Editing Cèilidh (section)

==Modern ''cèilidhean''==
[[File:Northern Constabulary Pipe Band Fundraising Ceilidh at North Kessock near Inverness Scotland (27162471004).jpg|thumb|upright|The Northern Constabulary Pipe Band Fundraising Cèilidh at North Kessock, Scotland]]

The {{lang|gd|cèilidh}} facilitated courting and prospects of marriage for young people and, although discos and nightclubs have displaced the {{lang|gd|cèilidh}} to a considerable extent, such events are still an important and popular social outlet in rural parts of Scotland and Ireland, especially in the Gaelic-speaking regions. {{lang|gd|Cèilidhean}} are sometimes held on a smaller scale in private or [[public house]]s, for example in remote rural areas and during busy festivals.

It is common for some clubs and institutions such as sports clubs, schools and universities and even employers to arrange cèilidhs on a regular—or at least annual—basis. The formality of these can vary. Some mix modern pop music with a Scottish country dancing band and dress codes range from compulsory [[highland dress]] to informal. Knowledge and use of the basic dance steps is not always strictly necessary, and dances often alternate with songs, poetry recitals, storytelling and other types of "party pieces".

Cèilidh music may be provided by an assortment of instruments including [[fiddle]], [[flute]], [[tin whistle]], [[accordion]], [[bodhrán]] (frame-drum), [[hammered dulcimer]], and in more recent times also drums, guitar, mandolin, [[bouzouki]], [[Scottish smallpipes]], and electric bass guitar. The music is cheerful and lively, consisting in Ireland mainly of jigs, [[reel (dance)|reel]]s, hornpipes, polkas, slip-jigs, and waltzes, with Scotland adding [[Strathspey (dance)|strathspey]]s, and England adding regional forms such as the northeastern rant. The basic steps can be learned easily; a short instructional session is often provided for new dancers before the start of the dance itself. In Ireland, the first {{lang|ga|céilí}} band was put together in 1926 by Séamus Clandillon, Radio Éireann's director of music, to have dance music for his studio-based programmes.<ref name="eamon">{{cite book | last=de Buitléar |first=Éamon |author-link=Éamon de Buitléar |date=2004 |title=A Life in the Wild |location=Dublin |publisher=Gill & MacMillan |page=83}}</ref>

Dancing at {{lang|gd|cèilidhean}} is usually in the form of [[Céilí dance|cèilidh dances]], [[set dance]]s, or couples' dances. A "set" consists of four to eight couples, with each pair of couples facing another in a square or rectangular formation. Each couple exchanges position with the facing couple, and also facing couples exchange partners, while all the time keeping in step with the beat of the music.

About half of the dances in the modern Scots {{lang|gd|cèilidh}}, however, are couples' dances performed in a ring. These can be performed by fixed couples or in the more sociable "progressive" manner, with the lady moving to the next gentleman in the ring at or near the end of each repetition of the steps.  In Ireland, the similar style of dance is called {{lang|ga|céilí}} dance or {{lang|ga|fíor}} ('true') {{lang|ga|céilí}} dance. Some of the dances are named after famous regiments, historical battles, and events, others after items of daily rural life. The "[[Gay Gordons (dance)|gay Gordons]]", "siege of Ennis", "walls of Limerick", and "stack of barley" are popular dances in this genre.

[[Step dancing]] is another form of dancing often performed at {{lang|ga|céilithe}}, the form that was popularised in the 1990s by the [[Riverdance]] ensemble. Whereas set dancing involves all present, whatever their skill, step dancing is usually reserved for show, being performed only by the most talented of dancers.

The {{lang|gd|cèilidh}} has been internationalised by the [[Scottish diaspora|Scottish]] and [[Irish diaspora]]s in Canada, the United States, Australia, and New Zealand, where local {{lang|gd|cèilidhean}} and traditional music competitions are held. In recent years, {{lang|gd|cèilidh}} and traditional music competitions have been frequently won by descendants of emigrants.

It bears mention that {{lang|gd|cèilidhean}} are common throughout Nova Scotia. The tradition and the spirit of these gatherings are carried on in most small communities of these [[The Maritimes|Maritime Provinces]].

===In Scotland===
[[File:Description- Visitors try Scottish ceilidh dancing at the 2003 Smithsonian Folklife Festival on the National Mall. (2548929276).jpg|thumb|Scottish {{lang|gd|cèilidh}} dancing at the 2003 Smithsonian Folklife Festival (Washington, DC)]]

Privately organised {{lang|gd|cèilidhean}} in the 2020s are extremely common in both rural and urban Scotland, where bands are hired, usually for evening entertainment for a wedding, birthday party, celebratory or fundraising event. These may be more or less formal, and very often omit all other traditional Gaelic activity beyond the actual music and dancing. Novices are usually among the participants, so a "dance caller" may teach the steps before music begins for each dance. The more versatile bands will demonstrate the dances too. Scottish primary schools frequently teach some [[Scottish country dancing]], often around Christmas time. Bands vary in size but are commonly made up of between two and six players. The appeal of the Scottish {{lang|gd|cèilidh}} is by no means limited to the younger generation, and dances vary in speed and complexity to accommodate most age groups and levels of ability. Most private schools in Scotland will also hold {{lang|gd|cèilidhean}} on a fairly regular basis.

Public {{lang|gd|cèilidhean}} are also held, attracting paying participants, often held at [[Ceilidh Club|dance clubs]]; and the annual [[Ceilidh Culture]] festival in Edinburgh.

Universities in Scotland hold regular {{lang|gd|cèilidhean}}, with the [[University of Edinburgh]] providing a number for students throughout each term, especially the long-running Highland Annual, the oldest {{lang|gd|cèilidh}} in [[Edinburgh]] and the largest in Scotland, organised by the Highland Society ({{lang|gd|An Comann Ceilteach}}). Glasgow University Union's annual debating competition, Glasgow Ancients, traditionally ends the night with a {{lang|gd|cèilidh}}. The union's Christmas event, Daft Friday, also involves a {{lang|gd|cèilidh}}.<ref>{{Cite web |url= http://www.guu.co.uk/daft-friday |title=Daft Friday |website=Glasgow University Union |access-date=22 August 2018 |url-status=bot: unknown |archive-url= https://web.archive.org/web/20180822150100/http://www.guu.co.uk/daft-friday |archive-date=22 August 2018}}</ref> {{lang|gd|Cèilidhean}} are common fundraising and social events for many societies at the University of Glasgow.

Some {{lang|gd|cèilidh}} bands intersperse {{lang|gd|cèilidh}} dancing with a DJ playing disco music to broaden the appeal of the evening's entertainment.{{citation needed|date=October 2015}}

===In Ireland===
{{anchor|Céilí dance}}

[[File:St. Patrick’s Festival Céilí (2011) (5532775603).jpg|thumb|upright|{{lang|ga|Céilí}} dancing]]

{{lang|ga|Céilí}} dances ({{IPAc-en|ˈ|k|eɪ|l|i}}, {{IPA|ga|ˈceːlʲiː|lang}}) or true {{lang|ga|céilí}} dances ({{lang|ga|fíor céilí}}) are a popular form of [[folk dance|folk dancing]] in Ireland and are part of the broader [[Irish dance]]s. The Irish {{lang|ga|céilí}} dances are based on ''heys'' ("hedges", or pairs of facing lines), round dances, long dances, and [[quadrilles]],<ref>''The Flowing Tide: More Irish Set Dancing'' Pat Murphy, Mercier Press, 2000, p. 16</ref> generally revived during the [[Gaelic revival]] in the first quarter of the twentieth century<ref>''The Story of Irish Dance'', Helen Brennan, Mount Eagle Publications, Dingle, Co. Kerry, Ireland, 1999, pp. 29–43</ref> and codified by the [[Irish Dancing Commission]].<ref>''Ár Rincí Fóirne-Thirty Popular Figure Dances'', An Coimisiún le Rincí Gaelacha, Wellbrook Press, 1939-2003</ref> There are about thirty dances that form the basis for examination of {{lang|ga|céilí}} dance teachers. Irish {{lang|ga|céilí}} is a participatory social event attended by both men and women and accompanied by live Irish traditional music. The dance emerged within cultural nationalist consciousness as during the late 19th and early 20th century traditions promoting nationalist agendas, and national identities were regarded as not culturally unified.

====History and background====
Irish {{lang|ga|céilí}} regained its popularity in the late 19th century, when Ireland made efforts to regain its cultural and political autonomy after being colonized for more than 800 years. The goal of the Gaelic League established in 1893 was to promote Irish cultural independence and de-[[anglicisation]], which involved the remergent popularization of the Irish language, literature, and vernacular traditions, such as Irish singing and dancing. Plentiful branches of the Gaelic League giving dance, singing, music, and literature classes were established across Ireland.<ref>{{Cite journal | last=Foley| first=Catherine| title=The Irish Céilí: A site for constructing, experiencing, and negotiating a sense of community and identity |journal=Dance Research |year=2011 |volume=29 |issue=1 |pages=43–60 |doi=10.3366/drs.2011.0004 |jstor=41428389|hdl=10344/4695 |hdl-access=free }}</ref>

====Dance form and style====
The style of dance employed for {{lang|ga|céilí}} dance differs greatly from that used for [[set dance]], and has more the appearance associated with the style of [[Irish stepdance|step dance]]. In particular, it emphasizes height and extension, with dancers generally dancing on their toes (but not {{lang|fr|en pointe}} as in ballet).
A movement called "side-step" or "sevens and threes" with which dancers travel sideways to the direction they are facing is common, as are jig-step movements called<ref>''Folk Music and Dances of Ireland'', Brendan Breathnach, Ossian Publications, 1996, p. 43</ref> the "rising step" or "grinding step". {{lang|ga|Céilí}} dances may be divided into figures, but a single type of tune is generally used for all the figures and the dancing does not pause between the figures.

Unlike [[square dance]] and [[Round dance (ballroom)|round dance]], {{lang|ga|céilí}} dances are generally not called by a [[Caller (dance)|caller]]; the flow of dance is defined by its name.

==== Social ceili dances ====
{{lang|ga|Céilí}} dances when performed socially are often performed in a progressive style.  At the end of one whole iteration of the dance (lead around and body), instead of stopping, the groups move on to the next set of partners in the line.  {{lang|ga|Céilí}}  dances that can be performed progressively are: walls of Limerick, siege of Ennis, haymaker's jig, and fairy reel. When there is a large social gathering, there will often be a caller for the dance, though it is a very different style from square-dancing caller.  A {{lang|ga|céilí}} caller is usually the teacher or most experienced dancer of the group who has the dance memorized. They then call the movements out in a non-stylized way, intended to remind those who are non-dancers when and where to move. Social {{lang|ga|céilí}} dances are often the easiest dances and very easy to shuffle through as a non-dancer. A caller makes sure that everyone at a social dance can participate. Embellishments are accepted and fun in social {{lang|ga|céilí}} dances, women adding spins or changing the style of a swing based on the skill of a partner.

{{center|Diagram of movement in progressive ceili dance:<br />''Walls of Limerick''}}
{| style="margin:1em auto;"
|-
| '''First dance position''' ||||| '''Progressed position''' ||||| '''Next progressed position'''
|-
| ||||    Couple 2 ||||
|-
| Couple 1 ||||  |||| Couple 2
|-
| Couple 2 |||| Couple 1 |||| Couple 4
|-
|  |||| Couple 4 ||||
|-
| Couple 3 ||||  |||| Couple 1
|-
| Couple 4 |||| Couple 3 |||| Couple 6
|-
|  |||| Couple 6 ||||
|-
| Couple 5 ||||  |||| Couple 3
|-
| Couple 6 |||| Couple 5 |||| Couple 5
|}

===Similar gatherings in England===
{{anchor|Country dance}}
''Cèilidh'' in England has evolved a little differently from its counterparts in Scotland and Ireland. English ''cèilidh'', usually called ceilidh, without the e-grave but pronounced as it is in Scottish Gaelic, can be considered part of English [[country dance]] (and related to [[contra dance]]). English ceilidh has many things in common with the Scottish and Irish social dance traditions. The dance figures are similar using couples' dances, square sets, long sets, and circle dances. However, the English style requires a slower tempo of tune accentuating the on-beat, the central instrument often being the English [[Diatonic button accordion|melodeon]], a diatonic accordion in the keys of D and G. Dancers often use a skip, a step-hop or rant step depending on region. This contrasts with the smoother style and more fluid motion seen in Ireland, Scotland, or (the walking) in contra. Many ceilidh dances involve a couple, but this does not limit the number of partners any one dancer has during the ceilidh. Often dancers will change partners every dance to meet new people.

An important part of English ceilidhs is the "caller" who instructs the dancer in the next dance. An experienced ceilidh caller will have a good understanding of the mechanics of the tunes and a deep knowledge of regional dances from the UK and beyond. They will confer with the band about what type of tune to play for the dance. This aids the selection of the right dance for the right audience, and is a skill is so sought after in the south of England that there are callers who are famous in their own right. However, many bands have their own caller, often also an instrumentalist; some have two.

During an English ceilidh there is often an interval involving the talents of local [[Morris dance|Morris]] or [[Rapper dance|rapper]] side; this also serves to give bands with older members a rest.

It is possible to see many diverse and regionally distinct acts at a modern English ceilidh. Acts range from the most traditional, like the [[Old Swan Band]], to the most experimental like the [[electronic dance music]]-influenced Monster Ceilidh Band. Many other forms of music have been combined with English ceilidh music including; [[Irish music]] from the band Phoenix Ceilidh Band; [[ska]] from the band Whapweasel; [[traditional jazz]] from the bands Chalktown and Florida; [[funk]] [[jazz fusion|fusion]] from Licence to Ceilidh, Ceilidhography, and Climax Ceilidh Band, [[Rock music|rock]] from the bands Peeping Tom, Aardvark Ceilidh Band, Touchstone, and Tickled Pink; West African- and Indian-influenced music from the band Boka Halattraditional; traditional French music from the band Token Women; traditional Welsh music from Twm Twp; and heavy metal from Glorystrokes.<ref>{{Cite book |url= https://books.google.com/books?id=foc8CwAAQBAJ&q=glorystrokes+ceilidh&pg=PA50  |title=Performing Englishness: Identity and Politics in a Contemporary Folk Resurgence |last1=Winter |first1=Trish |last2=Simon |first2=Keegan-Phipps |date=2015 |publisher=Oxford University Press |isbn=9780719097300}}</ref>