Editing Performativity (section)

==Issues and debates==
Despite cogent attempts at definition, the concept of performance continues to be plagued by ambiguities. Most pressing seems to be the paradox between performance as the consequence of following a script (cf. Schechners restored behaviour) and performance as a fluid activity with ample room for improvisation. Another problem involves the discrepancy between performance as a human activity that constructs culture (e.g. Butler and Derrida) on the one hand and performance as a representation of culture on the other (e.g. Bourdieu and Schechner). Another issue, important to pioneers such as Austin but now deemed irrelevant by postmodernism, concerns the sincerity of the actor. Can performance be authentic, or is it a product of pretence?