Open main menu
Home
Random
Recent changes
Special pages
Community portal
Preferences
About Wikipedia
Disclaimers
Incubator escapee wiki
Search
User menu
Talk
Dark mode
Contributions
Create account
Log in
Editing
Performance art
(section)
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
=== The technique of performance art === Until the 1980s, performance art has demystified virtuosism,{{clarify|date=October 2020}} this being one of its key characteristics. Nonetheless, from the 1980s on it started to adopt some technical brilliancy.<ref>{{cite book|last1=Banes|first1=Sally|title=Subversive expectations: performance art and paratheater in New York, 1976–85|publisher=The University of Michigan Press|year=1998|location=New York City|pages=120, 1|url=https://books.google.com/books?id=DdrVYfkAm6IC&q=1980s+performance+art&pg=PA10|access-date=March 23, 2011|isbn=0-472-09678-8}}</ref> In reference to the work ''Presence and Resistance''<ref>{{cite book|last1=Auslander|first1=Philip|title=Presence and Resistance: Postmodernism and Cultural politics in Contemporary American Performance|publisher=University of Michigan Press|year=1992|location=Ann Arbour|pages=64–65, 78–79}}</ref> by Philip Auslander, the dance critic Sally Banes writes, "... by the end of the 1980s, performance art had become so widely known that it no longer needed to be defined; mass culture, especially television, had come to supply both structure and subject matter for much performance art; and several performance artists, including Laurie Anderson, Spalding Gray, Eric Bogosian, Willem Dafoe, and Ann Magnuson, had indeed become crossover artists in mainstream entertainment."<ref>{{cite book|last1=Banes|first1=Sally|title=Subversive expectations: performance art and paratheater in New York, 1976–85|publisher=The University of Michigan Press|year=1998|location=New York City|pages=10, 1|url=https://books.google.com/books?id=DdrVYfkAm6IC&q=1980s+performance+art&pg=PA10|access-date=March 23, 2011|isbn=0-472-09678-8}}</ref> In this decade the parameters and technicalities built to purify and perfect performance art were defined. [[File:Roselee Goldberg Роузли Голдберг (11345275236).jpg|left|thumb|Critic and performance expert [[RoseLee Goldberg]] during a symposium in Moscow]] [[File:TehchingHsiehExhibitMOMA.jpg|300px|thumb|[[Tehching Hsieh]] exhibition in the [[Modern Art Museum of New York]], where the artist made a daily self-portrait]]
Edit summary
(Briefly describe your changes)
By publishing changes, you agree to the
Terms of Use
, and you irrevocably agree to release your contribution under the
CC BY-SA 4.0 License
and the
GFDL
. You agree that a hyperlink or URL is sufficient attribution under the Creative Commons license.
Cancel
Editing help
(opens in new window)