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Phase vocoder
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== Use in music == British composer [[Trevor Wishart]] used phase vocoder analyses and transformations of a human voice as the basis for his composition ''Vox 5'' (part of his larger [[Vox Cycle]]).<ref>Wishart, T. "The Composition of Vox 5". Computer Music Journal 12/4, 1988</ref> ''[[Transfigured Wind]]'' by American composer [[Roger Reynolds]] uses the phase vocoder to perform time-stretching of flute sounds.<ref>Serra, X. '[http://mtg.upf.edu/node/304 A System for Sound Analysis/Transformation/Synthesis based on Deterministic plus Stochastic Decomposition]', p.12 (PhD Thesis 1989)</ref> The music of [[JoAnn Kuchera-Morin]] makes some of the earliest and most extensive use of phase vocoder transformations, such as in ''Dreampaths'' (1989).<ref>[[Curtis Roads|Roads, Curtis]] (2004). ''Microsound'', p.318. MIT Press. {{ISBN|9780262681544}}.</ref>
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