan & Austin Booth (editors), ''Reload: Rethinking Women and Cyberculture''. Cambridge, MA: MIT Press; 2002. xiv, 581 pp. * Helen A. Kuryllo (1994) "Cyborgs, Sorcery, and the Struggle for Utopia", ''Utopian Studies'', v.5, n.2, pp. 50β55 (1994). * Dunja M. Mohr (2002) "'We're All Cyborgs': Cyberfeminism and the Cyborg as the Transgressive Metaphor of the Future in Marge Piercy's ''Body of Glass''", pp. 306β18 IN: Ursula Pasero and Anja Gottburgsen, ''Wie NatΓΌrlich ist Geschlecht?: Gender und die Konstrucktion von Natur und Technik''. Wiesbaden, Germany: Westdeutscher; 2002. 333 pp. * Dunja M. Mohr (2004) "Cyborg and Cyb(hu)man: The Fine Line of Difference", pp. 120β33 IN: Helene Von Oldenburg and Andrea Sick (editors), ''Virtual Minds: Congress of Fictitious Figures''. Bremen, Germany: Thealit; 2004. 235 pp. * Vara Neverow, "The Politics of Incorporation and Embodiment: ''Woman on the Edge of Time'' and ''He, She and It'' as Feminist Epistemologies of Resistance", ''Utopian Studies'', v.5, n.2, pp. 16β35 (1994). * Marge Piercy, "Telling Stories About Stories", ''Utopian Studies'', v.5, n.2, pp. 1β3 (1994). * Diane Sautter (1996) "Erotic and Existential Paradoxes of the Golem: Marge Piercy's ''He, She and It''", ''Journal of the Fantastic in the Arts'', v.7, n.2-3 [nos.26-27], pp. 255β68 (1996). * Anca Vlasopolos (1998) "Technology as Eros's Dart: Cyborgs as Perfect (Male?) Lovers", ''Foundation: The International Review of Science Fiction'' v.73, pp. 59β66 (Summer 1998). * Jenny Wolmark (1994) ''Aliens and Others: Science Fiction, Feminism, and Postmodernism''. London: Harester Wheatsheaf, 1993; Iowa City: University of Iowa Press, 1994. {{refend}} ===Footnotes=== {{reflist|2}}
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