Open main menu
Home
Random
Recent changes
Special pages
Community portal
Preferences
About Wikipedia
Disclaimers
Incubator escapee wiki
Search
User menu
Talk
Dark mode
Contributions
Create account
Log in
Editing
Algorithmic composition
(section)
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
===Mathematical models=== Mathematical models are based on mathematical [[equation]]s and random events. The most common way to create compositions through mathematics is [[stochastic process]]es. In stochastic models a piece of music is composed as a result of non-[[deterministic]] methods. The compositional process is only partially controlled by the composer by weighting the possibilities of random events. Prominent examples of stochastic algorithms are [[Markov chain]]s and various uses of [[Gaussian distribution]]s. Stochastic algorithms are often used together with other algorithms in various decision-making processes. Music has also been composed through natural phenomena. These chaotic models create compositions from the [[harmonic]] and inharmonic phenomena of nature. For example, since the 1970s [[fractal]]s have been studied also as models for algorithmic composition. As an example of deterministic compositions through mathematical models, the [[On-Line Encyclopedia of Integer Sequences]] provides an option to play an [[integer sequence]] as [[12-tone equal temperament]] music. (It is initially set to convert each integer to a note on an 88-key [[musical keyboard]] by computing the integer [[modulo]] 88, at a steady rhythm. Thus 123456, the natural numbers, equals half of a chromatic scale.) As another example, the all-interval series has been used for computer-aided composition.<ref>Mauricio Toro, Carlos Agon, Camilo Rueda, Gerard Assayag. "[http://www.jatit.org/volumes/Vol86No2/17Vol86No2.pdf GELISP: A Framework to Represent Musical Constraint Satisfaction Problems and Search Strategies]." ''Journal of Theoretical and Applied Information Technology'' 86 (2). 2016. 327β331.</ref>
Edit summary
(Briefly describe your changes)
By publishing changes, you agree to the
Terms of Use
, and you irrevocably agree to release your contribution under the
CC BY-SA 4.0 License
and the
GFDL
. You agree that a hyperlink or URL is sufficient attribution under the Creative Commons license.
Cancel
Editing help
(opens in new window)