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Alliterative verse
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====Meter and rhythm==== The core [[Metre (poetry)|metrical]] features of traditional Germanic alliterative verse are as follows; they can be seen in the Gallehus inscription above:<ref name="Terasawa 2011 pp3-26">{{harvnb|Terasawa|2011|pp=3–26}}</ref> *A long line is divided into two ''half-lines''. Half-lines are also known as 'verses', '[[hemistich]]es', or 'distiches'; the first is called the 'a-verse' (or 'on-verse'), the second the 'b-verse' (or 'off-verse').{{efn|[[Old Norse]] poetry is not, traditionally, written as two half-lines with a medial caesura. A half line as described above is written as a whole line in (for example) editions of the [[Poetic Edda]], though scholars such as [[Andreas Heusler]] and [[Eduard Sievers]] have applied the half-line structure to Eddaic poetry.}} The rhythm of the b-verse is generally more regular than that of the a-verse, helping listeners to perceive where the end of the line falls.<ref name="Terasawa 2011 pp3-26"/> *A heavy pause, or '[[caesura|cæsura]]', separates the verses.<ref name="Terasawa 2011 pp3-26"/> *Each verse usually has two heavily stressed syllables, referred to as 'lifts' or 'beats' (other, less heavily stressed syllables, are called 'dips').<ref name="Terasawa 2011 pp3-26"/> *The first and/or second lift in the a-verse [[alliteration|alliterates]] with the first lift in the b-verse.<ref name="Terasawa 2011 pp3-26"/> *The second lift in the b-verse does not alliterate with the first lifts.<ref name="Terasawa 2011 pp3-26"/> Some of these fundamental rules varied in certain traditions over time. For example, in Old English alliterative verse, in some lines the second but not the first lift in the a-verse alliterated with the first lift in the b-verse, for instance line 38 of Beowulf ''(ne hyrde ic '''<u>c</u>'''ymlicor '''<u>c</u>'''eol gegyrwan'').<ref>{{Cite web |title=Medieval Sourcebook: Beowulf (in Old English) |url=https://sourcebooks.fordham.edu/basis/beowulf-oe.asp |access-date=2023-12-06 |website=sourcebooks.fordham.edu}}</ref> Unlike in post-medieval English [[accentual verse]], in which a syllable is either [[Stress (linguistics)|stressed]] or unstressed, Germanic poets were sensitive to ''degrees'' of stress. These can be thought of at three levels:<ref name="Terasawa 2011 pp3-26" /> # '''most stressed ('stress-words')''': [[Root (linguistics)|root]] syllables of [[noun]]s, [[adjective]]s, [[participle]]s, [[infinitive]]s<ref name="Terasawa 2011 pp3-26"/> # '''less stressed ('particles')''': [[Root (linguistics)|root]] syllables of most [[Finite verb|finite]] verbs (i.e. [[Grammatical tense|tensed verbs]]) and [[adverb]]s<ref name="Terasawa 2011 pp3-26"/> # '''even less stressed ('[[Clitic|proclitics]]')''': most [[pronoun]]s, weakly stressed [[adverb]]s, [[Preposition and postposition|prepositions]], [[Conjunctions (journal)|conjunctions]], parts of the verb ''[[Copula (linguistics)|to be]]'', [[Suffix|word-endings]]<ref name="Terasawa 2011 pp3-26"/> If a half-line contains one or more stress-words, their [[Root (linguistics)|root]] syllables will be the lifts. (This is the case in the Gallehus Horn inscription above, where all the lifts are nouns.) If it contains no stress-words, the root syllables of any particles will be the lift. Rarely, even a [[Clitic|proclitic]] can be the lift, either because there are no more heavily stressed syllables or because it is given extra stress for some particular reason.<ref>{{cite book |last1=Gade |first1=Kari Ellen |title=The Structure of Old Norse Dróttkvætt Poetry |date=1995 |publisher=Cornell University Press |isbn=978-0-8014-3023-7 }}{{page needed|date=December 2023}}</ref><ref>{{cite journal |last1=Carroll |first1=Benjamin H. |title=Old English Prosody |journal=Journal of English Linguistics |date=June 1996 |volume=24 |issue=2 |pages=93–115 |doi=10.1177/007542429602400203 |s2cid=144142142 }}</ref> Lifts also have to meet an additional requirement, involving what linguists term ''quantity'', which is related to ''[[vowel length]]''. A [[syllable]] like the ''li'' in ''little'', which ends in a short vowel, takes less time to say than a syllable like the ''ow'' in ''growing'', which ends in a long vowel or a [[diphthong]]. A closed syllable, which ends with one or more consonants, like ''bird'', takes about the same amount of time as a long vowel.<ref>{{Citation |last=Tranel |first=Bernard |title=On phonetic evidence for the phonological mora: comments on Hubbard |date=1995-09-14 |work=Phonology and Phonetic Evidence |pages=188–202 |publisher=Cambridge University Press|doi=10.1017/cbo9780511554315.014 |isbn=978-0-521-48259-2 }}</ref> In the older Germanic languages, a syllable ending with a short vowel could not be one of the three potentially alliterating lifts by itself. Instead, if a lift was occupied by word with a short root vowel followed by only one consonant followed by an unstressed vowel (i.e. '(-)CVCV(-)) these two syllables were in most circumstances counted as only one syllable. This is called '''[[Resolution (meter)|resolution]]'''.<ref>{{harvnb|Terasawa|2011|pp=31–33}}</ref> The patterns of unstressed syllables vary significantly in the alliterative traditions of different Germanic languages. The rules for these patterns remain imperfectly understood and subject to debate.<ref>{{cite journal |last1=Turville-Petre |first1=Thorlac |title=Approaches to the Metres of Alliterative Verse (review) |journal=Journal of English and Germanic Philology |date=2010 |volume=109 |issue=2 |pages=240–242 |doi=10.1353/egp.0.0144 |s2cid=162332950 }}</ref>
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