Editing Octatonic scale (section)

==References==
{{Reflist|20em}}

'''Sources'''
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* {{wikicite|ref={{harvid|Anon.|1977}}|reference=Anon. (1977). [Untitled article]. ''[https://books.google.com/books?id=rGo9AQAAIAAJ&q=%22beta+chord%22 Soundings]'', 6–9, p. 12. University College.}}
* {{wikicite|ref={{harvid|Agmon|1990}}|reference=Agmon, Eytan (1990). "Equal Divisions of the Octave in a Scarlatti Sonata." ''In Theory Only'' 11, no. 5:1–8.}}
* {{wikicite|ref={{harvid|Alegant|2010}}|reference=Alegant, Brian (2010). ''The Twelve-Tone Music of Luigi Dallapiccola''. {{Full citation needed|date=December 2014}}<!--Place and publisher are needed.--> {{ISBN|978-1-58046-325-6}}.}}
*{{wikicite|ref={{harvid|Antokoletz|1984}}|reference=Antokoletz, Elliott (1984). ''The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music''. Berkeley and Los Angeles: University of California Press. Cited in Wilson directly above.{{Where|date=December 2014}} {{ISBN|0-520-06747-9}}.}}
* {{wikicite|ref={{harvid|Campbell|2001}}|reference=Campbell, Gary (2001). ''Triad Pairs for Jazz: Practice and Application for the Jazz Improvisor''. {{Full citation needed|date=December 2014}}<!--Location and publisher needed.--> {{ISBN|0-7579-0357-6}}.}}
* {{wikicite|ref={{harvid|Chan|2005}}|reference=Chan, Hing-yan (2005). ''New Music in China and the C.C. Liu Collection at the University of Hong Kong''. {{Full citation needed|date=December 2014}}<!--Location and publisher needed.--> {{ISBN|978-962-209-772-8}}.}}
* {{cite thesis|last=Clement|first=Brett|year=2009|title=A Study of the Instrumental Music of Frank Zappa|publisher=University of Cincinnati|type=PhD dissertation}}
* {{wikicite|ref={{harvid|Cohn|1991}}|reference=Cohn, Richard (1991). "Bartók's Octatonic Strategies: A Motivic Approach." ''[[Journal of the American Musicological Society]]'' 44, no. 2 (Summer): 262–300.}}
* {{wikicite|ref={{harvid|Cross|2015}}|reference=Cross, Jonathan (2015). ''Igor Stravinsky''. London: Reaction Books.}}
*{{wikicite|ref={{harvid|DeVoto|2003}}|reference=DeVoto, Mark (2003). "The Debussy Sound: Colouyr, Texture, Gesture". In ''The Cambridge Companion to Debussy'', edited by Simon Tresize, 179–196. [[Cambridge Companions to Music]]. Cambridge and New York: Cambridge University Press. {{ISBN|0-521-65243-X}} (cloth); {{ISBN|0-521-65478-5}} (pbk).}}
* {{wikicite|ref={{harvid|DeVoto|2007}}|reference=DeVoto, Mark (2007) "Boris's Bells, by Way of Schubert and Others". ''Current Musicology'', no. 83 (Spring): {{Page needed|date=August 2017}}.}}.
* {{cite book|last=Durrand|first=M.|year=2020|title=Music in Action Film|publisher=Taylor & Francis|isbn=9781351204255}}
* {{wikicite|ref={{harvid|Forte|1991}}|reference=[[Allen Forte|Forte, Allen]] (1991). "Debussy and the Octatonic". ''[[Music Analysis (journal)|Music Analysis]]'' 10, nos. 1–2 (March–July): 125–169.}}
* {{wikicite|ref={{harvid|Frazzi|1930}}|reference=[[Vito Frazzi|Frazzi, Vito]] (1930). ''Scale alternate per pianoforte'' con diteggiature di Ernesto Consolo. Florence: A. Forlivesi.}}
* {{wikicite|ref={{harvid|Hatfield|2005}}|reference=Hatfield, Ken (2005). ''Mel Bay Jazz and the Classical Guitar Theory and Applications''.{{Full citation needed|date=December 2014}} {{ISBN|0-7866-7236-6}}.}}
* {{wikicite|ref={{harvid|Hill|1995}}|reference=Hill, Peter (1995). ''The Messiaen Companion''. London: Faber and Faber.}}
* {{wikicite|ref={{harvid|Honti|2007}}|reference=Honti, Rita (2007). ''[https://books.google.com/books?id=oA43AQAAIAAJ&q=%22beta+chord%22 Principles of pitch organization in Bartók's Duke Bluebeard's Castle]''. University of Helsinki. {{ISBN|978-952-10-3837-2}}.}}
* {{cite book|last=Kahan|year=2009|first=Sylvia|title=In Search of New Scales: Prince Edmond de Polignac, Octatonic Explorer|location=Rochester, NY|publisher=University of Rochester Press|isbn=978-1-58046-305-8}}
*{{cite book |last=Kholopov |first=Yuri |author-link=Yuri Kholopov |title=Harmony. Theoretical Course |others=Orig. title: Гармония. Теоретический курс |year=2003 |publisher=Lan' |location=Moscow }}{{Full citation needed|date=December 2014|reason=Translator of this English version is needed (Kholopov did not speak English well enough to have done this himself).}}
* {{wikicite|ref={{harvid|Kholopov|1982}}|reference=Kholopov, Yuri (1982). "Modal harmony. Modality as a type of harmonic structure". ''Art of Music. General Questions of Music Theory and Aesthetics: 16–31; Orig. title: Модальная гармония: Модальность как тип гармонической структуры // Музыкальное искусство. Общие вопросы теории и эстетики музыки. Ташкент: Издательство литературы и искусства им. Г. Гуляма}}{{Full citation needed|date=December 2014}}<!--the translator of this English version is needed (Kholopov did not speak English well enough to have done this himself).-->
* {{wikicite|ref={{harvid|Langlé|1797}}|reference=Langlé, Honoré François Marie (1797). ''Traité d'harmonie et de modulation''. Paris: Boyer.}}
*{{cite book |last=Lendvai |first=Ernő |author-link=Ernő Lendvai |title=Béla Bartók: An Analysis of his Music |others=introd. by [[Alan Bush]] |year=1971 |publisher=Kahn & Averill |location=London |isbn=0-900707-04-6 |oclc=240301}} Cited in {{harvtxt|Wilson|1992}}.
*{{wikicite|ref={{harvid|Levine|1995}}|reference=[[Mark Levine (musician)|Levine, Mark]] (1995). ''[[The Jazz Theory Book]]''. Sher Music. {{ISBN|1-883217-04-0}}.}}
* {{wikicite|ref={{harvid|Pastorius|1976}}|reference=Pastorius, Jaco (1976). "[https://open.spotify.com/track/57ywe4WFOXccLyR9QaA53c Opus Pocus]". Spotify.com (accessed 1 October 2015).}}
* {{wikicite|ref={{harvid|Pogue|1997}}|reference=Pogue, David (1997). ''Classical Music for Dummies''. {{Full citation needed|date=April 2019}}<!--place and publisher needed.--> {{ISBN|0-7645-5009-8}}.}}
* {{wikicite|ref={{harvid|Pople|1991}}|reference=Pople, Anthony (1991). ''Berg: Violin Concerto''. Cambridge and New York: Cambridge University Press. {{ISBN|0-521-39976-9}}.}}
* {{wikicite|ref={{harvid|Rimsky-Korsakov|1935}}|reference=Rimsky-Korsakov, Nicholas (1935). ''My Musical Life'', translated by Judah A. Joffee. New York: Tudor.}}
* {{wikicite|ref={{harvid|Sanguinetti|1993}}|reference=Sanguinetti, Giorgio (1993). "Il primo studio teorico sulle scale octatoniche: Le 'scale alternate' di Vito Frazzi." ''Studi Musicali'' 22, no. 2:{{Page needed|date=December 2014}}<!--Inclusive pages of the article are needed.-->}}
* {{wikicite|ref={{harvid|Schiff|2005}}|reference=[[András Schiff|Schiff, András]] (2005). "[http://audio.theguardian.tv/sys-audio/Arts/Culture/2006/11/16/05_11bfmajop22.mp3 Untitled lecture]". ''[[The Guardian]]'' TV (16 November; accessed 1 October 2015).}}
* {{wikicite|ref={{harvid|Schillinger|1946}}|reference=[[Joseph Schillinger|Schillinger, Joseph]] (1946). ''The Schillinger System of Musical Composition'', Vol. 1: Books I–VII, edited by Lyle Dowling and Arnold Shaw. New York: Carl Fischer.}}
* {{wikicite|ref={{harvid|Schuijer|2008}}|reference=Schuijer, Michiel (2008). ''Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts''. {{Full citation needed|date=December 2014}}<!--Location and publisher are needed.--> {{ISBN|978-1-58046-270-9}}.}}
*{{wikicite|ref={{harvid|Slayton|2010}}|reference=Slayton, Michael K. (2010). ''Women of Influence in Contemporary Music: Nine American Composers''. {{Full citation needed|date=December 2014}}<!--Location and publisher needed.-->{{ISBN|978-0-8108-7748-1}}.}}
* {{wikicite|ref={{harvid|Taruskin|1985}}|reference=[[Richard Taruskin|Taruskin, Richard]] (1985). "Chernomor to Kashchei: Harmonic Sorcery; or, Stravinsky's 'Angle{{'"}}. ''[[Journal of the American Musicological Society]]'' 38, no. 1 (Spring): 72–142.}}
*{{wikicite|ref={{harvid|Taruskin|1987}}|reference=Taruskin, Richard (1987). "Chez Pétrouchka- Harmony and Tonality "chez" Stravinsky". ''[[19th-Century Music]]'' 10, no. 3 (Spring, Special Issue: Resolutions I): 265–286.}}
* {{wikicite|ref={{harvid|Taruskin|1996}}|reference=Taruskin, Richard (1996) ''Stravinsky and the Russian Traditions''. Oxford and New York: Oxford University Press.}}
* {{wikicite|ref={{harvid|Van den Toorn|1983}}|reference=Van den Toorn, Pieter (1983). ''The Music of Igor Stravinsky''. New Haven and London: Yale University Press. ISBN.}}
* {{wikicite|ref={{harvid|van der Merwe|2005}}|reference=[[Peter van der Merwe (musicologist)|Van der Merwe, Peter]] (2005). ''Roots of the Classical''. Oxford and New York: Oxford University Press. {{ISBN|978-0-19-816647-4}}.}}
* {{wikicite|ref={{harvid|Walsh|1988}}|reference=Walsh, Stephen (1988). ''The Music of Stravinsky''. London: Routledge.}}
* {{wikicite|ref={{harvid|Walsh|2018}}|reference=Walsh, Stephen (2018). ''Debussy, a Painter in Sound''. London: Faber and Faber.}}{{isbn missing|date=April 2019}}
* {{wikicite|ref={{harvid|Wilson|1992}}|reference=Wilson, Paul (1992). ''The Music of Béla Bartók''. {{Full citation needed|date=December 2014}}<!--Location and publisher (Yale U Press?) needed.--> {{ISBN|0-300-05111-5}}.}}
*{{wikicite|ref={{harvid|Yavorsky|1911}}|reference=[[Boleslav Yavorsky|Yavorsky, Boleslav Leopoldovich]] (1911). "Neskol'ko myslei v sviazi s iubileem Frantsa Lista". ''Muzyka'' no. 45 (8 October): 961.}} Cited in {{harvtxt|Taruskin|1985|loc=113}}.
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