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Carlo Gozzi
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==Personal life == His feuds with [[Carlo Goldoni]] and [[Pietro Chiari]] between 1756-1762 were legion. They argued over the changing style of Italian theatre and Gozzi's concern about losing ''[[Commedia dell'arte]]''.<ref name=":1" /> He was the titular protector of the actress [[Teodora Ricci-Bàrtoli|Teodora Ricci]].<ref name=":2">{{Cite book|title=The memoirs of Count Carlo Gozzi|last=Gozzi|first=Carlo|publisher=J.C. Nimmo|year=1890|pages=187}}</ref> When Pier Antonio Gratarol, a member of Venetian society whom Gozzi's ''Draghe d'Amore'' was partially based on, had an affair with her, Gozzi was instrument in Gratrol's exile.<ref name=:2 /> The writer [[Gasparo Gozzi]] was his brother. His collected works were published under his own superintendence at Venice in 1792, in 10 volumes.<ref name="EB1911"/> A number of twentieth-century stage works were inspired by Gozzi's plays. These include treatments of ''[[Turandot (Gozzi)|Turandot]]'' by [[Karl Vollmöller]] and [[Turandot (Brecht)|Bertolt Brecht]], operas based on the same story by [[Turandot (Busoni)|Ferruccio Busoni]], and, more famously, [[Turandot|Giacomo Puccini]], [[Sergei Prokofiev]]'s ''[[The Love of Three Oranges]]'', [[Alfredo Casella]]'s ''[[La donna serpente (opera)|La donna serpente]]'' and [[Hans Werner Henze]]'s ''[[König Hirsch]]''. He shares his tomb with his brother [[Gasparo Gozzi]] at [[San Michele Cemetery, Venice|the San Michele cemetery]] on the [[Isola di San Michele]].
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