Editing Marcel Mule (section)

== The Golden Age ==

In 1936, facing concerts abroad, Mule left the ''Garde'' and dedicated himself to performing and composing. The quartet changed its name to Quatuor de Saxophones de Paris, but later became referred to as simply the ''Quatuor Marcel Mule''. The ensemble was heard in concerts and recitals throughout France, Belgium, Holland, England, Switzerland, Germany, Italy and North Africa. It was a period of intense effort, which enabled him to reveal the true nobility and musical potential of the saxophone.

In 1944, [[Claude Delvincourt]], director of the [[Conservatoire de Paris|Paris Conservatoire]], allowed for the reestablishment of a saxophone class, an offering which had been abandoned with the departure of [[Adolphe Sax]] in 1870. Delvincourt entrusted the post to Marcel Mule, who was by then 43 years of age and highly respected in France and abroad. During his years at the Conservatoire, Mule taught over 300 students, many of whom went on to become famous saxophone performers and teachers in their own right.

In 1958, Mule's career culminated as he embarked on a twelve concert tour of the United States with the [[Boston Symphony Orchestra]] under the direction of [[Charles Münch]]. His program choice for the tour was [[Jacques Ibert]]'s ''Concertino da Camera'' for alto saxophone, and [[Henri Tomasi]]'s ''Ballade''.

Writing about Mule's tour with the [[Boston Symphony Orchestra]], New York journalist Louis Leopold Biancolli (1907–1992) called Mule the "[[Arthur Rubinstein|Rubinstein]] of the saxophone".  A few years earlier, a French journalist had dubbed Mule as the "[[Niccolò Paganini|Paganini]] of the saxophone".  In 1939, [[Alfred Frankenstein]] (1906–1981), music critic for the ''[[San Francisco Chronicle]]'' wrote, "Marcel Mule is the [[Jascha Heifetz]] of the Saxophone".<ref name="SFC 1939 Oct 22" />