Editing Point Counter Point (section)

==Main characters and storylines==

Some of the main characters are:

*'''Walter Bidlake''', a young journalist. A weak and ineffectual man, Walter is living with Marjorie Carling, a married woman whose husband refuses to grant her a divorce. Marjorie is pregnant with Walter's child, but their relationship is disintegrating, largely because Walter has fallen desperately in love with the sexually aggressive and independent Lucy Tantamount (based on [[Nancy Cunard]], with whom Huxley had a similarly unsatisfactory affair).
*'''John Bidlake''', Walter's father, a painter (based on [[Augustus John]]). He is famous for his work and for his scandalous love life. However, his recent paintings show a creative decline, which he himself recognises but refuses to admit. He has an illness which is eventually diagnosed as terminal cancer. His wife Mrs. Bidlake is inspired by [[Lady Ottoline Morrell]].
*'''Philip Quarles''', a writer (a self-portrait of Huxley) and his wife Elinor, John Bidlake's daughter. They return from India to England. Quarles is a withdrawn, cerebral man, ill at ease with the everyday world and its emotions; Elinor loves him, but is tempted to enter into an affair with the bold and attractive Everard Webley, a political [[demagogue]] and leader of his own quasi-military group, the Brotherhood of British Freemen. (Webley is often assumed to be based on [[Oswald Mosley]], but there are reasons for doubting this: see below.) Quarles' father, Sidney, is unlike his son: outwardly impressive, he is in reality pretentious, feeble and self-indulgent. An undistinguished MP and failed businessman, he has retired from public life, supposedly to concentrate on writing a vast and definitive study of democracy. In fact he has written nothing, but he employs a secretary; the girl becomes pregnant by him and threatens to make a scandal. Philip and Elinor have a young son, little Phil, who becomes ill and dies of [[meningitis]].
*'''Mark Rampion''', a writer and painter. Based on [[D. H. Lawrence]], whom Huxley admired greatly, Rampion is a fierce critic of modern society. A full chapter in flashback shows Rampion's courtship and marriage to his wife, Mary (based on Lawrence's wife Frieda).
*'''Maurice Spandrell''', an intellectual desperately and unsuccessfully searching for proof of the divine in his life (based on [[Charles Baudelaire]], who of course did not live in Huxley's time).<ref>{{Cite web|url=https://www.scribd.com/document/281120902/Baudelaire-and-Aldous-Huxley-Point-counter-point|title=Baudelaire and Aldous Huxley - Point counter point {{!}} Charles Baudelaire {{!}} Poetry|website=Scribd|language=en|access-date=2019-12-11}}</ref> For years Spandrell has devoted himself to [[vice]] and deliberate wickedness in order to prompt a reaction from God. He has found some pleasure in the corruption of an innocent young girl, both in the act itself and in his own feelings of remorse, but when he is not divinely punished, he looks for an even larger sin to force God's hand.  He believes  that if there is no real evidence of God's existence, everything in life is pointless. He meets Illidge, a young scientist of working-class origin, and taunts him for his angry left-wing rhetoric and actual political impotence in order to persuade him into helping him murder Everard Webley. Tragically, there is still no obvious heavenly negative and personal consequences for this ultimate sin, except to strengthen Webley's Brotherhood of British Freemen. Spandrell sends an anonymous note to the Brotherhood, informing them that the murderer is at his address. He tries one last time to find God's presence in the world when he asks Rampion whether [[String Quartet No. 15 (Beethoven)|Beethoven's String Quartet No 15]], played on the newly invented [[Phonograph|gramophone]], (to symbolize the collision of science and technology with art) is an indication or proof of God. Rampion answers that even the sublimest of music, such as Beethoven's composition that they are listening to, is not a proof of God, this motivates Spandrell to call the police, essentially committing suicide, since when they arrive he allows himself to be shot and killed, while the third movement from Beethoven's String Quartet No. 15 plays in the background.<ref>{{Cite web|url=http://www.dalkeyarchive.com/wp-content/uploads/pdf/Huxley_Point_Casebook/marovitz.pdf|title=Point Counter Point: Huxley's Tragi-Comic Performance of the "Human Fugue"|last=Marovitz|first=Sanford E.|access-date=11 December 2019}}</ref>
*'''Denis Burlap''', Walter Bidlake's editor. Based on [[John Middleton Murry]], Burlap is in his writings and public image a Christian and an anguished, self-accusing moralist; in his inner thoughts and private behaviour, however, he is calculating, avaricious and libidinous. He lives with Beatrice Gilray (based on [[Dorothy Brett]], painter), who at thirty-five remains a virgin, having been molested as a young girl; for some time their relationship is platonic, but Burlap succeeds in seducing her. The novel ends with his having secured several thousand dollars for a book, ''St Francis and the Modern Psyche'', and enjoying an evening of sensual pleasure with Beatrice.