Editing Sixty-fourth note (section)

==References==
{{reflist|18em}}

'''Sources'''
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*{{wikicite|ref={{harvid|Burrowes|1874}}|reference=Burrowes, John Freckleton. 1874. ''[https://books.google.com/books?id=TH1BAQAAMAAJ&q=Burrowes%27+Piano-forte+Primer:+Containing+the+Rudiments+of+Music+Adapted+for+Either+Private+Tuition+Or+Teaching+in+Classes+Together+with+a+Guide+to+Practice Burrowes' Piano-forte Primer: Containing the Rudiments of Music Adapted for Either Private Tuition or Teaching in Classes Together with a Guide to Practice]'', new edition, revised and modernized, with important additions, by L. H. Southard. Boston and New York: Oliver Ditson.}}
* {{wikicite|ref={{harvid|Gerou and Lusk|1996}}|reference=Gerou, Tom, and Linda Lusk. 1996. ''Essential Dictionary of Music Notation''. Los Angeles: Alfred Publishing. {{ISBN|978-0-88284-730-6}}}}
*{{wikicite|ref={{harvid|Haas|2011}}|reference=Haas, David. 2011. "Shostakovich’s Second Piano Sonata: A Composition Recital in Three Styles". In ''The Cambridge Companion to Shostakovich'', edited by Pauline Fairclough and David Fanning, 95–114. [[Cambridge Companions to Music]]. Cambridge and New York: Cambridge University Press. {{ISBN|978-1-139-00195-3}}. {{doi|10.1017/CCOL9780521842204.006}}.}} "The listener is right to suspect a Baroque reference when a double-dotted rhythmic gesture and semihemidemisemiquaver triplets appear to ornament the theme" (112).
* {{wikicite|ref={{harvid|Morehen|2001}}|reference=Morehen, John. 2001. "Hemidemisemiquaver". ''[[The New Grove Dictionary of Music and Musicians]]'', second edition, edited by [[Stanley Sadie]] and [[John Tyrrell (musicologist)|John Tyrrell]]. London: Macmillan.}}
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