Editing Modern architecture (section)

===Eero Saarinen===
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File:St Louis night expblend cropped.jpg|The [[Gateway Arch]] in [[St. Louis|Saint Louis]], Missouri (1948–1965)
File:Warren - General Motors Technical Center (50826111923).jpg|Main building of the [[General Motors Technical Center]] (1949–55)
File:Ingalls Rink Highsmith.jpg|The [[Ingalls Rink]] in [[New Haven]], Connecticut (1953–58)
File:Jfkairport.jpg|The TWA Terminal at JFK Airport in New York, by [[Eero Saarinen]] (1956–62)
</gallery>

[[Eero Saarinen]] (1910–1961) was the son of [[Eliel Saarinen]], the most famous Finnish architect of the Art Nouveau period, who emigrated to the United States in 1923, when Eero was thirteen. He studied art and sculpture at the academy where his father taught, and then at the [[Académie de la Grande Chaumière]] Academy in Paris before studying architecture at Yale University. His architectural designs were more like enormous pieces of sculpture than traditional modern buildings; he broke away from the elegant boxes inspired by Mies van der Rohe and used instead sweeping curves and parabolas, like the wings of birds. In 1948 he conceived the idea of a monument in St. Louis, Missouri in the form of a parabolic arch 192 meters high, made of stainless steel (1948). He then designed the [[General Motors Technical Center]] in Warren, Michigan (1949–55), a glass modernist box in the style of Mies van der Rohe, followed by the IBM Research Center in Yorktown, Virginia (1957–61). His next works were a major departure in style; he produced a particularly striking sculptural design for the [[Ingalls Rink]] in [[New Haven]], Connecticut (1956–59, an ice skiing rink with a parabolic roof suspended from cables, which served as a preliminary model for next and most famous work, the [[TWA Terminal]] at JFK airport in New York (1956–1962). His declared intention was to design a building that was distinctive and memorable, and also one that would capture the particular excitement of passengers before a journey. The structure is separated into four white concrete parabolic vaults, which together resemble a bird on the ground perched for flight. Each of the four curving roof vaults has two sides attached to columns in a Y form just outside the structure. One of the angles of each shell is lightly raised, and the other is attached to the center of the structure. The roof is connected with the ground by curtain walls of glass. All of the details inside the building, including the benches, counters, escalators, and clocks, were designed in the same style.{{Sfn|Bony|2012|pages=171–72}}