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==References== * {{wikicite|ref={{harvid|Apel|1961}}|reference=[[Willi Apel|Apel, Willi]]. 1961. ''The Notation of Polyphonic Music, 900β1600'', fifth edition, revised and with commentary. Publications of the Mediaeval Academy of America, no. 38. Cambridge, Mass.: Mediaeval Academy of America.}} * {{cite book |last=Hoppin |first=Richard H. |author-link=Richard Hoppin |date=1978 |title=Medieval Music |location=New York City |publisher=W. W. Norton & Co. |isbn=0-393-09090-6 }} * {{wikicite|ref={{harvid|Hughes|1954a}}|reference=Hughes, Dom Anselm. 1954a. "Music in Fixed Rhythm". In ''New Oxford History of Music'', vol. 2: "Early Medieval Music up to 1300", edited by Dom Anselm Hughes, 311β52. London, New York City, & Toronto: Oxford University Press.}} * {{wikicite|ref={{harvid|Hughes|1954b}}|reference=Hughes, Dom Anselm. 1954b. "The Motet and Allied Forms". In ''New Oxford History of Music'', vol. 2: "Early Medieval Music up to 1300", edited by Dom Anselm Hughes, 353β404. London New York City, & Toronto: Oxford University Press.}} * {{wikicite|ref={{harvid|Reese|1940}}|reference=[[Gustave Reese|Reese, Gustave]]. 1940. ''Music in the Middle Ages''. New York City: W. W. Norton & Company. {{ISBN|0-393-09750-1}}.}} * {{cite book |date=2001 |editor1-last=Sadie |editor1-first=Stanley |editor1-link=Stanley Sadie |editor2-last=Tyrrell |editor2-first=John |editor2-link=John Tyrrell (professor of music) |title=[[The New Grove Dictionary of Music and Musicians]] |edition=2nd |location=London |publisher=Macmillan |isbn=9780195170672 |ref=CITEREFNew Grove Dict.2001 }} * {{wikicite|ref={{harvid|Seay|1975}}|reference=Seay, Albert. 1975. ''Music in the Medieval World'', second edition. Englewood Cliffs, NJ: Prentice-Hall, Inc. {{ISBN|0-13-608133-9}} (cloth); {{ISBN|0-13-608125-8}} (pbk).}} '''Footnotes''' {{reflist|refs= <ref name=Grove2001_deGarlandia>{{harvnb|New Grove Dict.|2001|loc="Johannes de Garlandia [Johannes Gallicus]" by Rebecca A. Baltzer}}.</ref> <ref name=Cooper1973_30>Cooper, Paul. 1973. ''Perspectives in Music Theory: An Historical-Analytical Approach''. New York: Dodd, Mead. p. 30. {{ISBN|0-396-06752-2}}.</ref> <ref name=Riemann1962_135>[[Hugo Riemann|Riemann, Hugo]]. 1962. ''History of Music Theory, Books I and II: Polyphonic Theory to the Sixteenth Century'', translated, with a preface, commentary, and notes by Raymond H. Haggh. Lincoln: University of Nebraska Press. p. 135. Corrected second printing, 1966. Reprinted New York City: Da Capo Press, 1974. {{ISBN|0-306-70637-7}}.</ref> <ref name=Grove2001_RhythmicM>{{harvnb|New Grove Dict.|2001|loc="Rhythmic Modes [Modal Rhythm]" by Edward. H. Roesner}}.</ref> <ref name=Grove2001_NotationParaIII>{{harvnb|New Grove Dict.|2001|loc="Notation, Β§III, 2: Polyphony and Secular Monophony to c1260" by David Hiley and Thomas B. Payne}}.</ref> }}
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