Editing Ratcat (section)

===1990–1998: ''Blind Love'' and rooArt records===
{{Main|Blind Love (album)}}
In February 1990, Ratcat supported English group [[Buzzcocks]] and fellow Australian band [[Falling Joys]],<ref name="Wong">{{cite news |url=http://nla.gov.au/nla.news-article131175558 |title=Showtime: Back for the First Time | last = Wong | first = Kean | newspaper = [[The Canberra Times]] | volume = 64 | issue = 20,018 | date = 1 February 1990 | access-date = 4 September 2016 | page = 21 | via = National Library of Australia }}</ref> before signing with the [[rooArt]] label, distributed by [[PolyGram]].<ref name="McFarlane"/> 

On 14 October 1990, the group released a six-track EP entitled, ''[[Tingles]]'', which was produced by Nick Mainsbridge ([[Tall Tales and True]], [[Martha's Vineyard (band)|Martha's Vineyard]]).<ref name="McFarlane"/><ref name="Holmgren"/> McFarlane noticed that "almost immediately the frisky "That Ain't Bad" scored mainstream radio support."<ref name="McFarlane"/> That track, combined with their cartoon, tattoo-ish artwork (which featured heavily on their releases and in their videos), saw ''Tingles'' reach No.&nbsp;1 on [[ARIA Charts|ARIA Alternative Singles Chart]] and, in May 1991, the EP was a number-one hit on the ARIA Singles Chart for two&nbsp;weeks.<ref name="McFarlane"/><ref name="AusCharts Tingles">{{cite web | url = http://www.australian-charts.com/showitem.asp?interpret=Ratcat&titel=Tingles+EP&cat=s | title = Ratcat – ''Tingles'' EP | publisher = Australian Charts Portal. Hung Medien (Steffen Hung) | last = Hung | first = Steffen | access-date = 4 September 2016 }}</ref> "That Ain't Bad", the lead track, was Day's "simple attempt to mix noisy guitars and the words 'I love you' together in a song without one contradicting the other."<ref name="Aus Musician">{{cite web | url = http://www.australianmusician.com.au/the-50-most-significant-moments-in-australian-poprock-history-comments-welcome-at-wwwmyspacecomaustralianmusicianmagazine/ | title = The 50 Most Significant Moments in Australian Pop/Rock History | last = ''Australian Musician'' staff writers | work = Australian Musician Magazine | date = 19 June 2007 | access-date = 4 September 2016 }}</ref> ''[[The Canberra Times]]'' reviewer opined that it "has had the airplay, but it is not the best track. "Don't Go in the Water", a dire little track, and "Getting Away (From This World)", with its hackneyed but fairly successful insertion of sound from the Challenger shuttle disaster, are both excellent tracks."<ref name="Tingles EP">{{cite news | url = http://nla.gov.au/nla.news-article122336303 | title = Hybrid Flowers are up with the best of them | newspaper = The Canberra Times | volume = 65 | issue = 20,361 | date = 10 January 1991 | access-date = 4 September 2016 | page = 12 | via = National Library of Australia }}</ref>

According to an ''Australian Musician Magazine'' staff writer, Ratcat were the first alternative band to go mainstream – they provided one of the Top 50 Most Significant Moments in Australian Pop/Rock History.<ref name="Aus Musician"/> The band's second album, ''[[Blind Love (album)|Blind Love]]'' was released in May 1991, and its lead single "[[Don't Go Now]]" (April) both reached No.&nbsp;1 on their respective ARIA charts.<ref name="AusCharts">{{cite web | url = http://www.australian-charts.com/showinterpret.asp?interpret=Ratcat | title = Discography Ratcat | publisher = Australian Charts Portal. Hung Medien (Steffen Hung) | last = Hung | first = Steffen | access-date = 30 July 2016 }}</ref> The song was co-written by Day and Robyn St. Clare (of [[the Hummingbirds]]). For recording, at Paradise Studios, Day, Polin and Zaid were joined by St. Clare and [[Margaret Urlich]] on backing vocals;<ref name="NLA Blind">{{Citation | author1 = Ratcat | title = Blind love | publication-date = 1991 | publisher = [[rooArt]] | url = http://trove.nla.gov.au/work/20310437 | access-date = 4 September 2016 }}</ref> they were produced by Mainsbridge, again.<ref name="McFarlane"/><ref name="Holmgren"/> Zaid told Charles Miranda of ''The Canberra Times'' that their chart success was "really weird it happened so quickly it's sort of difficult for us to understand what has happened. And it does put pressure on us to come up with the goods. We have to look at what we've done [... but not] perform to any sort of dictated standard by what we've achieved."<ref name="Miranda">{{cite news | url = http://nla.gov.au/nla.news-article118153997 | title = Ratcat from Alley to Rooftop | last = Miranda | first = Charles | newspaper = The Canberra Times | date = 27 June 1991 | access-date = 4 September 2016 | page = 13 | via = National Library of Australia }}</ref>

The group supported fellow Australian group, [[INXS]], on the latter's Australian tour in April and May 1991 and followed by headlining their own Invasion of the Dinosaur Killers Tour in June.<ref name="McFarlane"/><ref name="Aus Musician"/> Their next single, "[[Baby Baby (Ratcat song)|Baby Baby]]", was released in July and reached No.&nbsp;21.<ref name="AusCharts"/> In September they started a four-month tour across the United Kingdom, continental Europe and the United States.<ref name="McFarlane"/><ref name="NLA Dec 91">{{cite news | url = http://nla.gov.au/nla.news-article122395302 | title = Ratcat woo army of fans in Europe | agency = [[Australian Associated Press]] (AAP) | newspaper = The Canberra Times | volume = 66 | issue = 20,690 | date = 5 December 1991 | access-date = 4 September 2016 | page = 20 | via = National Library of Australia }}</ref> Polin described how "We were playing to full houses a lot of the way around... Admittedly, in London about a third of the audiences were Australians but we had sold about 17,000 copies of our album over there."<ref name="NLA Dec 91"/>

Upon their return to Australia in December, they released an eight-track live album, ''Alive''.<ref name="McFarlane"/><ref name="Holmgren"/><ref name="NLA Dec 91"/> Marc Scully replaced Zaid on bass guitar in mid-1992.<ref name="McFarlane"/><ref name="Holmgren"/> Their third studio album, ''Insideout'' (November 1992) also produced by Mainsbridge, spawned three singles, "[[Candyman (Ratcat song)|Candyman]]" (May 1992), "Holiday" (October 1992) and "The World (in a Wrapper)" (May 1993).<ref name="McFarlane"/><ref name="Holmgren"/> It was recorded between March and May 1992 at Rhinoceros Studios, with Day providing vocals, guitar and bass guitar; and Polin on vocals, drums and percussion.<ref name="Insideout">{{Cite AV media notes | title = Insideout | others = Ratcat | year = 1992 | type = liner notes | publisher = rooArt | id = 4509-93600-2 }}</ref> McFarlane opined that these releases "were unable to repeat the spectacular success of their predecessors but kept Ratcat in the public eye."<ref name="McFarlane"/>

In January 1995, the band released "Rain", which was produced by [[Tony Cohen]], and EP ''The Smiler'' in August 1995, and started work on a new album, ''Easy Rider''.<ref name="McFarlane"/><ref name="Holmgren"/> The band sporadically played live shows over the next few years and ''Easy Rider'' was eventually released in July 1997.<ref name="McFarlane"/>

Ratcat re-emerged in 1998 to play at the [[Homebake]] Festival with a new bass guitarist, [[Nic Dalton]] (ex-[[The Plunderers (band)|The Plunderers]], [[Sneeze (band)|Sneeze]], [[The Lemonheads]], among others). They also collaborated with [[John Paul Young]] – who supplied backing vocals – on a cover version of his earlier single, "[[I Hate the Music]]" (September 1998).<ref name="McFarlane"/> It was included on the soundtrack for the feature film, ''[[Occasional Coarse Language]]'' (November 1998).<ref name="McFarlane"/> The band officially disbanded in 1998.<ref name="McFarlane"/>