Editing Come to My Window (section)

===Critical reception===
Dave Sholin from the ''[[Gavin Report]]'' wrote "[[Singer/songwriter]] extraordinaire, Melissa Etheridge is never short on provocative imagery in any of her songs. She delivers one of her most powerful yet, which is supported by an equally riveting video."<ref>{{cite magazine|first=Dave|last=Sholin|url=https://worldradiohistory.com/Archive-All-Music/Gavin-Report/90/94/Gavin-1994-01-07.pdf|title=Gavin Picks — Singles|magazine=[[Gavin Report]]|date=January 7, 1994|page=|accessdate=March 10, 2022}}</ref> Pan-European magazine ''[[Music & Media]]'' commented, "Melissa goes mellow, but her massive voice remains a major danger for crystal glasses. In short, the same things happen when you programme [[Rod Stewart]]."<ref>{{cite magazine|url=https://www.worldradiohistory.com/UK/Music-and-Media/90s/1994/MM-1994-01-15.pdf|title=New Releases: Singles|magazine=[[Music & Media]]|volume=11|issue=3|date=January 15, 1994|page=12|access-date=April 22, 2025}}</ref> Sam Wood from ''[[Philadelphia Inquirer]]'' felt "Come to My Window" "features the same annoying strummed tag line that seems to infect too much of what is called women's music. Etheridge may have intended to pay homage to her ghettoized sisters, but flaunting the contrived, amateurish chordal figure does nothing to add to the authenticity of the song. It just sinks it."<ref>Wood, Sam (October 5, 1993). "Godfather of Punk, Iggy Pop; Session with Stanley Turrentine". ''[[Philadelphia Inquirer]]''.</ref>