Editing Epoxy (section)

=== Art ===

Epoxy resin, mixed with [[pigment]], may be used as a painting [[Media (arts)#Painting|medium]], by pouring layers on top of each other to form a complete picture.<ref>{{cite book |last1=McCreight |first1=Tim |last2=Bsullak |first2=Nicole |title=Color on Metal: 50 Artists Share Insights and Techniques |date=2001 |publisher=GUILD Pub. |isbn=978-1-893164-06-2 }}{{pn|date=March 2025}}</ref> It is also used in jewelry, as a doming resin for decorations and labels, and in decoupage type applications for art, countertops, and tables.<ref>{{Cite web |last=Aurtem |first=Aurtem |title=Epoxy ocean table |date=16 October 2022 |url=https://aurtem.com/11-most-inspired-epoxy-ocean-table-ideas-in-2022/}}</ref> Its seamless and glossy finish, along with its ability to be molded into various shapes, makes epoxy resin a favored choice for creating minimalist and statement pieces in [[modern furniture]] design<ref>{{Cite web |date=2023-06-23 |title=Modern Accent Tables for Living Room |url=https://thunderwood.studio/blogs/news/modern-accent-tables-for-living-room |access-date=2023-06-23 |website=ThunderWood Studio |language=en}}</ref> and into various other design styles, including industrial, rustic, and even eclectic. It has been used and studied for art and historic structure preservation.<ref>{{Cite journal |last=Down |first=Jane L. |date=1984 |title=The Yellowing of Epoxy Resin Adhesives: Report on Natural Dark Aging |journal=Studies in Conservation |volume=29 |issue=2 |pages=63–76 |doi=10.2307/1506076 |jstor=1506076 }}</ref><ref>{{Cite journal |date=1971 |title=The Application of Epoxy Resins for the Restoration of Historic Structures |journal=Bulletin of the Association for Preservation Technology |volume=3 |issue=1 |pages=59–63 |jstor=27670051 }}</ref><ref>{{Cite journal |last=Selwitz |first=Charles |date=1995 |title=The Use of Epoxy Resins for the Stabilization of Deteriorated Masonry |journal=APT Bulletin: The Journal of Preservation Technology |volume=26 |issue=4 |pages=27–34 |doi=10.2307/1504447 |jstor=1504447 }}</ref>