Editing Digital waveguide synthesis (section)

== Further reading ==
* {{cite magazine|author=Daniel Levitin|title=Yamaha VL-1 revolutionizes synthesizer technology|magazine=Billboard|url=https://books.google.com/books?id=SAgEAAAAMBAJ&pg=PA102|date=7 May 1994|pages=102–103}}
* [http://www.soundonsound.com/sos/1994_articles/jul94/yamahavl1.html Yamaha VL1. Virtual Acoustic Synthesizer], [[Sound on Sound]], July 1994
* {{cite magazine|author=Paul Verna|title=Yamaha, Stanford join forces. Licensing program offers new technologies|magazine=Billboard|url=https://books.google.com/books?id=_AkEAAAAMBAJ&pg=PA56|date=2 August 1997|page=56}}
* {{cite book|author=Julius O. Smith|chapter=Digital Waveguide Architectures for Virtual Musical Instruments|editor1=David Havelock |editor2=Sonoko Kuwano |editor3=Michael Vorländer |title=Handbook of Signal Processing in Acoustics|chapter-url=https://books.google.com/books?id=TDPIO01DLSUC&pg=PA399|year=2008|publisher=Springer|isbn=978-0-387-77698-9|pages=399–417}}
* {{cite book|author=Martin Russ|title=Sound Synthesis and Sampling|url=https://books.google.com/books?id=_D2cTt5DPmEC&pg=PA288|year=2008|publisher=Focal Press|isbn=978-0-240-52105-3|pages=288–289}}
* Brian Heywood (22 Nov 2005) [http://www.pcpro.co.uk/realworld/80496/model-behaviour/print Model behaviour. The technology your PC uses to make sound is usually based on replaying an audio sample. Brian Heywood looks at alternatives.], ''PC Pro''
* {{cite book|author=Stefan Bilbao|title=Numerical Sound Synthesis: Finite Difference Schemes and Simulation in Musical Acoustics|url=https://books.google.com/books?id=NEOfHlgFlG8C&pg=PA11|year=2009|publisher=John Wiley and Sons|isbn=978-0-470-51046-9|pages=11–14}}
* {{cite book|author1=Lutz Trautmann|author2=Rudolf Rabenstein|title=Digital sound synthesis by physical modeling using the functional transformation method|url=https://books.google.com/books?id=zEr1Cfv-tYkC&pg=PA77|year=2003|publisher=Springer|isbn=978-0-306-47875-8|pages=77–86}}