Editing Dynamic range compression (section)

==Parallel compression==

Inserting the compressor in a parallel signal path is known as [[parallel compression]]. It is a form of upward compression that facilitates dynamic control without significant audible side effects so long as the ratio is relatively low and the compressor's sound is relatively neutral. On the other hand, a high compression ratio with significant audible artifacts can be chosen in one of the two parallel signal paths. This is used by some concert mixers and recording engineers as an artistic effect called ''New York compression'' or ''Motown compression''. Combining a linear signal with a compressor and then reducing the output gain of the compression chain results in low-level detail enhancement without any peak reduction; The compressor significantly adds to the combined gain at low levels only.