Editing Julia Wolfe (section)

===Music for film and theatre===
Wolfe's work with film includes ''Fuel'' for the Hamburg-based [[Ensemble Resonanz]] and filmmaker [[Bill Morrison (director)|Bill Morrison]], and ''Impatience'' and ''Combat de Boxe'' for the [[Asko/Schönberg]] Ensemble and 1920s film experimentalist [[Charles Dekeukeleire]].<ref>{{cite news|last1=Kozinn|first1=Allan|title=Post-Minimalism and Folk Ballads Fuel a Composer|url=https://www.nytimes.com/2011/02/02/arts/music/02julia.html?pagewanted=all|access-date=19 August 2014|work=The New York Times|date=1 February 2011}}</ref>

Wolfe has collaborated with theater artist [[Anna Deavere Smith]], architects [[Diller Scofidio + Renfro]], filmmaker [[Bill Morrison (director)|Bill Morrison]], Ridge Theater, director [[François Girard]], Jim Findlay, and choreographer [[Susan Marshall (choreographer)|Susan Marshall]], among others. Her music has been heard at the [[Brooklyn Academy of Music]], the Sydney Olympic Arts Festival, Settembre Musica (Italy), [[Théâtre de la Ville]] (Paris), [[Lincoln Center for the Performing Arts]], and [[Carnegie Hall]], and has been recorded on [[Cantaloupe Music]], [[Teldec]], Point/Universal, [[Sony Classical Records]], and Argo/Decca.<ref>{{cite web|last1=Ziporyn|first1=Evan|title=Julia Wolfe|url=http://unitedphoenixrecords.com/Home/Composers/Julia-Wolfe.html|website=United Phoenix Records|access-date=19 August 2014}}</ref> Wolfe received a 2000 [[Foundation for Contemporary Arts]] Grants to Artists Award.

Her music for theatre includes the score for [[Anna Deavere Smith]]'s ''House Arrest'', and she won an [[Obie Award]] for her score to Ridge Theater's ''Jennie Richie''. She has composed a series of collaborative multimedia works with composers [[Michael Gordon (composer)|Michael Gordon]] and [[David Lang (composer)|David Lang]], including ''Lost Objects'' ([[Concerto Köln]], directed by [[François Girard]], libretto by Deborah Artman),<ref>{{cite news|last1=Kozinn|first1=Allan|title=MUSIC THEATER REVIEW; Socks to Souls: Finding Meaning in What Goes Missing|url=https://query.nytimes.com/gst/fullpage.html?res=9404E4DA1E3EF931A35751C1A9629C8B63|access-date=19 August 2014|work=The New York Times|date=2 December 2004}}</ref> ''Shelter'' ([[musikFabrik]], Ridge Theater, libretto by Deborah Artman),<ref>{{cite news|last1=Meyer|first1=Robinson|title=Album Preview: Gordon/Lang/Wolfe's 'Shelter'|url=https://www.theatlantic.com/entertainment/archive/2013/03/album-preview-gordon-lang-wolfes-shelter/274188/|access-date=19 August 2014|work=The Atlantic|date=20 March 2013}}</ref> and ''The Carbon Copy Building'' (with comic-book artist [[Ben Katchor]]).<ref>{{cite web|title=Gordon, Lang, Wolfe, Katchor: The Carbon Copy Building|url=http://www.tinymixtapes.com/music-review/gordon-lang-wolfe-katchor-carbon-copy-building|website=Tiny Mix Tapes|access-date=19 August 2014}}</ref> Wolfe created the citywide spectacle ''Traveling Music'' with architects [[Diller Scofidio + Renfro]] in Bordeaux, France, filling the streets of the old city with 100 musicians walking and riding in pedi-cabs.<ref>{{cite web|title=Traveling Music|url=http://www.dsrny.com/#/projects/traveling-music|website=Diller Scofidio + Renfro|access-date=19 August 2014}}</ref>