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== Styles of ringing == {{see also|Church bell#Design and ringing technique}} [[File:Il est midi.webm|thumb|Static bells struck by [[solenoid]]-operated hammers in a bell-gable]] [[File:English full circle bell mechanism.png|thumb|Mechanism of a bell hung for English full-circle ringing. The bell can swing through a full circle in alternate directions.]] [[File:St bees bells in down position.JPG|thumb|English full-circle bells shown in the "down" position, in which they are normally left between ringing sessions]] [[File:St Bees bells in up position.jpg|thumb|English full-circle bells shown in the "up" position]] In the [[western world]], the common form of bell is a [[church bell]] or town bell, which is hung within a tower or bell cote. Such bells are either fixed in a static position ("hung dead") or mounted on a beam (the "headstock") so they can swing to and fro. Bells that are hung dead are normally sounded by hitting the sound bow with a hammer or occasionally by pulling an internal clapper against the bell. A bell can be swung in a small arc with a rope and lever or higher with a rope and wheel. As it swings higher, the sound projects outward instead of downward. Larger bells may be swung using electric motors. In some places, such as the [[Salzburg Cathedral]], the clapper is held against the sound bow with an electric clasp as the bell swings up. The clasp would release the clapper to provide a cleaner start to ringing. To silence the bell, the clasp catches and locks the clapper back in place.<ref name=Glockenfampf /> Bells hung for [[full circle ringing]] are swung through just over a complete circle from mouth uppermost. A '''stay''' (the wooden pole seen sticking up when the bells are down) engages a mechanism to allow the bell to rest just past its balance point. The rope is attached to one side of a wheel so that a different amount of rope is wound on and off as it swings to and fro. The bells are controlled by ringers (one to a bell) in a chamber below, who rotate the bell through a full circle and back, and control the speed of oscillation when the bell is mouth upwards at the balance-point when little effort is required. Swinging bells are sounded by an internal clapper. The clapper may have a longer period of swing than the bell. In this case, the bell will catch up with the clapper and if rung to or near full circle will carry the clapper up on the bell's trailing side. Alternatively, the clapper may have a shorter period and catch up with the bell's leading side, travel up with the bell, and come to rest on the downhill side. This latter method is used in English style full circle ringing. {{anchor|muffles}} <!-- This Anchor tag serves to provide a permanent target for incoming section links. Please do not remove it, nor modify it, except to add another appropriate anchor. If you modify the section title, please anchor the old title. It is always best to anchor an old section header that has been changed so that links to it will not be broken. See [[Template:Anchor]] for details. This template is {{subst:Anchor comment}} --> Occasionally the clappers have leather pads (called ''muffles'') strapped around them to quieten the bells when practice ringing to avoid annoying the neighbourhood. Also at funerals, ''half-muffles'' are often used to give a full open sound on one round, and a muffled sound on the alternate round for a distinctive, mournful effect. This was done at the [[Funeral of Diana, Princess of Wales]] in 1997. A [[carillon]], which is a musical instrument consisting of at least 23 cast bronze cup-shaped bells, is tuned so that the bells can be played serially to produce a melody, or sounded together to play a chord. A traditional carillon is played by striking a baton keyboard with the fists, and by pressing the keys of a pedal keyboard with the feet. The keys mechanically activate levers and wires that connect to metal clappers that strike the inside of the bells, allowing the performer to vary the intensity of the note according to the force applied to the key.
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