Editing Ray Conniff (section)

===Early career===
After serving in the [[United States Army|U.S. Army]] in [[World War II]] (where he worked under [[Walter Schumann]]), he joined the [[Artie Shaw]] big band and wrote many arrangements for him.<ref name="Larkin"/> After his stint with Shaw, he was hired in 1954 by [[Mitch Miller]], head of [[A&R]] at [[Columbia Records]], as the label's home arranger, working with several artists including [[Rosemary Clooney]], [[Marty Robbins]], [[Frankie Laine]], [[Johnny Mathis]], [[Guy Mitchell]] and [[Johnnie Ray]].<ref name="Larkin"/> He wrote a top-10 arrangement for [[Don Cherry (singer)|Don Cherry]]'s "Band of Gold" in 1955, a single that sold more than a million copies.<ref name="Larkin"/> Among the hit singles Conniff backed with his orchestra (and eventually with a male chorus) were "[[Yes Tonight Josephine]]" and "[[Just Walkin' in the Rain]]" by Johnnie Ray; "[[Chances Are (song)|Chances Are]]" and "[[It's Not for Me to Say]]" by Johnny Mathis; "[[A White Sport Coat]]" and "[[The Hanging Tree (Marty Robbins song)|The Hanging Tree]]" by Marty Robbins; "[[Moonlight Gambler]]" by Frankie Laine; "[[Up Above My Head]]", a duet by Frankie Laine and Johnnie Ray; and "Pet Me, Poppa" by Rosemary Clooney. He also backed up the albums ''[[Tony (album)|Tony]]'' by [[Tony Bennett]], ''Blue Swing'' by [[Eileen Rodgers]], ''Swingin' for Two'' by Don Cherry, and half the tracks of ''The Big Beat'' by Johnnie Ray. In these early years Conniff produced similar-sounding records for Columbia's [[Epic Records|Epic]] label under the name of '''Jay Raye''' (which stood for "Joseph Raymond"), among them a backing album and singles with the American male vocal group [[Somethin' Smith and the Redheads]].

Between 1957 and 1968, Conniff had 28 albums in the American Top 40, the most famous one being ''Somewhere My Love'' (1966).<ref name="Larkin"/> He topped the album list in [[United Kingdom|Britain]] in 1969 with ''[[His Orchestra, His Chorus, His Singers, His Sound]],''<ref name="Larkin"/> an album which was originally published to promote his European tour (Germany, Austria, Switzerland) in 1969. He also was the first American popular artist to record in [[Russia]]—in 1974 he recorded ''Ray Conniff in Moscow'' with the help of a local choir.<ref name="Larkin"/> His later albums like ''Exclusivamente Latino,'' ''Amor Amor,'' and ''Latinisimo'' made him very popular in Latin-American countries, even more so after performing in the [[Viña del Mar International Song Festival]]. In Brazil and Chile in the 1980s and 1990s, he was treated like a young pop superstar despite being in his seventies and eighties. He played live with his orchestra and eight-person chorus in large football stadiums as well as in [[Viña del Mar]].

Conniff commented, "One time I was recording an album with [[Mitch Miller]] – we had a big band and a small choir. I decided to have the choir sing along with the big band using wordless lyrics. The women were doubled with the trumpets and the men were doubled with the trombones. In the booth Mitch was totally surprised and excited at how well it worked." Because of the success of his backing arrangements, and the new sound Conniff created, Miller allowed him to make his own record, and this became the successful [['S Wonderful (album)|''’s&nbsp;Wonderful!'']], a collection of standards that were recorded with an orchestra and a wordless singing chorus (four men, four women).<ref name="Larkin"/> He released many more albums in the same vein, including ''’s&nbsp;Marvelous'' (1957, gold album), ''’s&nbsp;Awful Nice'' (1958), ''Concert in Rhythm'' (1958, gold album), ''Broadway in Rhythm'' (1958), ''Hollywood in Rhythm'' (1959), ''Concert in Rhythm'', Vol. II (1960), ''Say It With Music'' (1960), ''Memories Are Made of This'' (1960, gold album), and ''’s&nbsp;Continental'' (1962).<ref name="Larkin"/> His second album was ''Dance the Bop!'' (1957). It was an experiment by one of the senior managers at Columbia to cash in on a new dance step, but from the outset, Conniff disliked it. When it sold poorly, he had it withdrawn.