Editing Set construction (section)

==Film production==

In major [[film production]] in England, a Supervising Art Director is responsible for a team of Art Directors, each drafting separate sets or sections of a single set. Construction supervisors interpret the drawings and allocate labour and resources, with the Production Designer giving approval of the finished set on the Directors behalf.
Film construction is rigidly compartmentalized on major motion pictures.<ref name="urdesign">{{cite web |title=THE ART OF ILLUSION: THE DESIGN OF FILM SET CONSTRUCTION |url=https://www.urdesignmag.com/architecture/2019/08/02/the-art-of-illusion-the-design-of-film-set-construction |website=urdesign |access-date=2021-01-16 |date=2019-08-02}}</ref>

Construction of a [[set (film and TV scenery)|set]] is mainly done on studio stages or back lots, often within a studio complex and several studio stages may be allocated purely as workshop space during the construction process.
Many disciplines are employed under construction managers but craftsmen tend to not multi-task and so there are a range of job titles such as carpenter, rigger, plasterer, stage hand, poly waller, scenic painter, standby painter and standby carpenter.
A prop making workshop is set up in a similar stage and may be paid for out of a Construction or Art Department budget depending on the nature and size of the props in question.

The construction department is led by a construction coordinator. The coordinator reports to the art director and production designer and is in charge of budgeting and implementing designs. The construction coordinator has a general foreman to assist. Next there are other foremen, lead carpenters called gang bosses, and then all of the carpenters and craftsmen.

The construction coordinator, or construction company, provides all tools and equipment apart from small hand tools specific to a craftsman's work, such as screw guns, paint brushes and plastering trowels. This makes logistics and efficiency the responsibility of the construction manager and leaves each crew member as fluid freelancers to be hired and off hired at extremely short notice throughout the production.

Studio complexes tend to have support services such as Drape Shops, general stores, timber stores and plaster shop as well as special effects companies, on site to support construction and other departments.

In the United States, set construction workers are usually members of the entertainment union, [[International Alliance of Theatrical Stage Employees|IATSE, International Alliance of Theatrical Stage Employees]].