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Nick Bottom
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==Analysis== Bottom's discussion of his dream is considered by Ann Thompson to have emulated two passages from Chaucer's ''[[The Book of the Duchess]]''.<ref>Hale, David G., [https://www.jstor.org/stable/2871197 Bottom's Dream and Chaucer], [[Shakespeare Quarterly]], Vol. 36, No. 2 (Summer, 1985), pp. 219β220, {{doi|10.2307/2871197}}</ref> Critics have commented on the profound religious implications of Bottom's speech on his awakening without the ass's head in act 4 of A Midsummer Night's Dream: <blockquote> "[. . .] The eye of <br />man hath not heard, the ear of man hath not seen, <br />man's hand is not able to taste, his tongue to conceive, <br />nor his heart to report, what my dream was. I <br />will get Peter Quince to write a ballad of this <br />dream: it shall be called 'Bottom's Dream', because <br />it hath no bottom; and I will sing it in the latter end <br />of a play, before the Duke. Peradventure, to make it the <br />more gracious, I shall sing it at her death." (4.1.209β216) </blockquote> This speech seems to be a comically jumbled evocation of a passage from the [[New Testament]]'s [[1 Corinthians]] 2.9β10: <blockquote> "The things which <br />eye hathe not sene, nether eare hath heard, <br />nether came into man's heart, are, which <br />God hathe prepared for them that love him. <br />But God hathe reveiled them unto us by <br />his Spirit: for the Spirit searcheth all <br />things, yea, the deepe things of God." </blockquote> Steven Doloff also suggests that Bottom's humorous and foolish performance at the end of "A Midsummer Night's Dream" mimics a passage from the previous chapter of Corinthians: <blockquote> "For seing the worlde by wisdome knewe <br />not God in the wisdome of God, it pleased <br />God by the foolishnes of preaching <br />to save them that believe: <br />Seing also that the Jewes require a signe, <br />and the Grecians seke after wisdome. <br />But we preache Christ crucified : unto <br />the Jewes, even a stombling blocke, & unto <br />the Grecians, foolishnes: <br />But unto them which are called, bothe <br />of the Jewes & Grecias we preache Christ, <br />the power of GOD, and the wisdome of God. <br />For the foolishnes of God is wiser the men [. . .]." (1 Corinthians 1.21β25) </blockquote> This passage's description of the sceptical reception Christ was given by his Greek audience appears to be alluded to in Bottom's performance. Just as Christ's preaching is regarded as "foolishness", Bottom's audience perceives his acting (as well as the entirety of the play he is a part of) as completely without value, except for the humor they can find in the actors' hopelessly flawed rendering of their subject matter. Doloff writes that this allusion is especially likely because, in both texts, the sceptical audience of the "foolish" material is composed of Greeks, as the spectators of Bottom et al. are Theseus, the duke of Athens, and his court.<ref>Doloff, Steven, [http://web.ebscohost.com/ehost/pdf?vid=2&hid=117&sid=4881bde4-d7e3-4270-8be5-cf6b8b0339c7%40sessionmgr7] Bottom's Greek Audience: 1 Corinthians 1.21β25 and Shakespeare's A Midsummer Night's Dream, doi:11.3007/2871197</ref>
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