Open main menu
Home
Random
Recent changes
Special pages
Community portal
Preferences
About Wikipedia
Disclaimers
Incubator escapee wiki
Search
User menu
Talk
Dark mode
Contributions
Create account
Log in
Editing
Jump cut
(section)
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
== Notable examples == {{Original research section|date=August 2019}} The jump cut sometimes serves a political use in film. Some have used it as an alienating, [[Bertolt Brecht|Brechtian]] technique (the {{lang|de|[[Verfremdungseffekt]]}}) that makes the audience aware of the unreality of the film experience in order to focus attention on a political message rather than the drama or emotion of the narrative. This may be observed in some segments of [[Sergei Eisenstein]]'s ''[[The Battleship Potemkin]]''. [[Alexander Dovzhenko]]' used jump cuts in ''[[Arsenal (1929 film)|Arsenal]]'' (Soviet Union, 1930), where a close-up shot of a character's face cuts closer and closer a total of nine times. [[Mark Cousins (film critic)|Mark Cousins]] comments that this "fragmentation captured his indecision ... and confusion",<ref>Cousins, Mark (2004). ''The Story of Film'', 1st ed. London: Pavilion. p. 270</ref> adding that "Although the effect jars, the idea of visual conflict was central to Soviet montage cinema of that time". Jump cuts are sometimes used to show a nervous searching scene, as is done in the 2009 science fiction film [[Moon (2009 film)|''Moon'']] in which the protagonist, Sam Bell, is looking for a secret room on a Moon base, and ''[[District 9]]'' in which the protagonist, Wikus, searches for illegal objects in the house of Christopher's friend. Jump cuts plays a significant and disorienting role in a scene of [[Joel and Ethan Coen]]'s ''[[A Serious Man]]''. They intersperse shots of Rabbi Nachtner and Larry Gopnik having a conversation in the Rabbi's office with shots of an earlier meeting that Nachtner had with a different person in the same office. In television, ''[[Rowan & Martin's Laugh-In]]'' editor [[Arthur Schneider]] won an [[Emmy Award]] in 1968 for his pioneering use of the jump cut. Jump cutting remained an uncommon TV technique until shows like ''[[Homicide: Life on the Street]]'' popularized it on the small screen in the 1990s. The music video for "[[Everybody Have Fun Tonight]]" makes extensive use of the jump cut. Other uses of the jump cuts include [[Vincent Gallo]]'s short ''Flying Christ'' in which various shots of "Christ" jumping are cut together as he is in mid-jump, creating the illusion of flight, and in many [[vlog]]s online, as popularized by [[the show with zefrank]]. British comedian [[Russell Kane]] has produced a series of comic, satirical videos, named "Kaneings", in response to current events. These make extensive use of jump-cut-style editing.
Edit summary
(Briefly describe your changes)
By publishing changes, you agree to the
Terms of Use
, and you irrevocably agree to release your contribution under the
CC BY-SA 4.0 License
and the
GFDL
. You agree that a hyperlink or URL is sufficient attribution under the Creative Commons license.
Cancel
Editing help
(opens in new window)