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Susan Howe
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==Publications== Howe is an author of a number of books of poetry, including ''Europe of Trusts: Selected Poems'' (1990), ''Frame Structures: Early Poems 1974β1979'' (1996) and ''The Midnight'' (2003), ''Pierce-Arrow'' (1999), ''Bed Hangings'' with [[Susan Bee]] (2001),''Souls of the Labadie Track,'' (2007) ''Frolic Architecture,'' (2010), "Spontaneous Particulars: The Telepathy of Archives" (2014) and ''That This'' (2010), and three books of criticism, ''The Birth-Mark: Unsettling the Wilderness in American Literary History'' (1993), "The Gorgeous Nothings: Emily Dickinson's Envelope Poems" (2013) and ''My Emily Dickinson'' (1985). Howe began publishing poetry with ''Hinge Picture'' in 1974 and was initially received as a part of the amorphous grouping of experimental writers known as the language poets-writers such as [[Charles Bernstein (poet)|Charles Bernstein]], [[Bruce Andrews]], [[Lyn Hejinian]], [[Carla Harryman]], [[Barrett Watten]], and [[Ron Silliman]].<ref>Will Montgomery, ''The Poetry of Susan Howe'' New York: Palgrave, 20100, ix</ref> Her work has appeared in numerous anthologies, including [[The Norton Anthology of Modern and Contemporary Poetry]], the L=A=N=G=U=A=G=E poetry anthology ''[[In the American Tree]],'' and [[The Norton Anthology of Postmodern Poetry.]]<ref>{{cite web|url=https://www.amazon.com/s/ref=dp_byline_sr_book_1?ie=UTF8&field-author=Susan+Howe&search-alias=books&text=Susan+Howe&sort=relevancerank |title=Search: Suan Howe |publisher=Amazon.com |date= |accessdate=2022-08-05}} {{better source needed|date=August 2022}}</ref> In 2003, Howe started collaborating with experimental musician [[David Grubbs]].<ref>[http://writing.upenn.edu/pennsound/x/Howe-Grubbs.php "PennSound: Susan Howe and David Grubbs"], University of Pennsylvania, Retrieved 25 December 2014.</ref> The results were released on five CD's: ''[[Thiefth]]'' (featuring the poems ''Thorow'' and ''Melville's Marginalia''), ''Songs of the Labadie Tract'', ''Frolic Architecture'', ''Woodslippercounterclatter'', and ''Concordance''.
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