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David Cronenberg
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=== 1969β1979: Film debut and early work === After two short sketch films and two short [[art-house]] features (the [[black-and-white]] ''[[Stereo (1969 film)|Stereo]]'' and the colour ''[[Crimes of the Future (1970 film)|Crimes of the Future]]'') Cronenberg went into partnership with [[Ivan Reitman]]. The Canadian government provided financing for his films throughout the 1970s.<ref name=fullbio/> During this period, he focused on his signature "[[body horror]]" films such as ''[[Shivers (1975 film)|Shivers]]'' (1975) and ''[[Rabid (1977 film)|Rabid]]'' (1977), the latter of which provided pornographic actress [[Marilyn Chambers]] with work in a different genre, although Cronenberg's first choice for the role had been a then little-known [[Sissy Spacek]]. ''Rabid'' was a breakthrough with international distributors, and his next horror feature, ''[[The Brood (film)|The Brood]]'' (1979), gained stronger support. Even then, he showed variety by making ''[[Fast Company (1979 film)|Fast Company]]'' (1979) between ''The Brood'' and ''Rabid'', a project reflecting his interest in car racing and bike gangs.
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