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Loyset Compère
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==Works list== ===Masses and mass fragments=== # Missa alles regretz; # Missa de tous bien plaine; based on the [[chanson]] by [[Hayne van Ghizeghem]]. The partial manuscript was lost in Berlin during WWII and rediscovered in the early 1990s in Kraków. This allowed identification of sources of the complete mass in medieval copies found in choirbooks in [[Cividale del Friuli|Cividale]] and [[Dresden]].<ref>{{Cite journal |last=Steib |first=Murray |date=1993 |title=Loyset Compère and His Recently Rediscovered Missa De tous biens plaine |url=https://www.jstor.org/stable/764021 |journal=The Journal of Musicology |volume=11 |issue=4 |pages=437–454 |doi=10.2307/764021 |jstor=764021 |issn=0277-9269|url-access=subscription }}</ref> # Missa l'homme armé; # Kyrie et Gloria sine nomine; # Credo 'Mon pére'; # Credo sine nomine. ===Motet cycles (substitution masses)=== These are cycles of motets, in which each motet is to be sung in place of a section of the mass ordinary or one of the Proper chants. In the list, the motet is given along with the name of the Proper chant or mass ordinary section: 1. ''Ave Domine Jesu Christe'' (Missa de D.N.J.C). Ave Domine Jesu Christe (Introit); Ave Domine Jesu Christe (Gloria); Ave Domine Jesu Christe, (Credo); Ave Domine Jesu Christe (Offertory); Salve, salvator mundi (Sanctus); Adoramus te, Christe (Elevation); Parce, Domine (Agnus dei); Da pacem, Domine (Deo Gratias). <!--finish formatting and translating after this point--> 2. ''Hodie nobis de virgine''(Missa in Nativitate Deus Noster Jesu Christe). Hodie nobis de Virgine (Introit); Beata Dei Genitrix Maria (Gloria); Hodie nobis Christus natus est (Credo); Genuit puerpera Regem (Offertory); Verbum caro factum est (Sanctus); Memento, salutis auctor (Elevation); Quem vidistis, pastores (Agnus dei); O admirabile commercium (Deo Gratias). 3. ''Missa Galeazescha'' (Missa de Beata Maria Virgine); Ave virgo gloriosa (Introit); Ave, salus infirmorum (Gloria); Ave, decus Virginale (Credo); Ave, sponsa verbi summi (Offertorii); O Maria (Sanctus); Adoramus te, Christe (Elevation); Salve, mater salvatoris (Agnus dei); Virginis Mariae laudes (Deo Gratias). ===Magnificats=== # Magnificat I toni; # Magnificat IV toni (''Esurientes'' only); # Magnificat VI toni (I); # Magnificat VI toni (II); # Magnificat VII toni; # Magnificat VIII toni (''Esurientes'' only). ===Motets=== # Ad honorum tuum Christe; # Asperges me Domine; # Ave Maria, gratia plena; # Crux triumphans; # Gaude prole regia / Sancta Catharina (1501); # O admirabile commercium; # Officium de cruce (In nomine Jesu); # O genitrix gloriosa; # Omnium bonorum plena (before 1474, possibly for the dedication of [[Cambrai Cathedral]] on 5 July 1472); # Paranymphus salutat virginem; # Profitentes unitatem; # Propter gravamen; # Quis numerare queat / Da pacem (probably composed either on the occasion of the Peace of Etaples, 3 November 1492, or for the treaty between Pope Alexander VI and Charles VIII on 15 January 1495) # Sile fragor; # Sola caret monstris / Fera pessima (1507); # Virgo caelesti. ===Motets-Chansons=== # Le corps / Corpusque meum; # Male bouche / Circumdederunt me; # Plaine d'ennuy / Anima mea; # Tant ay d'ennuy / O vos omnes (=O devotz cueurs /O vos omnes). ===Chansons à trois voix=== # A qui diraige ma pensée; # Au travail suis; # Beaulté d' amours; # Bergeronette savoysienne; # Chanter ne puis; # Des trois la plus; # Dictes moy toutes; # Discant adieu a madame (I); # En attendant; # Faisons boutons (Text: Jean II); # Guerisses moy; # La saison en est; # Le grant dèsir d'aymer; # Le renvoy; # Mes pensées; # Ne doibt on prendre (poem by [[John II, Duke of Bourbon]] ([[contrafactum]] on the piece by [[Costanzo Festa]] on the poem ''Venite amanti'' by [[Poliziano]])); # Ne vous hastez pas (=Adieu a madame (II).); # Pensant au bien; # Pleut or a Dieu; # Pour estre ou nombre; # Puis que si bien; # Reveille toy franc cueur; # Se j'ay parlé (texte: [[Henry Baude]]); # Se mieulx ne vient (adaptation d'une chanson de [[P. Convert]]); # Se pis ne vient; # Seray je vostre mieulx amée (not present in the complete works of Compère in Fallow's edition) # Sourdes regrets; # Tant ha bon oeul; # Tout mal me vient; # Va-t-en regret (poem by John II, Duke of Bourbon); # Venes regrets; # Vive le noble roy de France; # Vous me faittes morir d'envie (poem by John II, Duke of Bourbon). ===Chansons=== # ''Alons fere nos barbes'' (possibly apocryphal); # ''De les mon getes'' = Voles oir une chanson); # ''Et dont revenes-vous''; # ''Gentil patron''; # ''J'ay un syon sur la porte''; # ''Je suis amie d'un fourrier''; # ''L'aultre jour me chevauchoye''; # ''Mon pére m'a donné mari''; # ''Nous sommes de l'ordre de St Babouin''; # ''Royne du ciel''; # ''Une plaisante fillette''; # ''Un franc archier''; # ''Vostre bargeronette''. ===Frottole=== # ''Che fa la ramacina''; # ''Scaramella fa la galla''. ===Attributed or doubtful works=== # ''Ave regina, cælorum'' (anonymous, but attributed to Compère); # ''Cayphas'' (attributed to both [[Johannes Martini]] and Compère); # ''Lourdault lourdault garde que tu feras'' (attributed to both Compère and [[Ninot le Petit]]; scholarly consensus currently favoring Compère); # ''Mais que ce fust'' (attributed to both Compère and [[Pietrequin Bonnel]]); # ''O post partum munda'' (anonymous, attributed to Compère); # ''Sanctus - O sapientia'' (doubtful due to stylistic reasons); # ''Se non dormi dona'' (anonymous, attributed to Compère); # ''Se (Si) vous voulez que je vous face'' (anonymous but in Compère's style); # ''Vray dieu quel payne'' (multiple attributions, including [[Gaspar van Weerbeke]], [[Jean Japart]], and [[Matthaeus Pipelare]]).
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