Editing Notes from Underground (section)

===Part 2: "Apropos of the Wet Snow"===
The title of Part 2 is an allusion to the critic [[Pavel Annenkov]]'s observation that "damp showers and wet snow" were indispensable to writers of the [[natural school]] in Petersburg.<ref name=Katz1989_2930>{{cite book |last=Dostoevsky |first=Fyodor |date=1989 |others=Translated and edited by Michael R. Katz |title=Notes From Underground |publisher=W.W. Norton |pages=29 (''n. 6'')-30 }}</ref> Following the title there is an epigraph containing the opening lines from [[Nikolay Nekrasov|Nekrasov]]'s poem "When from the darkness of delusion..." about a woman driven to prostitution by poverty. The quotation is interrupted by an ellipsis and the words "Etc., etc., etc."{{r|Katz1989_2930}}

Part 2 consists of ten sections covering some events from the narrator's life. While he continues in his self-conscious, polemical style, the themes of his confession are now developed anecdotally.

The first section tells of the Underground Man's obsession with an officer who once insulted him in a pub. This officer frequently passes him by on the street, seemingly without noticing his existence. He sees the officer on the street and thinks of ways to take revenge, eventually borrowing money to buy an expensive overcoat and intentionally bumping into the officer to assert his equality. To the Underground Man's surprise, however, the officer does not seem to notice that it even happened.

Sections II to V focus on a going-away dinner party with some old school friends to bid farewell to one of these friends—Zverkov—who is being transferred out of the city. The Underground Man hated them when he was younger, but after a random visit to Simonov's, he decides to meet them at the appointed location. They fail to tell him that the time has been changed to six instead of five, so he arrives early. He gets into an argument with the four of them after a short time, declaring to all his hatred of society and using them as the symbol of it. At the end, they go off without him to a secret brothel, and, in his rage, the underground man follows them there to confront Zverkov once and for all, regardless if he is beaten or not. He arrives at the brothel to find Zverkov and the others already retired with prostitutes to other rooms.  He then encounters Liza, a young prostitute.

The remaining sections deal with his encounter with Liza and its repercussions. The story cuts to Liza and the Underground Man lying silently in the dark together. The Underground Man confronts Liza with an image of her future, by which she is unmoved at first, but after challenging her individual utopian dreams (similar to his ridicule of the Crystal Palace in Part 1), she eventually realizes the plight of her position and how she will slowly become useless and will descend more and more, until she is no longer wanted by anyone. The thought of dying such a terribly disgraceful death brings her to realize her position, and she then finds herself enthralled by the Underground Man's seemingly poignant grasp of the destructive nature of society. He gives her his address and leaves.

He is subsequently overcome by the fear of her actually arriving at his dilapidated apartment after appearing such a "hero" to her and, in the middle of an argument with his servant, she arrives. He then curses her and takes back everything he said to her, saying he was, in fact, laughing at her and reiterates the truth of her miserable position. Near the end of his painful rage he wells up in tears after saying that he was only seeking to have power over her and a desire to humiliate her. He begins to criticize himself and states that he is in fact horrified by his own poverty and embarrassed by his situation. Liza realizes how pitiful he is and tenderly embraces him. The Underground Man cries out "They—they won't let me—I—I can't be good!"

After all this, he still acts terribly toward her, and, before she leaves, he stuffs a five ruble note into her hand, which she throws onto the table (it is implied that the Underground Man had sex with Liza and that the note is payment). He tries to catch her as she goes out to the street, but he cannot find her and never hears from her again. He tries to stop the pain in his heart by "fantasizing."<blockquote>And isn't it better, won't it be better?… Insult—after all, it's a purification; it's the most caustic, painful consciousness! Only tomorrow I would have defiled her soul and wearied her heart. But now the insult will never ever die within her, and however repulsive the filth that awaits her, the insult will elevate her, it will cleanse her…</blockquote>He recalls this moment as making him unhappy whenever he thinks of it, yet again proving the fact from the first section that his spite for society and his inability to act makes him no better than those he supposedly despises.

The concluding sentences recall some of the themes explored in the first part, and he tells the reader directly, "I have merely carried to an extreme in my life what you have not dared to carry even halfway.”

At the end of Part 2, a further editorial note is added by Dostoevsky, indicating that the 'author' couldn't help himself and kept writing, but that "it seems to us that we might as well stop here".