Editing Neo-Byzantine architecture (section)

==Southeastern Europe==
===Bulgaria===
<gallery mode="packed" heights="150px">

Faculty of Theology Sofia.jpg|Faculty of Theology Sofia, [[Sofia University]]

Sofia - Seminary - 2.jpg|The Sofia Seminary

Holy Synod Palace - Sofia.jpg|The Palace of the Holy Synod of the [[Bulgarian Orthodox Church|Bulgarian Patriarchate]], Sofia

St. Nedelya church at night.jpg|[[St Nedelya Church|St. Nedelya Cathedral Church]] at night, Sofia

Vidin St Demetrius Cathedral 2.jpg|St. Demetrius Cathedral, [[Vidin]]

StNikolaySofiyski church Sofia.jpg|St. Nikolay of Sofia church, Sofia

BRG-2019-SvSvKirilMetodij04.jpg|Saints Cyril and Methodius Cathedral, [[Burgas]]

Sveti Nikolay Chudotvorets church in Stara Zagora, Bulgaria.jpg|St. Nikolay the Wonderworker church, [[Stara Zagora]]

Dragalevtsi-monastery.jpg|[[Dragalevtsi Monastery]] (new buildings from 1932) Sofia

Sofia Public Mineral Baths.jpg|[[Regional History Museum Sofia]] (former Sofia Central Public Mineral Baths)

Vrana Palace.jpg|The building of the New Palace in [[Vrana Palace]], Sofia

</gallery>

The Bulgarian Neo-Byzantine style from the end of the 19th and the beginning of the 20th century is often a combination of Byzantine, [[Architecture of the Bulgarian Revival|typical Bulgarian]], Eastern Orthodox and [[Vienna Secession|Secession]]/ [[Art Nouveau]]/ [[Modernisme]] elements.

* [[Alexander Nevsky Cathedral, Sofia]] (1882-1912);
* [[Dormition of the Mother of God Cathedral, Varna]] (1882-1885);
* Faculty of Theology ([[Sofia University]]) (1908-1912)
* Regional History Museum Sofia, former [[Sofia Central Mineral Baths|Sofia Central Public Mineral Baths]] (1913) -  the building was designed in the [[Vienna Secession]] style, but integrating typically Byzantine, Bulgarian and Eastern Orthodox ornamental elements;
* [[Sofia Theological Seminary]] (1902-1914);
* [[Vrana Palace]] - the building of the New Palace in "Vrana" is a two-storey massive building, executed in typical Bulgarian style with Secession elements, combined in an elegant Neo-Byzantine spirit.
* [[Church of St Paraskeva, Sofia]] (1926-1930)
* [[St Nedelya Church|St. Nedelya Cathedral Church]] (10th century, 1933), Sofia

===Greece===
* [[Cathedral of Saint Andrew, Patras]] (1908-1974)
* [[Church of Saint Panteleimon of Acharnai]], [[Athens]] (1910-1930)

===Romania===
{{See also|Romanian Revival architecture}}
<gallery mode="packed" heights="160px">

18 Bulevardul Eroii Sanitari, Bucharest (03).jpg|Entrance of the Laurențiu and Louise Steinebach House (Bulevardul Eroii Sanitari no. 18), [[Bucharest]], by [[Alfred Popper]], 1915-1916<ref>{{cite book|last1=Croitoru-Tonciu|first1=Monica|title=Alfred Popper - 1874-1946 - (re)descoperirea unui arhitect|date=2022|publisher=SIMETRIA|isbn=978-973-1872-51-3|page=72|url=|language=ro}}</ref>

40 Bulevardul Lascăr Catargiu, Bucharest (04).jpg|Doctor Dobrovici House ([[Bulevardul Lascăr Catargiu]] no. 40), Bucharest, by [[Duiliu Marcu]], 1919-1925<ref>{{cite book|last1=Mariana Celac, Octavian Carabela and Marius Marcu-Lapadat|title=Bucharest Architecture - an annotated guide|date=2017|publisher=Ordinul Arhitecților din România|isbn=978-973-0-23884-6|page=90|url=|language=en}}</ref>

10 Strada Dumbrava Roșie, Bucharest (05).jpg|Doctor Ion and Maria Urlățeanu House ([[Strada Dumbrava Roșie]] no. 10), Bucharest, by [[Alfred Popper]], 1922-1923<ref>{{cite book|last1=Croitoru-Tonciu|first1=Monica|title=Alfred Popper - 1874-1946 - (re)descoperirea unui arhitect|date=2022|publisher=SIMETRIA|isbn=978-973-1872-51-3|page=94|url=|language=ro}}</ref>

18 Strada Pictor Constantin Stahi, Bucharest (01).jpg|Strada Pictor Constantin Stahi no. 18, Bucharest, by Tiberiu Niga, 1930s<ref>{{cite book|last1=Ghigeanu|first1=Mădălin|title=Curentul Mediteraneean în arhitectura interbelică|date=2022|publisher=Vremea|isbn=978-606-081-135-0|page=530|url=|language=}}</ref>

42 Bulevardul Dacia, Bucharest (02).jpg|Bulevardul Dacia no. 42, Bucharest, unknown architect, 1930s
</gallery>

* Entrance of the Laurențiu and Louise Steinebach House, Bucharest (most of its architectural elements, both exterior the interior, with little [[Romanian Revival architecture|Romanian Revival]] influences)
* [[People's Salvation Cathedral]], Bucharest
* [[Holy Trinity Cathedral, Sibiu]]
* [[Coronation Cathedral, Alba Iulia]]
* [[Cathedral of Saints Peter and Paul, Constanța]]
* [[Domnița Bălașa Church]], Bucharest
* Doctor Ion and Maria Urlățeanu House, Bucharest
* Aleea Alexandru no. 40, Bucharest
* Strada Pictor Constantin Stahi no. 18, Bucharest
* Strada Austrului no. 9, Bucharest
* Bulevardul Dacia no. 42, Bucharest
* Doctor Dobrovici House, Bucharest

===Serbia===
{{main|Serbo-Byzantine Revival}}
{{Panorama|image=File:Size_comparison_church_of_st_sava_st_sophie.jpg|width=90%|height=350|caption=[[Church of Saint Sava]] in Belgrade paraphrases Hagia Sophia}}
Serbia's modern sacral architecture got its main impetus from the dynastic burial church in Oplenac which was commissioned by the Karađorđeviċ dynasty 1909.<ref>Aleksandar Kadijević: ''Byzantine architecture as inspiration for serbian new age architects''. Katalog der SANU anlässlich des Byzantinologischen Weltkongresses 2016 und der Begleitausstellung in der Galerie der Wissenschaften und Technik in der Serbischen Akademie der Wissenschaften und Künste. Serbian Committee for Byzantine Studies, Belgrade 2016, {{ISBN|978-86-7025-694-1}}, S. 87.</ref> With the arrival of Russian émigré artists after the [[October Revolution]], Belgrade's main governmental edifices were planned by eminent Russian architects trained in Russia. It was King Alexander I who was the patron of the Neo-Byzantine movement.<ref>Aleksandar Kadijević: ''Byzantine architecture as inspiration for serbian new age architects''. Katalog der SANU anlässlich des Byzantinologischen Weltkongresses 2016 und der Begleitausstellung in der Galerie der Wissenschaften und Technik in der Serbischen Akademie der Wissenschaften und Künste. Serbian Committee for Byzantine Studies, Belgrade 2016, {{ISBN|978-86-7025-694-1}}, S. 62.</ref> Its main proponents were [[Aleksandar Deroko]], [[Momir Korunović]], [[Krstić Brothers|Branko Krstić]], [[Grigorije Samojlov]] and [[Nikolay Krasnov (architect)|Nikolay Krasnov]]. Their main contribution were the royal castles on Dedinje, the [[Church of Saint Sava]] and the [[St. Mark's Church, Belgrade|St. Mark's Church]] in Belgrade. After the communist era ended, [[Mihajlo Mitrović]] and Nebojša Popović were proponents of new tendencies in sacral architecture which used classic examples in the Byzantine tradition.<ref>Aleksandar Kadijević 2016: ''Between Artistic Nostalgia and Civilisational Utopia: Byzantine Reminiscences in Serbian Architecture of the 20th Century''. Lidija Merenik, Vladimir Simić, Igor Borozan (Hrsg.) 2016: IMAGINING THE PAST THE RECEPTION OF THE MIDDLE AGES IN SERBIAN ART FROM THE 18TH TO THE 21ST CENTURY. Ljubomir Maksimovič & Jelena Trivan (Hrsg.) 2016: BYZANTINE HERITAGE AND SERBIAN ART I–III. The Serbian National Committee of Byzantine Studies, P.E. Službeni glasnik, Institute for Byzantine Studies, Serbian Academy of Sciences and Arts. Hier S. 177 [https://www.academia.edu/28269003/Between_artistic_nostalgia_and_civilizational_utopia_Byzantine_reminiscences_in_Serbian_architecture_of_the_20th_century_in_BYZANTINE_HERITAGE_AND_SERBIAN_ART_III_IMAGINING_THE_PAST_THE_RECEPTION_OF_THE_MIDDLE_AGES_IN_SERBIAN_ART_FROM_THE_18_TH_TO_THE_21_ST_CENTURY (Academia:PDF)]</ref>