Editing Schenkerian analysis (section)

===After World War II===

====Translations====
Schenker left about 4000 pages of printed text, of which the translations at first were astonishingly slow. Nearly all have been translated into English, and the project [http://www.schenkerdocumentsonline.org/index.html Schenker Documents Online] is busy with the edition and translation of more than 100 000 manuscript pages. Translations in other languages remain slow. See also [https://europeanmusictheory.eu/schenkers-writings-on-theory-and-analysis/ Schenker's Writings on Theory], on the website of the EuroT&AM.
* 1895 ''Der Geist der musikalischen Technik''.
** 2007 Transl. by W. Pastille, in N. Cook, ''The Schenker Project'', Appendix, pp. 319-332.
* 1904 ''Ein Beitrag zur Ornamentik''.
** 1976 Transl. by H. Siegel, ''Music Forum'' 4, pp. 1–139.
** 1979 Japanese translation by A. Noro and A. Tamemoto.
* 1906 [[Harmony (Schenker)|''Harmonielehre'']].
** 1954 ''Harmony'', transl. by [[Elisabeth Mann Borgese]], edited and annotated by Oswald Jonas {{ISBN|9780226737348}} (with editorial cuts in text and music examples)
** 1990 Spanish transl. by R. Barce.
* 1910 [[Counterpoint (Schenker)|''Kontrapunkt'']] I.
** 1987 ''Counterpoint'' I, transl. by J. Rothgeb and J. Thym.
* 1912 ''Beethovens neunte Sinfonie'', 1912
** 1992 ''Beethoven's Ninth Symphony: a Portrayal of its Musical Content, with Running Commentary on Performance and Literature as well'', transl. by J. Rothgeb, 1992.
** 2010 Japanese transl. by H. Nishida and T. Numaguchi.
* 1913 Beethoven, Sonate E dur op. 109 (''Erläuterungsausgabe'').
** 2012 Japanese transl. by M. Yamada, H. Nishida and T. Numaguchi.
** 2015 English transl. by J. Rothgeb.
* 1914 Beethoven, Sonate As dur op. 110 (''Erläuterungsausgabe'').
** 2013 Japanese transl. by M. Yamada, H. Nishida and T. Numaguchi.
** 2015 English transl. by J. Rothgeb.
* 1915 Beethoven, Sonate C moll op. 111 (''Erläuterungsausgabe'').
** 2015 English transl. by J. Rothgeb.
* 1920 Beethoven, Sonate A dur op. 101 (''Erläuterungsausgabe'').
** 2015 English transl. by J. Rothgeb.
* 1921–1924 ''Der Tonwille'' (10 vols.)
** 2004–2005 ''Der Tonwille'', transl. under the direction of William Drabkin.
* 1922 ''Kontrapunkt'' II.
** 1987 ''Counterpoint'' II, transl. by J. Rothgeb and J. Thym.
* 1922 "Haydn: Sonate Es-Dur", ''Der Tonwille'' III, pp.&nbsp;3–21.
** 1988 Transl. by W. Petty, ''Theoria'' 3, pp. 105–160.
* 1923 "J. S. Bach: Zwölf kleine Präludien Nr. 2 [BWV 939]", ''Der Tonwille'' IV, 1923, p.&nbsp;7.
** [2007] [http://nmeeus.ovh/JSBach/BWV939_Tw4.pdf French transl. by N. Meeùs].
* 1923 "J. S. Bach: Zwölf kleine Präludien Nr. 5 [BWV 926]", ''Der Tonwille'' V, pp.&nbsp;8–9.
** [2006] [http://nmeeus.ovh/JSBach/BWV926_Tw5.pdf French transl. by N. Meeùs].
* 1924 "Mendelssohn: Venetianisches Gondellied, op. 30, Nr. 6", ''Der Tonwille'' X, pp.&nbsp;25–29.
** [2011] [http://nmeeus.ovh/Mendelssohn/MendelssohnTW10.pdf French transl. by N. Meeùs].
* 1924 "Schumann: Kinderszenen Nr. 1, Von fremden Ländern und Menschen", ''Der Tonwille'' X, pp.&nbsp;34–35.
** [2011] [http://nmeeus.ovh/Schumann/Schumann_op15_1_Tw10.pdf French transl. by N. Meeùs].
* 1924 "Schumann: Kinderszenen op. 15, Nr. 9, Träumerei", ''Der Tonwille'' X, pp.&nbsp;36–39.
** [2011] [http://nmeeus.ovh/Schumann/Schumann_op15_7_Tw10.pdf French transl. by N. Meeùs].
* 1925 ''Beethovens V. Sinfonie. Darstellung des musikalischen Inhaltes nach der Handschrift unter fortlaufender Berücksichtigung des Vortrages und der Literatur'', Vienne, Tonwille Verlag and Universal Edition. Reprint 1970.
** 1971 ''Ludwig van Beethoven: Symphony N. 5 in C minor'', partial transl. by E. Forbes and F. J. Adams jr., New York, Norton, 1971 (''Norton Critical Score'' 9), pp. 164–182. 
** 2000 Japanese transl. by T. Noguchi.
* 1925–1930 ''Das Meisterwerk in der Musik'', 3 vols.
** 1998 transl. under the direction of William Drabkin.
* 1925 "Die Kunst der Improvisation", ''Das Meisterwerk in der Musik'' I, pp.&nbsp;9–40.
** 1973 Transl. by S. Kalib, "Thirteen Essays from the Three Yearbooks ''Das Meisterwerk in der Musik'': An Annotated Translation," PhD diss., Northwestern University.
* 1925 "Weg mit dem Phrasierungsbogen", ''Das Meisterwerk in der Musik'' I, pp.&nbsp;41–60.
** 1973 Transl. by S. Kalib, "Thirteen Essays from the Three Yearbooks ''Das Meisterwerk in der Musik'': An Annotated Translation," PhD diss., Northwestern University.
* 1925 "Joh. S. Bach: Sechs Sonaten für Violine. Sonata III, Largo", ''Das Meisterwerk in der Musik'' I, pp.&nbsp;61–73.
** 1973 Transl. by S. Kalib, "Thirteen Essays from the Three Yearbooks ''Das Meisterwerk in der Musik'': An Annotated Translation," PhD diss., Northwestern University.
** 1976 Transl. by J. Rothgeb, ''The Music Forum'' 4, pp. 141–159.
* 1925 "Joh. S. Bach: Zwölf kleine Präludien, Nr. 6 [BWV 940]", ''Das Meisterwerk in der Musik'' I, pp.&nbsp;99–105.
** [2010] [http://nmeeus.ovh/JSBach/BWV940_MwMI.pdf French transl. by N. Meeùs].
* 1925 "Joh. S. Bach: Zwölf kleine Präludien, Nr. 12 [BWV 942]", ''Das Meisterwerk in der Musik'' I, 1925, pp.&nbsp;115–123.
** [2006] [http://nmeeus.ovh/JSBach/BWV942_MwMI.pdf French transl. by N. Meeùs].
* 1925 "Domenico Scarlatti: Keyboard Sonata in D minor, [L.413]", ''Das Meisterwerk in der Music'' I, pp.&nbsp;125–135.
** 1986 Transl. by J. Bent, ''Music Analysis'' 5/2-3, pp. 153–164.
* 1925 "Domenico Scarlatti: Keyboard Sonata in G major, [L.486]", ''Das Meisterwerk in der Music'' I, pp.&nbsp;137–144.
** 1986 Transl. by J. Bent, ''Music Analysis'' 5/2-3, pp. 171–179.
* 1925 "Chopin: Etude Ges-Dur op. 10, Nr. 5", ''Das Meisterwerk in der Musik'' I, pp.&nbsp;161–173.
** 1973 Transl. by S. Kalib, "Thirteen Essays from the Three Yearbooks ''Das Meisterwerk in der Musik'': An Annotated Translation," PhD diss., Northwestern University.
* 1925 "Erläuterungen", ''Das Meisterwerk in der Music'' I, pp.&nbsp;201–205. (Also published in ''Der Tonwille'' 9 and 10 and in ''Das Meisterwerk in der Musik'' II.)
** 1973 Transl. by S. Kalib, "Thirteen Essays from the Three Yearbooks ''Das Meisterwerk in der Musik'': An Annotated Translation," PhD diss., Northwestern University.
** 1986 Transl. by J. Bent, ''Music Analysis'' 5/2-3, pp. 187–191.
** [2011] [http://nmeeus.ovh/Theorie/Erlauterungen.pdf French transl. by N. Meeùs].
* 1926 "Fortsetzung der Urlinie-Betrachtungen", ''Das Meisterwerk in der Musik'' II, pp.&nbsp;9–42.
** 1973 Transl. by S. Kalib, "Thirteen Essays from the Three Yearbooks ''Das Meisterwerk in der Musik'': An Annotated Translation," PhD diss., Northwestern University.
* 1926 "Vom Organischen der Sonatenform", ''Das Meisterwerk in der Musik'' II, pp.&nbsp;43–54.
** 1968 Transl. by O. Grossman, ''Journal of Music Theory'' 12, pp. 164–183, reproduced in ''Readings in Schenker Analysis and Other Approaches'', [[Maury Yeston|M. Yeston]] ed., New Haven, 1977, pp. 38–53.
** 1973 Transl. by S. Kalib, "Thirteen Essays from the Three Yearbooks ''Das Meisterwerk in der Musik'': An Annotated Translation," PhD diss., Northwestern University.
* 1926 "Das Organische der Fuge, aufgezeigt an der I. C-Moll-Fuge aus dem Wohltemperierten Klavier von Joh. Seb. Bach", ''Das Meisterwerk in der Musik'' II, pp.&nbsp;55–95
** 1973 Transl. by S. Kalib, "Thirteen Essays from the Three Yearbooks ''Das Meisterwerk in der Musik'': An Annotated Translation," PhD diss., Northwestern University.
* 1926 "Joh. Seb. Bach: Suite III C-Dur für Violoncello-Solo, Sarabande", ''Das Meisterwerk in der Musik'' II, 1926, pp.&nbsp;97–104.
** 1970 Transl. by H. Siegel, ''The Music Forum'' 2, pp. 274–282.
* "Mozart: Sinfonie G-Moll", ''Das Meisterwerk in der Musik'' II, pp.&nbsp;105–157.
** 1973 Transl. by S. Kalib, "Thirteen Essays from the Three Yearbooks ''Das Meisterwerk in der Musik'': An Annotated Translation," PhD diss., Northwestern University.
* "Haydn: Die Schöpfung. Die Vorstellung des Chaos", ''Das Meisterwerk in der Musik'' II, pp.&nbsp;159–170.
** 1973 Transl. by S. Kalib, "Thirteen Essays from the Three Yearbooks ''Das Meisterwerk in der Musik'': An Annotated Translation," PhD diss., Northwestern University.
* "Ein Gegenbeispiel: Max Reger, op. 81. Variationen und Fuge über ein Thema von Joh. Seb. Bach für Klavier", ''Das Meisterwerk in der Musik'' II, pp.&nbsp;171–192.
** 1973 Transl. by S. Kalib, "Thirteen Essays from the Three Yearbooks ''Das Meisterwerk in der Musik'': An Annotated Translation," PhD diss., Northwestern University.
* 1930 "Rameau oder Beethoven? Erstarrung oder geistiges Leben in der Musik?", ''Das Meisterwerk in der Musik'' III, pp.&nbsp;9–24.
** 1973 Transl. by S. Kalib, "Thirteen Essays from the Three Yearbooks ''Das Meisterwerk in der Musik'': An Annotated Translation," PhD diss., Northwestern University.
* 1932 ''Fünf Urlinie-Tafeln''.
** 1933 ''Five Analyses in Sketch Form'', New York, D. Mannes Music School.
** 1969 New version with a glossary by [[Felix Salzer|F. Salzer]]: ''Five Graphic Music Analyses'', New York, Dover.
* 1935/1956 ''Der freie Satz''. Translations of the 2nd edition, 1956.
** 1979 ''[[Free Composition]]'', transl. by E. Oster, 1979.
** 1993 ''L'Écriture libre'', French transl. by N. Meeùs, Liège-Bruxelles, Mardaga.
** 1997 Chinese translation by Chen Shi-Ben, Beijing, People's Music Publications.
** 2004 Russian transl. by B. Plotnikov, Krasnoyarsk Academy of Music and Theatre.

====Textbooks====
* Oswald Jonas, ''Das Wesen des musikalischen Kunstwerks'', Wien, Universal, 1934; revised edition, ''Einführung in die Lehre Heinrich Schenkers. Das Wesen des musikalischen Kunstwerkes'', Wien, Universal, 1972. English translation of the revised edition, ''Introduction to the Theory of Heinrich Schenker: The Nature of the Musical Work of Art'', transl. J. Rothgeb, New York and London, Longman, 1982; 2<sup>d</sup> [revised and expanded] edition, Ann Arbor, Musicalia Press, 2005.
* [[Felix Salzer]], ''Structural Hearing: Tonal Coherence in Music'', 2 vols., New York, Charles Boni, 1952. Reprint, 2 vols. bound as one, New York, Dover, 1982.
* [[Allen Forte]] and Steven E. Gilbert, ''Introduction to Schenkerian Analysis'' and ''Instructor's Manual for Introduction to Schenkerian Analysis'', New York, London, Dover, 1982.
* Allen Cadwallader and David Gagné, ''Analysis of Tonal Music. A Schenkerian Approach'', New York, Oxford University Press, 3rd edition, 2011 (1st edition, 1998).
* Edward Aldwell and [[Carl Schachter]], ''Harmony and Voice Leading'', Boston, Schirmer, Cengage Learning, 4th edition (with Allen Cadwallader), 2011 (1st edition, 2003).
* Tom Pankhurst, ''Schenkerguide. A Brief Handbook and Website for Schenkerian Analysis'', New York and London, Routledge, 2008 [http://www.schenkerguide.com/ Schenkerguide website].
* William Renwick and David Walker, [http://www.humanities.mcmaster.ca/%7Erenwick/glosstart.htm Schenkerian Analysis Glossary].
* Larry J. Solomon, [https://web.archive.org/web/20071115223321/http://solomonsmusic.net/schenker.htm A Schenkerian Primer].
* Nicolas Meeùs, [http://nmeeus.ovh/Cours/Index.html Análise schenkeriana], Portuguese (Brasil) translation from the French by L. Beduschi, 2008.
* Luciane Beduschi and Nicolas Meeùs, [http://nmeeus.ovh/Manuel.html Analyse schenkérienne] (in French), 2013; several earlier versions archived on the same page. Albanian translation by Sokol Shupo, available on the same webpage.