Editing Princess Ida (section)

===Production===
[[File:Rosina Brandram as Lady Blanche.jpg|left|thumb|upright|[[Rosina Brandram|Brandram]] as Blanche]]
''Princess Ida'' is the only Gilbert and Sullivan work with dialogue entirely in blank verse and the only one of their works in three acts (and the longest opera to that date). The piece calls for a larger cast, and the [[soprano]] title role requires a more dramatic voice than the earlier works. The American star [[Lillian Russell]] was engaged to create the title role of ''Princess Ida'', but Gilbert did not believe that she was dedicated enough, and when she missed a rehearsal, she was dismissed.<ref>Stedman, pp. 200-01</ref> The D'Oyly Carte Opera Company's usual female lead, [[Leonora Braham]], a light [[lyric soprano]], nevertheless moved up from the part of Lady Psyche to assume the title role. [[Rosina Brandram]] got her big break when [[Alice Barnett]] became ill and left the company for a time, taking the role of Lady Blanche and becoming the company's principal [[contralto]].<ref name=Ainger224/>

The previous Savoy opera, ''Iolanthe'', closed after 398 performances on 1 January 1884, the same day that Sullivan composed the last of the musical numbers for ''Ida''. Despite gruelling rehearsals over the next few days, and suffering from exhaustion, Sullivan conducted the opening performance on 5 January 1884 and collapsed from exhaustion immediately afterwards.<ref>Ainger, pp. 225-26</ref> The reviewer for the ''[[Sunday Times]]'' wrote that the score of ''Ida'' was "the best in every way that Sir Arthur Sullivan has produced, apart from his serious works....  Humour is almost as strong a point with Sir Arthur... as with his clever collaborator...."<ref>''[[Sunday Times]]'', 6 January 1884, p.5</ref> The humour of the piece also drew the comment that Gilbert and Sullivan's work "has the great merit of putting everyone in a good temper."<ref>''The Times'', 7 January 1884, p. 7</ref> The praise for Sullivan's effort was unanimous, though Gilbert's work received some mixed notices.<ref name=Allen>Allen, pp. 207-08</ref>